Casey Reas (b. 1972, Troy, Ohio) is an internationally recognized artist and educator based in Los Angeles. His work spans software, installations, prints, and drawings to explore the relationship between computational systems and contemporary visual culture. Engaging with the history of conceptual art, drawing, and photography, Reas creates generative systems that unfold over time.
Reas\u2019 work has been exhibited at the Whitney Museum of American Art, New York; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; Centre Pompidou, Paris; Victoria and Albert Museum, London; and Ullens Center for Contemporary Art, Beijing. It has also appeared in major group exhibitions across Europe, Asia, and the Americas.
Alongside his studio practice, Reas is deeply engaged in expanding the ecosystem for software-based art. He co-founded Processing (2001), the open-source programming language and environment that has widely expanded creative coding for artists and designers, and the Processing Foundation (2012), which supports visual literacy and access to creative tools worldwide. In 2020, he co-founded Feral File, an online platform for exhibiting and collecting digital art.
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Reas\u2019 work has been exhibited at the Whitney Museum of American Art, New York; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; Centre Pompidou, Paris; Victoria and Albert Museum, London; and Ullens Center for Contemporary Art, Beijing. It has also appeared in major group exhibitions across Europe, Asia, and the Americas.
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\nFounded in 2015 by Tanya Cruz, Hana Omori, and Isabel Ramos, the artist collective Keiken works collaboratively to build and imagine speculative futures. Through filmmaking, gaming, installation, XR, blockchain, and performance, their aim is to test-drive new ways of existing.
\nKeiken received The Lumen Prize in 2024, and the Chanel Next Prize in 2021). They are currently artists in residence at Somerset House in London. Keiken\u2019s work has been included in exhibitions at Le Cube Garges (FR), Zeppelin Museum (DE), Amos Rex, Helsinki (FL), 21st Century Museum of Contemporary Art, Kanazawa (JP), KANAL\u2013Centre Pompidou, Brussels (BE), Helsinki Biennial (FL), HAU, Berlin (DE) (2023), CO Berlin (DE); Wellcome Collection, London (UK); ARKO Art Centre, Seoul (KR); Julia Stoschek Collection, Dusseldorf (DE); Onassis, Athens (GR) (2022); Thailand Biennale, Korat (TH); HEK, Basel (CH); 17th Venice Architecture Biennale, Venice (IT); Tokyo Photographic Art Museum, Tokyo (JP) (2021); FACT, Liverpool (UK); transmediale, Haus der Kulturen der Welt HKW, Berlin (DE) (2020); ICA, London (UK); Jerwood Arts, London (UK) (2019).
\nGabriel Massan
\nGabriel Massan (b. 1996, Rio de Janeiro, Brazil) is a Berlin-based, mixed-format digital artist. Combining storytelling and world-building techniques, Massan creates and narrates situations of inequality which are simulated by the live performances of his digital sculptures in a virtual environment. His work includes 3D animation, digital sculpting and painting, single-player games, virtual reality, and augmented reality.
\nMassan was a 2019 resident at ETOPIA - Center for Art & Technology, an invited artist of the 2020 "IMS Convida" program at Instituto Moreira Salles (IMS), selected for the Circa "Class Of 2021" program in partnership with Dazed, a 2022 commissioned artist by the "Artist World" series at Serpentine Galleries, and a contributor to the "Rotten TV" online research platform supported by The British Council Digital Collaboration Fund.Bold Text
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\nGabriel Massan
\nGabriel Massan (b. 1996, Rio de Janeiro, Brazil) is a Berlin-based, mixed-format digital artist. Combining storytelling and world-building techniques, Massan creates and narrates situations of inequality which are simulated by the live performances of his digital sculptures in a virtual environment. His work includes 3D animation, digital sculpting and painting, single-player games, virtual reality, and augmented reality.
\nMassan was a 2019 resident at ETOPIA - Center for Art & Technology, an invited artist of the 2020 "IMS Convida" program at Instituto Moreira Salles (IMS), selected for the Circa "Class Of 2021" program in partnership with Dazed, a 2022 commissioned artist by the "Artist World" series at Serpentine Galleries, and a contributor to the "Rotten TV" online research platform supported by The British Council Digital Collaboration Fund.Bold Text
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\n", "avatarURI": "avatars/0x4A0C56DB09c85847238B6E00fb2B9d64af9587Eb/1712203970", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/75465bc3-2cf7-4611-b5a9-70a28ca67f00", "location": "", "website": "https://adrianaramic.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "rdriana", "twitterID": "aaramic"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x72C5555bC978d6DDae4ad533c1708fEB200ef66A", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "c8eadc91-5265-43a0-861a-81ee603e5a0d", "alias": "Laurel Schwulst and Sydney Shen", "slug": "laurel-schwulst-and-sydney-shen-u2d", "fullName": "Laurel Schwulst and Sydney Shen", "addresses": {"ethereum": "0x72C5555bC978d6DDae4ad533c1708fEB200ef66A"}, "isArtist": true, "isCurator": false, "bio": "Sydney Shen (b. 1989) is a visual artist living and working in New York. She received her BFA from The Cooper Union for the Advancement of Science and Art in 2011. She exhibits her artwork at galleries, institutions, and fairs worldwide. Currently Shen is working on a large-scale, interactive public sculpture for Riverside Park, New York, through the Works In Public Program at the Art Students League in partnership with the New York City Department of Parks and Recreation. She received the 2019\u20132020 Jerome Foundation Queens Museum Emerging Artist Fellowship, and was a 2019\u20132020 resident of the Lower Manhattan Cultural Council Workspace Program. Select solo exhibitions and projects include First Chair, Gallery Vacancy at Art Basel Hong Kong 2023; Cupio Dissolvi, Gallery Vacancy at Liste Art Fair Basel, 2021; Strange But True, Queens Museum, New York, 2021; Misery Whip, Gallery Vacancy, Shanghai, 2021; Every Good Boy Does Fine, Sophie Tappeiner, Vienna, 2019; and Onion Master, New Museum, New York, 2019. Recent group exhibitions include G Museum, Nanjing, 2023; Simone Subal Gallery, New York, 2022; Lubov, New York, 2022; Kraupa-Tuskany Zeidler, Berlin, 2022; 47 Canal, New York, 2022; and Museum Het Valkhof, Nijmegen, 2021. Shen\u2019s works are in the collections of Asymmetry Art Foundation, London; G Museum, Nanjing; Longlati Foundation, Hong Kong; Macalline Art Center, Beijing; M+ Museum, Hong Kong; and Sigg Collection, Basel.
\nLaurel Schwulst (b. 1988) is an artist, designer, writer, educator, and technologist. She is interested in ambient forms of design and literature, public works, and the poetic potential of the web. She is recognized for her experiential projects-as-worlds, her expanded writing practice, her creative direction leadership, her websites, her innovative learning materials and educational environments, and her ongoing collaborations. Her writing (published in venues including The New York Times, The Creative Independent, and Art in America) has taken the form of essays, perfume reviews, and interviews with other artists. For over a decade, she has taught classes and workshops (at universities including Yale and Princeton) and has presented internationally at cultural, academic, and internet-native institutions (at venues including BBC Radio 4, RISD, University of Seoul, Google, and Wikipedia). Schwulst serves as director of the gift shop at Are.na, a platform for networked curation and teaches design at Princeton. She lives in New York.
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\nRecent exhibitions include Pedagogical Games 1 at 427 Gallery in Riga (2024), 2023 at Paris Internationale with kim? Contemporary Art Center in Riga (2023), Tallinn Photomonth in Tallinn (2023), Digital Intimacy at the National Gallery Prague in Prague (2021), the 14th Baltic Triennial at Contemporary Art Center in Vilnius (2021), Unexpected Encounters at the Latvian National Museum of Art (2019), and Somewhere in Between at Bozar in Brussels (2018).
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\nDayal is currently on faculty at Barnard College and the School of Visual Arts, and has previously taught at Hunter College and the International Center of Photography. She recently edited, with Josephine Heston, Track changes: a handbook for art criticism, published by Paper Monument with significant support from Critical Minded. She also publishes the interdisciplinary collaborative artist publication prompt: with Nicole Kaack, and is the founder of the Journal of Art Criticism. She was previously Ideas Editor at Art in America, and an associate editor and regular contributor at Artforum.
\n", "avatarURI": "avatars/0x86f547eA2f3301DfA0214e2A09dCA43D1cd96605/1711683112", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/34c22a32-bd0f-4a95-4d70-a137ee19dc00", "location": "New York", "website": "http://miradayal.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "miradayal"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "576abd3f-7068-40f7-9cac-ec35721c4e0b", "alias": "Ryan Kuo", "slug": "ryan-kuo-96r", "fullName": "Ryan Kuo", "addresses": {"ethereum": "0xd5247E49362997C1912eD877738fcD3F8a31b381"}, "isArtist": true, "isCurator": false, "bio": "Ryan Kuo (b. 1982, Elkins, WV) is an artist and writer based in New York City. His work uses digital systems and sequences to invoke a person or people arguing. The intention is not to state an argument about a thing, but to be caught in a state of argument. His projects have been commissioned and shown at the Whitney Museum of American Art (NYC), M+ (Hong Kong), Queens Museum (NYC), bitforms gallery (NYC), and TRANSFER (LA), and has been published in Artforum, Art in America, BOMB, and Rhizome. He was a 2022 Knight Arts + Tech Fellow and a resident at the Center for Afrofuturist Studies (Iowa City), Pioneer Works (NYC), and the Queens Museum Studio Program (NYC). He has been developing an artist's book about aspirational workflows, File: A User\u2019s Manual, modeled after software guides for power users. He is not a programmer.
\n", "avatarURI": "avatars/0xd5247E49362997C1912eD877738fcD3F8a31b381/1712762762", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/19c81bbd-5f5d-4b0f-9d95-9519a0925f00", "location": "New York", "website": "https://rkuo.net", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "thanks_dad"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "6231af3b-6731-47bc-badd-b2989f1f3336", "alias": "Dirk Paesmans", "slug": "dirk-paesmans-chj", "fullName": "PAESMANS &&&", "addresses": {"ethereum": "0xf0a60A2f5afC26f71670b57CbB6F574199302538"}, "isArtist": true, "isCurator": false, "bio": "Dirk Paesmans (b.1965 Brussels, Belgium) based in the Netherlands\nRecent exhibitions N0dine Brussels(2023) and Croxhapox Gent\nCurrently working on solo projects after his %20WWWwork with JODI(.org)\nwq8i676i8o7b29 1380N\\o//\\weee3weee wqb %$sHiteqqr avae qwe ilable
\n", "avatarURI": "avatars/0xf0a60A2f5afC26f71670b57CbB6F574199302538/1712487605", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/c998734a-581b-4d59-e2a7-b49fa2e8f800", "location": "ryt7456876//.U^%&!^, ../ .ETAJ QOliu", "website": "", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "@ \ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb", "twitterID": "\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb\ud83d\udfeb"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "a0bd3d01-4551-403f-b62e-7b113ae5600f", "alias": "Adriana Rami\u0107", "slug": "adriana-ramic-xps", "fullName": "Adriana Rami\u0107", "addresses": {"ethereum": "0x4A0C56DB09c85847238B6E00fb2B9d64af9587Eb"}, "isArtist": true, "isCurator": false, "bio": "Adriana Rami\u0107 (b.1989, Chicago) explores the tenuous pathos and interiorities among earthly and machinic beings. Multidisciplinary and conceptual, her work spans installation, video, text, sculpture, drawing, and software, and often draws upon studies in computation and behavior. Through enigmatic vignettes of perception, she investigates the sensitivities of existence and comprehension in both personal and abstracted forms. Her work has been exhibited widely, including at SculptureCenter, New York (2024); Kim? Contemporary Art Centre, Riga (2023); inge, New York (2022); Den Frie Center of Contemporary Art, Copenhagen (2021); Hessel Museum of Art, Annandale-on-Hudson (2019); Stroom den Haag, The Hague (2019); Signal Center for Contemporary Art, Malm\u00f6 (2018); Museum of Contemporary Art, Detroit (2018); Kimberly-Klark, New York (2017); Kunstinstituut Melly, Rotterdam (2016); LUMA/Westbau, Z\u00fcrich (2015); Moderna Museet, Stockholm (2015); and Kunsthalle Wien, Vienna (2015), among others. She is currently a participant in the Berlin Program for Artists.
\n", "avatarURI": "avatars/0x4A0C56DB09c85847238B6E00fb2B9d64af9587Eb/1712203970", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/75465bc3-2cf7-4611-b5a9-70a28ca67f00", "location": "", "website": "https://adrianaramic.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "rdriana", "twitterID": "aaramic"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "c8eadc91-5265-43a0-861a-81ee603e5a0d", "alias": "Laurel Schwulst and Sydney Shen", "slug": "laurel-schwulst-and-sydney-shen-u2d", "fullName": "Laurel Schwulst and Sydney Shen", "addresses": {"ethereum": "0x72C5555bC978d6DDae4ad533c1708fEB200ef66A"}, "isArtist": true, "isCurator": false, "bio": "Sydney Shen (b. 1989) is a visual artist living and working in New York. She received her BFA from The Cooper Union for the Advancement of Science and Art in 2011. She exhibits her artwork at galleries, institutions, and fairs worldwide. Currently Shen is working on a large-scale, interactive public sculpture for Riverside Park, New York, through the Works In Public Program at the Art Students League in partnership with the New York City Department of Parks and Recreation. She received the 2019\u20132020 Jerome Foundation Queens Museum Emerging Artist Fellowship, and was a 2019\u20132020 resident of the Lower Manhattan Cultural Council Workspace Program. Select solo exhibitions and projects include First Chair, Gallery Vacancy at Art Basel Hong Kong 2023; Cupio Dissolvi, Gallery Vacancy at Liste Art Fair Basel, 2021; Strange But True, Queens Museum, New York, 2021; Misery Whip, Gallery Vacancy, Shanghai, 2021; Every Good Boy Does Fine, Sophie Tappeiner, Vienna, 2019; and Onion Master, New Museum, New York, 2019. Recent group exhibitions include G Museum, Nanjing, 2023; Simone Subal Gallery, New York, 2022; Lubov, New York, 2022; Kraupa-Tuskany Zeidler, Berlin, 2022; 47 Canal, New York, 2022; and Museum Het Valkhof, Nijmegen, 2021. Shen\u2019s works are in the collections of Asymmetry Art Foundation, London; G Museum, Nanjing; Longlati Foundation, Hong Kong; Macalline Art Center, Beijing; M+ Museum, Hong Kong; and Sigg Collection, Basel.
\nLaurel Schwulst (b. 1988) is an artist, designer, writer, educator, and technologist. She is interested in ambient forms of design and literature, public works, and the poetic potential of the web. She is recognized for her experiential projects-as-worlds, her expanded writing practice, her creative direction leadership, her websites, her innovative learning materials and educational environments, and her ongoing collaborations. Her writing (published in venues including The New York Times, The Creative Independent, and Art in America) has taken the form of essays, perfume reviews, and interviews with other artists. For over a decade, she has taught classes and workshops (at universities including Yale and Princeton) and has presented internationally at cultural, academic, and internet-native institutions (at venues including BBC Radio 4, RISD, University of Seoul, Google, and Wikipedia). Schwulst serves as director of the gift shop at Are.na, a platform for networked curation and teaches design at Princeton. She lives in New York.
\n", "avatarURI": "avatars/0x72C5555bC978d6DDae4ad533c1708fEB200ef66A/1712714143", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/ae16aeaf-e35e-47ee-5388-f5573280ad00", "location": "", "website": "https://perfume-area.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "614d1698-71b9-437b-b9c6-de0e4baa4ab9", "alias": "Viktor Timofeev", "slug": "viktor-timofeev-zjm", "fullName": "Viktor Timofeev", "addresses": {"ethereum": "0x2eb26E9f4388B30d4fCF0D35AB10ff173c0CEAb6"}, "isArtist": true, "isCurator": false, "bio": "Viktor Timofeev (b. 1984, Riga, Latvia) is an artist based in New York. Timofeev\u2019s multidisciplinary practice is informed by personal experiences, speculative imaginings, and everything in between. Working across generative software, video, painting, installation, and sound, Timofeev often combines these mediums to create semi-fictional environments. He received his MFA at the Piet Zwart Institute in Rotterdam and his BFA at Hunter College in New York. He curates monthly events that include screenings, performances, and sensory-deprivation listening sessions at No Moon, an event space in Brooklyn that he co-founded in 2018. Timofeev also hosts a show on Montez Press Radio focusing on artists who occasionally work with music and sound. He has released several LPs, cassettes, digital albums, and CDs on labels such Futura Resistenza, Alicja, and lobitlandscapes.
\nRecent exhibitions include Pedagogical Games 1 at 427 Gallery in Riga (2024), 2023 at Paris Internationale with kim? Contemporary Art Center in Riga (2023), Tallinn Photomonth in Tallinn (2023), Digital Intimacy at the National Gallery Prague in Prague (2021), the 14th Baltic Triennial at Contemporary Art Center in Vilnius (2021), Unexpected Encounters at the Latvian National Museum of Art (2019), and Somewhere in Between at Bozar in Brussels (2018).
\n", "avatarURI": "avatars/0x2eb26E9f4388B30d4fCF0D35AB10ff173c0CEAb6/1711126440", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/e70cec04-c920-44f6-42eb-e9683cdd5e00", "location": "New York", "website": "https://www.viktortimofeev.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "viktortimofeev"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "14aa7ac5-d075-4b91-aff5-b21834d53a6a", "alias": "Damon Zucconi", "slug": "damon-zucconi-hig", "fullName": "Damon Zucconi", "addresses": {"ethereum": "0xa65F68a8b78538dE64cF631Bd85222cC29E67404"}, "isArtist": true, "isCurator": false, "bio": "Damon Zucconi was born in Bethpage, New York in 1985. He received a BFA in sculpture from Maryland Institute College of Art, Baltimore, in 2007. Zucconi employs custom software to create works which are typically accessible online. Vision, literacy, and pattern recognition are common areas of investigation in his work. Recent solo exhibition include Self-Titled at Veda, Florence (2023), When You\u2019re Here, You\u2019re Familiar at JTT, New York (2023), Lithromantic at VEDA, Florence (2020), and Imagine a World Without You at JTT, New York (2019). Additionally, Zucconi has participated in recent group exhibitions such as Hoi K\u00f6ln - Part 2: In the Belly of the Machine, K\u00f6lnischer Kunstverein, Cologne (2023), The Cargo Cult and other certainties, Galleria ZERO, Milan (2023), and Behind the Screens at CODA, Apeldoorn (2023). Zucconi lives and works in Beacon, New York.
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\n", "avatarURI": "avatars/0xddf29Ea907a415c9629Af3F43a9612Dec3fC481C/1709195157", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/643a10d1-79d7-44af-1306-4d9ad0056e00", "location": "", "website": "", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xf714Fed8d293A010e8ddE7F5caD1B20b3f00181d", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "9235c192-b1e6-447d-9ade-2a623c8c2119", "alias": "Yoko Ono", "slug": "yoko-ono-pgx", "fullName": "Yoko Ono", "addresses": {"ethereum": "0xf714Fed8d293A010e8ddE7F5caD1B20b3f00181d"}, "isArtist": true, "isCurator": false, "bio": "Since emerging onto the international art scene in the early 1960s, Yoko Ono has made profound contributions to visual art, performance, filmmaking, and experimental music. Born in Tokyo in 1933, she moved with her family to New York in the mid-1950s and enrolled at Sarah Lawrence College. Over the next decade she lived in New York, Tokyo, and London, greatly influencing the international development of Fluxus and Conceptual art.
\nOno's earliest works were often based on instructions that she communicated to the public in verbal or written form. Painting to Be Stepped On (1960\u201361), for example, invited people to tread upon a piece of canvas placed directly on the floor, either physically or in their minds. Though easily overlooked, the work radically questioned the division between art and the everyday. It is currently on view at MoMA in the collection galleries. In 1964, Ono compiled more than 200 of her instructions in her groundbreaking artist's book Grapefruit. The instructions range from feasible to improbable, often relying on the reader's imagination to complete the work. By turns poetic, humorous, unsettling, and idealistic, Ono's early instruction pieces anticipated her later work, such as Cut Piece (1964), a performance in which people were invited to cut away portions of her clothing; Sky Machine (1966), a sculpture that speaks to her environmental concerns; and To See the Sky (2015), a spiral staircase installed beneath a skylight that visitors were invited to ascend in order to contemplate the sky. All were on view in her retrospective at MoMA in 2015.
\nOno's collaborations with her late husband, Beatles legend John Lennon, including Bed-In (1969), a weeklong antiwar protest in their honeymoon suite, boldly communicated her commitment to social justice. Never one to confine her work to the gallery space, Ono continues to perform with her avant-garde Plastic Ono Band, promote world peace through her ongoing WAR IS OVER! campaign, and create works that blur the boundaries between art, politics, and society. In recent years, she has embraced social media to communicate her artistic and activist messages to even broader audiences.
\nHer work for SOUND MACHINES is Ono's first engagement with blockchain technology.
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\nTommy Martinez is an artist and programmer working primarily through research, sound, and code. He creates software and musical systems for the internet, for embedded devices, and for live multi-channel performance. Martinez has performed at MoMA PS1, The DiMenna Center for Classical Music, Fridman Gallery, and Pioneer Works. He has lectured on sound and electronic art at School for Poetic Computation, UC Berkeley (CNMAT), Stanford University (CCRMA), NYU (IDM and ITP), and Kunstakademie D\u00fcsseldorf.
\nMartinez and Artist created the performance Integrity Protocol/Lower Limb Lecture, which was originally performed at Pageant in Brooklyn, NY on January 7, 2023, and subsequently recorded later that year.
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\nOno's collaborations with her late husband, Beatles legend John Lennon, including Bed-In (1969), a weeklong antiwar protest in their honeymoon suite, boldly communicated her commitment to social justice. Never one to confine her work to the gallery space, Ono continues to perform with her avant-garde Plastic Ono Band, promote world peace through her ongoing WAR IS OVER! campaign, and create works that blur the boundaries between art, politics, and society. In recent years, she has embraced social media to communicate her artistic and activist messages to even broader audiences.
\nHer work for SOUND MACHINES is Ono's first engagement with blockchain technology.
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\nHarvey is half of the award-winning artist duo known as Entropy8Zuper!/Tale of Tales/Song of Songs, known for their pioneering works in internet art, video games, and mixed reality. Her work can be found in the permanent collections of institutions such as the Whitney Museum of American Art, Buffalo AKG Art Museum, Walker Art Center, KADIST Collection, RF.C Collection, and Rhizome\u2019s Net Art Anthology. Her video games and VR works have been featured internationally within exhibitions at the Tinguely Museum, Basel; the Victoria & Albert Museum, London; the New Museum, New York; Brooklyn Academy of Music, New York; and ZKM, Karlsruhe.
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She is a pioneer of software and net.art, with her earliest work going back to the mid-1990s. LIA has explored every emerging media since that time, including CD-ROMs, the web, apps, and more recently, NFTs. Her practice spans video, performance, software, installations, sculpture, projections, and digital applications, and her works combine traditions of drawing and painting with the aesthetics of digital images and algorithms. Her work has been exhibited online and in physical exhibitions at venues including the Victoria and Albert Museum (London), the Tinguely Museum (Basel), Laboral (Gij\u00f3n), and many more. 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She is a primary organizer of the ongoing project Lucky Dragons. Her work, solo and in collaboration, has been presented at such institutions as the Whitney Museum of American Art (as part of the 2008 Whitney Biennial), the Hammer Museum, the Centre Georges Pompidou, Walker Art Center in Minneapolis, London\u2019s Institute for Contemporary Art, PS1 in New York, REDCAT and Human Resources in Los Angeles, MOCA Los Angeles, and the Smithsonian\u2019s Hirshhorn Museum and Sculpture Garden, among others. 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No. 1 Mario Kart Wii champ!", "avatarURI": "avatars/bS1CaC7rwKMz1YqQKMkSkZjT6pW12dP5qBF9ojXsmVeouqjUBt/1686298522", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/081278b4-e437-4031-7f3e-148653081400", "location": "", "website": "", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "", "twitterID": ""}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xA2feb99DbF3b355397532AeF85d6066b7eD029D0", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "b1abff0e-42f7-4dc5-a24b-593dcf226f9a", "alias": "Kim Asendorf", "slug": "kim-asendorf-wjm", "fullName": "Kim Asendorf", "addresses": {"ethereum": "0xA2feb99DbF3b355397532AeF85d6066b7eD029D0"}, "isArtist": true, "isCurator": false, "bio": "Kim Asendorf is a German visual artist who works with conceptual strategies and generative systems to create abstract animations, images and sculptures. The pixel is the main building block in Asendorf's work, seemingly alive in his abstractions, or rearranged in his iconic Pixel Sorting aesthetics.\n\nHis abstract visual systems are conceptually set and realized in algorithms that are open to a wide range of interpretations. He is working on a per-pixel level to create worlds that mix simplicity with complexity, that never sleep, and that can put the viewer in a mesmerizing state. He loves to experiment, is driven by curiosity, and finds satisfaction when the results of his work surprise himself. 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He discovered analog video feedback for the first time at age 13, and later reflected, \u201cIt was at that moment, staring into the electric vortex, that I became a media artist for life.\u201d He studied painting at the San Francisco Art Institute in parallel with independently exploring music and electronics. Now, his gestural, saturated works have been performed and exhibited internationally through screenings, festivals, museums, and galleries both on and offline. Collaboration with musicians is also an integral part of his practice, and over the years he has developed visual performances and videos for Aphex Twin, Clipping, M.I.A., and many others.", "avatarURI": "avatars/aDNJUTVzn2iJfdLBXwB7EDz3Z8juu5mTqu3kfGR7YT6swn11Ht/1615950417", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/f6880090-e7e4-4ec0-f3f7-4c9e3d346200", "location": "Los Angeles", "website": "https://pixlpa.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x6a619deC9284841aCed0Fb70396AE1c6B73Fa255", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "0ecd3341-3f52-4755-b1ed-85c496d7933f", "alias": "shawn\u00e9 michaelain holloway", "slug": "shawne-michaelain-holloway-a2p", "fullName": "shawn\u00e9 michaelain holloway", "addresses": {"ethereum": "0x6a619deC9284841aCed0Fb70396AE1c6B73Fa255"}, "isArtist": true, "isCurator": false, "bio": "", "avatarURI": "avatars/bLnQUJ3a5ZkwA3cDhoWhzYRjLnksXEMq7r8UqBJBppWfTHKzTa/1686298915", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/cf288e82-bc10-4f58-cd77-f213c91a5300", "location": "", "website": "", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "", "twitterID": ""}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}], "artistsAlumni": [{"ID": "6e09ff1a-d56f-4aa7-9816-a2bfcf601c06", "alias": "LaTurbo Avedon", "slug": "laturbo-avedon-85g", "fullName": "LaTurbo", "addresses": {"ethereum": "0x4b91734e98725cED8b9689e327bA76822FbAe2fD", "tezos": "tz1VV7cJyP7Y5Vhidyt26c1MiE4gzLPp4i6f"}, "isArtist": true, "isCurator": false, "bio": "LaTurbo Avedon is an avatar and artist, creating work that emphasizes the practice of non-physical identity and authorship. Avedon has spent the past decade developing a body of work that illuminates the ever-growing intensity between users and the virtual, pursuing creative environments that deepen the meaning of immaterial experiences. They curate and design Panther Modern, a file-based exhibition space that encourages artists to create site-specific installations for the Internet. LaTurbo\u2019s process of character creation continues through gaming, performance and exhibitions. Their work has been exhibited and collected internationally.", "avatarURI": "avatars/bT4zxgmitazZ8txVW1W9qa72iYPxAsZ4PJPsb2m8sZEGsqGsxY/1660166825", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/86122b30-c8fa-482e-3d60-d5e5025e5700", "location": "Internet", "website": "https://www.laturboavedon.com", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {"instagramID": "laturbo", "twitterID": "laturboavedon"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "99fda0c2-3473-44a9-a58d-e6c538de20a6", "alias": "Lee Blalock (L[3]^2)", "slug": "lee-blalock-a2p", "fullName": "Lee Blalock (L[3]^2)", "addresses": {"ethereum": "0xB92254F2f516b88EE9f28F29DF3EFaf1b4B798F3"}, "isArtist": true, "isCurator": false, "bio": "Lee Blalock is a Chicago-based artist, 80D1punk, and educator presenting alternative and hyphenated states of being through technology-mediated processes. While exploring how technologies support the idea of impossible anatomies, behaviors, and performances, her work is an exercise in body modification by way of amplified behavior. Blalock\u2019s interests include embodied cognition, anatomy and biomechanics, bionics, mechatronics, human/non-human entanglement, and computational abstraction.
\n", "avatarURI": "avatars/bWDNyPUXEP16YmSAhsWXaFrBPzVeb5knNFbzk152miyU7vNbUi/1687357348", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/0d3ba08e-240c-46fc-7d8e-01bff188e200", "location": "Chicago", "website": "https://leeblalock.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "", "twitterID": ""}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "1352232a-60a3-42d7-ac62-b4fd58f20d52", "alias": "Morehshin Allahyari", "slug": "morehshin-allahyari-mvt", "fullName": "Morehshin Allahyari", "addresses": {"ethereum": "0xf8b482bbD522E1ed1e77F0da2E022a59188e9db8"}, "isArtist": true, "isCurator": false, "bio": "Morehshin Allahyari (Persian: \u0645\u0648\u0631\u0647 \u0634\u06cc\u0646 \u0627\u0644\u0644\u0647\u06cc\u0627\u0631\u06cc\u200e) (she, her) is a NY-based Iranian-Kurdish artist using 3D simulation, video, sculpture, and digital fabrication as tools to re-figure myth and history. Through archival practices and storytelling, her work weaves together complex counternarratives in opposition to the lasting influence of Western technological colonialism in the context of SWANA (Southwest Asia and North Africa). Morehshin has been part of numerous exhibitions, festivals, and workshops around the world including Venice Biennale di Architettura, New Museum, The Whitney Museum of American Art, Pompidou Center, Tate Modern, Queens Museum, Museum f\u00fcr Angewandte Kunst, among others. Her work has been featured in the New York Times, BBC, Huffington Post, Wired, National Public Radio, Parkett Art Magazine, Frieze, Rhizome, Hyperallergic, and Al Jazeera, among others. In 2021, she received the United States Artist Fellowship. 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Their work sits in public and private collections such as the FRAC Ile-de-France and the Fran\u00e7ois Schneider foundation, and has been featured in numerous media outlets including Le Monde, Art Viewer, New York Observer, BBC and Frieze.\n\nPrevious exhibitions and screenings include Young Art Triennale at Casino Luxembourg; Thessaloniki International Short Film Festival; Louvre Auditorium, Paris; Haus der Kulturen der Welt, Berlin; MAC VAL, Vitry-sur-Seine; Redline Contemporary Art Center, Denver; OCAT Shenzhen; Carroll/Fletcher, London; Moscow Biennale for Young Art; Le Loft - Collection famille Servais, Brussels; Seongnam Art Center; Palais de Tokyo, Paris. They have recently had solo exhibitions at 22,48 m\u00b2, Paris; La Chaufferie, Strasbourg; Pori Art Museum; Villa du Parc, Annemasse; and Steve Turner, Los Angeles.", "avatarURI": "avatars/bYLRCjteQgA54SRQKfPeoheTiuLn4RJ6mU53NBtKTWkqYWdhgm/1638400743", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/55ff1457-da7e-4461-dc5b-6fe071ac5500", "location": "Paris, France", "website": "http://www.eb-mm.net/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "b0cd505b-8de6-4fea-8b0a-0f8f3b9fd9d7", "alias": "hiroyuki nisougi", "slug": "hiroyuki-nisougi-a2p", "fullName": "hiroyuki nisougi", "addresses": {"ethereum": "0xBa10925eb4956f2C1DEa0c92528595353ce36ca0"}, "isArtist": true, "isCurator": false, "bio": "Hiroyuki Nisougi\n1983 Born in Yamaguchi, Japan Lives and works in Tokyo\n\nSELECTED SOLO EXHIBITIONS\n2018 \u201cNew Works\u201d TALION GALLERY (Tokyo)\n2016 \u201cDIE Posters\u201d TALION GALLERY (Tokyo)\n2014 \"Promise Friends Nearest Neighbor Land Mae\" TALION GALLERY (Tokyo)\n2010 \"Straight\u30fbCopy n Paste\u30fbRedo\u30fbPour\" CULTIVATE (Tokyo)\n\nSELECTED GROUP EXHIBITIONS\n2019\n\"East Asia Culture City 2019\u300a3^x = \u221e ound Town \u300b\" Incheon Art Platform (Incheon, Korea)\n2016\n\"Pixels Out\" pixiv zingaro (Tokyo)\n2015\n\"Nise The Choice\" billiken gallery (Tokyo)\n2013\n\"MOBILIS IN MOBILI\" Kitakagaya Apartment (Osaka)\n\"Der Strum\" Nagoya City Gallery Yada (Aichi)\n2012\n\"Painters Now\" Hyogo Prefecture Museum of Art (Hyogo)\n\"Internet Art Future\" ICC (Tokyo)\n2010\n\"Chaos Rounge 2010\" Takahashi Collection (Tokyo)", "avatarURI": "avatars/avdLK7TxZCpaNFRtna4vKEEE8oiPm1h1FyLu7gk6oCrQWUKtuA/1686297656", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/7c2a8c75-18c4-4947-65c2-0c92470cd600", "location": "", "website": "https://taliongallery.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "", "twitterID": ""}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "c9f01c8f-0c52-473c-8c52-fc9400b86094", "alias": "Peter Burr", "slug": "peter-burr-a2p", "fullName": "Peter Burr", "addresses": {"ethereum": "0x35214145820BA91C1748f1D8928d94eF50111675"}, "isArtist": true, "isCurator": false, "bio": "Peter Burr is an artist from Brooklyn, NY. A master of computer animation with a gift for creating images and environments that hover between abstraction and figuration, Burr has recently devoted himself to exploring the concept of \u201can endlessly mutating labyrinth.\u201d These pieces have been presented internationally by various institutions including Documenta 14, Athens; MoMA PS1, New York; and The Barbican Centre, London. Burr\u2019s practice often engages with tools of the video game industry in the form of immersive cinematic artworks. Previously, Burr worked under the alias Hooliganship and founded the video label Cartune Xprez through which he produced hundreds of live multimedia exhibitions and touring programs, which showcased a multi-generational group of artists at the forefront of experimental animation. 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\nHarvey is half of the award-winning artist duo known as Entropy8Zuper!/Tale of Tales/Song of Songs, known for their pioneering works in internet art, video games, and mixed reality. Her work can be found in the permanent collections of institutions such as the Whitney Museum of American Art, Buffalo AKG Art Museum, Walker Art Center, KADIST Collection, RF.C Collection, and Rhizome\u2019s Net Art Anthology. Her video games and VR works have been featured internationally within exhibitions at the Tinguely Museum, Basel; the Victoria & Albert Museum, London; the New Museum, New York; Brooklyn Academy of Music, New York; and ZKM, Karlsruhe.
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Her nonfiction book, Dear Memory (Milkweed Editions), was published in 2021 and was named a favorite nonfiction book of 2021 by Electric Literature and Kirkus. OBIT (Copper Canyon Press, 2020), her most recent poetry book, was named a New York Times Notable Book, a Time Must-Read Book, and received the Los Angeles Times Book Prize, the Anisfield-Wolf Book Award in Poetry, and the PEN/Voelcker Award. It was also longlisted for a National Book Award and named a finalist for the National Book Critics Circle Award and the Griffin International Poetry Prize. She has also received a Guggenheim Fellowship and the Chowdhury Prize in Literature. She lives in Los Angeles and is a Faculty member within Antioch\u2019s low-residency MFA Program.\n\nAlexandra Crouwers\n\nAlexandra Crouwers (NL, 1974) is an artistic researcher and lecturer in the digital realm, working on the cusp of escapism and activism. 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They are the author of Travesty Generator (Noemi Press), a book of computational poetry that received the Poetry Society of America\u2019s 2020 Anna Rabinowitz prize for interdisciplinary work and longlisted for the 2020 National Book Award for Poetry. They are the recipient of a National Endowment for the Arts Poetry Fellowship. Their other poetry books include How Narrow My Escapes (DIAGRAM/New Michigan), Personal Science (Tupelo Press), a slice from the cake made of air (Red Hen Press), and But a Storm is Blowing From Paradise (Red Hen Press). Their fifth book, Negative Money, is forthcoming from Soft Skull Press in 2023.\n\nDina Chang\n\nDina Chang is an American artist and curator whose work merges traditional photography with machine learning, video, misused software, and science. She seeks an emotional response from viewers as opposed to an intellectual one. Previous exhibitions of her work include MoMA PS1 as part of the Expo: 1 New York module ProBio; The Andy Warhol Museum; and Refraction Festival New York and Tokyo. She has been a visiting critic at Rutgers, Parsons the New School, and The International Center of Photography. 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Scott Cunningham x Connie Bakshi", "addresses": {"tezos": "tz2WoHwe5AaQo8YJstMFhjdfvVbKcowiZdqw"}, "isArtist": true, "isCurator": false, "bio": "P. Scott Cunningham\n\nP. Scott Cunningham is the author of Ya Te Veo (University of Arkansas, 2018). His poems, essays, and translations have appeared or are forthcoming in The Nation, American Poetry Review, Gulf Coast, POETRY, A Public Space, Harvard Review, Monocle, and The Guardian, among others. He lives in Miami, FL, where he serves as the executive director of O, Miami.\n\nConnie Bakshi\n\nConnie Bakshi is an artist based in Los Angeles. Working predominantly with artificial intelligence, she probes postcolonial narratives that emerge on the boundaries between the synthetic and organic, material and immaterial, the human and nonhuman. Her works often re-code language, lore, and ritual to invoke the unspoken memories and desires of a collective consciousness. 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His poems appear in Boston Review, Kenyon Review, Gulf Coast, Best American Poetry, PEN Poetry Series, and elsewhere, and his work has been supported by fellowships and awards from the Bread Loaf Environmental Writers Conference, the Academy of American Poets, and the Lannan Center for Poetics and Social Practice at Georgetown University. He holds an MFA in poetry from Columbia and is completing a PhD in English at the University of California, Berkeley. \n\nSolim\u00e1n L\u00f3pez\n\nSolim\u00e1n L\u00f3pez is a new media and biotech artist based in Paris. 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His stage works have been seen in Mexico City, Singapore, rural Ireland, Canada and all over the U.S. Current projects include King Gilgamesh & the Man of the Wild, a maqam-jazz inflected retelling of the ancient epic featuring Iraqi-Canadian actor-musician Ahmed Moneka. He is at work on a collection of short stories about magic in the American Midwest, and a novel about outsider art. He teaches at the University of Chicago, and serves as Director of Creative Engagement for the international eco-tech nonprofit Sovereign Nature Initiative, where he leads projects encouraging understanding and entanglement between humans and non-humans through art and technology.\n\nHelena Sarin\n\nHelena Sarin is a visual artist and software engineer who has always worked with cutting edge technologies. First at Bell Labs, designing commercial communication systems, and for the last few years as an independent consultant, developing computer vision software using deep learning. Save for the occasional foray into generative art with Processing and computational photography, all her art was analog... until she discovered GANs (Generative Adversarial Networks). With GANs, there is the adventure of new models and new datasets. There is a certain unpredictability that inspires, unblocks, and creates something special \u2014 something that goes far beyond Instagram/ Photoshop filters or ordinary style transfer. 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Blowout (2013) was a finalist for the National Book Critics Circle Award. A proponent of collaboration, she and Maureen Seaton have co-authored five collections, the most recent of which is CAPRICE (Collaborations: Collected, Uncollected, and New) (Sibling Rivalry Press, 2015). Her nonfiction publications include The Unrhymables: Collaborations in Prose (with Julie Marie Wade, Noctuary Press, 2019). A recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts, she is a professor in the MFA program at Florida International University in Miami.\n\nDiane Drubay\n\nDiane Drubay is a visual artist who uses photographs and videos to create optimistic visions of possible futures, inspired by social science fiction literature, color psychology, and scientific discoveries. Her fascination with natural light and colors began in 2012 while waiting for the golden hour in Claude Monet's garden at Giverny. Her work includes projects such as \u201cOdyssey,\u201d a 23-minute video compiling impressions of rising and setting suns, and exploration of natural glitches and their impact on our vision of landscapes and the future. 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Her multiple award-winning work explores how biology delimits societal and cultural rites, ripping the veil off romanticized motherhood and questioning notions that package sacrifice as a virtue. She\u2019s the recipient of the Beverly International Prize, Colombia\u2019s Jos\u00e9 Manuel Arango National Poetry Prize, the Steel Toe Books Poetry Prize, and a Sevens Foundation Grant. Her Pushcart Prize and Best of the Net-nominated work has been sold at live auction, published in top literary outlets and exhibited internationally. She\u2019s the author of the chapbooks Reverse Commute and mid-life. In 2022 she published her first digital book TRYST. She published a full-length poetry collection Entre Domingo y Domingo and A Petit Mal, a nonfiction manuscript, in 2023 and will be publishing Mammal in 2024. 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In 2023, she will have her first solo mid-career retrospective exhibition at the Georgia Museum of Art which will travel in 2024. In addition, The Whitney Museum has commissioned and will acquire an Artport video and AR installation, launching in the fall of 2023. 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Her concept-driven work is based on a transdisciplinary and transmedia practice at the intersection of art, writing, and technology. She takes a playful and experimental approach in exploring new, blockchain-native writing practices and reading experiences. 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Her award-winning work fuses text and technology to probe what it means to be human in an increasingly posthuman era, and has garnered global attention from cultural powerhouses such as MoMA, Art Basel, Ars Electronica, Artforum, Christie\u2019s, NPR, and Gucci. Stiles is author of the \u201cinstant techno-classic\u201d Technelegy (2021), and co-founder of literary gallery theVERSEverse, and has served as Poetry Mentor to the humanoid android BINA48 since 2018.
\n", "avatarURI": "avatars/buKXPCaminECxgSAjvJMxCKvS1gqqgfT4fQzRT4qJK4REcj6LZ/1680714997", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/9ed24849-6095-499c-8011-ba3f1f100700", "location": "New York, U.S. & Wisconsin, U.S.", "website": "https://nnftfont.xyz/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "tz1bpp7YvNKHJNgGcCYJ2JBRBv7AaZxPEbSR", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "36fbd007-5197-4470-badb-12e47a679b4a", "alias": "Marci Calabretta Cancio-Bello x Gretta Louw", "slug": "marci-calabretta-cancio-bello-x-gretta-louw-2sr", "fullName": "Marci Cancio-Bello x Gretta Louw-Kupser", "addresses": {"tezos": "tz1bpp7YvNKHJNgGcCYJ2JBRBv7AaZxPEbSR"}, "isArtist": true, "isCurator": false, "bio": "Marci Calabretta Cancio-Bello\n\nMarci Calabretta Cancio-Bello is the author of Hour of the Ox (Pittsburgh, 2016), winner of the Donald Hall Prize for Poetry. She co-translated Yi Won\u2019s The World\u2019s Lightest Motorcycle (Zephyr Press, 2021), which won the 2022 Translation Grand Prize from the Literature Translation Institute of Korea. Cancio-Bello has received fellowships from the NEA, Kundiman, Knight Foundation, and American Literary Translators Association, and her work has appeared in Kenyon Review Online, The New York Times, and more. She is co-director for the Adoptee Literary Festival and PEN America Miami/South Florida Chapter, and a program manager for Miami Book Fair. www.MarciCalabretta.com\n\nGretta Louw\n\nGretta Louw is a South African-born Australian artist, writer, and curator based in Munich, Germany. Her practice investigates the tensions between sensuality and efficiency; craft and automation; constant digital connectedness and corporeal dislocation: in short, the technosphere and the biosphere. Louw is a graduate of the University of Western Australia and her work has been exhibited widely in public institutions and galleries such as Tang Contemporary (HK), Honor Fraser Gallery (US), Kunstmuseum Solothurn (CH), M\u00fcnchner Stadtmuseum (DE), UNSW Galleries (AU), Furtherfield (UK), and LABoral (ES). She has been the recipient of numerous awards and her artwork and curatorial projects have been covered by press outlets including Tatler Magazine, Vogue Hong Kong, Hyperallergic, Kunstforum, Motherboard, AQNB Magazine, S\u00fcddeutsche Zeitung, and others.", "avatarURI": "avatars/awbYWtTW11JPoEd3VPdLSE8Nfo6shpm9wUiWhpb6om3mR5BZWM/1677076859", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/6fbe8071-5229-460a-8c0e-675485896500", "location": "Florida, U.S. & Munich, Germany", "website": "www.MarciCalabretta.com & www.grettalouw.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}], "artistsAlumni": [{"ID": "b423c471-4547-4b71-b089-2de75423f240", "alias": "Victoria Chang x Alexandra Crouwers", "slug": "victoria-chang-x-alexandra-crouwers-igv", "fullName": "Victoria Chang x Alexandra Crouwers", "addresses": {"tezos": "tz1hHkndmCoSd7LNNK9QZwDJbaWnBmjpQeQX"}, "isArtist": true, "isCurator": false, "bio": "Victoria Chang\n\nVictoria Chang\u2019s forthcoming book of poems, With My Back to the World will be published in 2024 by Farrar, Straus & Giroux and Corsair Books in the U.K. Her most recent book of poetry, The Trees Witness Everything was published by Copper Canyon Press and Corsair Books in the U.K. in 2022, and was named one of the Best Books of 2022 by the New Yorker and The Guardian. Her nonfiction book, Dear Memory (Milkweed Editions), was published in 2021 and was named a favorite nonfiction book of 2021 by Electric Literature and Kirkus. OBIT (Copper Canyon Press, 2020), her most recent poetry book, was named a New York Times Notable Book, a Time Must-Read Book, and received the Los Angeles Times Book Prize, the Anisfield-Wolf Book Award in Poetry, and the PEN/Voelcker Award. It was also longlisted for a National Book Award and named a finalist for the National Book Critics Circle Award and the Griffin International Poetry Prize. She has also received a Guggenheim Fellowship and the Chowdhury Prize in Literature. She lives in Los Angeles and is a Faculty member within Antioch\u2019s low-residency MFA Program.\n\nAlexandra Crouwers\n\nAlexandra Crouwers (NL, 1974) is an artistic researcher and lecturer in the digital realm, working on the cusp of escapism and activism. Crouwers studied at Sandberg Institute in Amsterdam, and is currently a PhD in arts candidate at LUCA School of Arts/Leuven University in Belgium, focusing on finding new and unusual \u2013 sometimes unsettling and occasionally sardonically funny \u2013 means to deal with eco-anxiety and ecological grief. \n\nIn the research trajectory, a former family forest \u2013 a victim of the European spruce bark beetle plague \u2013 functions as a lens to look at global issues in the context of (post-)pandemic sentiments towards the ecological and climatological system crisis.\n\nCrouwers\u2019 artistic practice is explorative and versatile, generating a range of output such as immersive video-installations, .gifs, emoji proposals, digital 3d sculptures, audio, in situ animations, woven tapestries, and public art works. \n\nNext to her visual practice, Crouwers publicizes her writings on the research, and on digital art and NFTs in relation to the wider field of contemporary art. Crouwers is currently based in Antwerp, Belgium.", "avatarURI": "avatars/brkWuTW51JjN1TdU5LydzLE7RwMPiUznCUTGRUMLRGTCKtLdtD/1677776151", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/81b002e8-7dab-415b-e157-802653d91e00", "location": "California, U.S. & Belgium", "website": "https://victoriachangpoet.com/ & https://www.alexandracrouwers.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "@alexa_crwrs", "twitterID": "@acrwrs"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "876fd0b7-802b-4502-afd1-ea16de2e6c41", "alias": "Lillian-Yvonne Bertram x Dina Chang", "slug": "lillian-yvonne-bertram-x-dina-chang-wxn", "fullName": "Lillian-Yvonne Bertram x Dina Chang", "addresses": {"tezos": "tz1hGuoSWckkHRWEZg8EPgBZxseNx9CTStbr"}, "isArtist": true, "isCurator": false, "bio": "Lillian-Yvonne Bertram\n\nLillian-Yvonne Bertram is an African American writer, poet, artist, and educator who works at the intersection of computation, AI, race, and gender. They are the author of Travesty Generator (Noemi Press), a book of computational poetry that received the Poetry Society of America\u2019s 2020 Anna Rabinowitz prize for interdisciplinary work and longlisted for the 2020 National Book Award for Poetry. They are the recipient of a National Endowment for the Arts Poetry Fellowship. Their other poetry books include How Narrow My Escapes (DIAGRAM/New Michigan), Personal Science (Tupelo Press), a slice from the cake made of air (Red Hen Press), and But a Storm is Blowing From Paradise (Red Hen Press). Their fifth book, Negative Money, is forthcoming from Soft Skull Press in 2023.\n\nDina Chang\n\nDina Chang is an American artist and curator whose work merges traditional photography with machine learning, video, misused software, and science. She seeks an emotional response from viewers as opposed to an intellectual one. Previous exhibitions of her work include MoMA PS1 as part of the Expo: 1 New York module ProBio; The Andy Warhol Museum; and Refraction Festival New York and Tokyo. She has been a visiting critic at Rutgers, Parsons the New School, and The International Center of Photography. She is also co-founder of Setta, an experimental creative studio based in New York City.", "avatarURI": "avatars/beXb8dVwXYRosDdHUtS81kADKe9VVQByLhaUXbUc6vfScj7vXj/1676677790", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/e1e8e005-d3a6-41cf-37ef-302bd9c38f00", "location": "Massachusetts, U.S. & California, U.S.", "website": "https://www.lillianyvonnebertram.com & https://www.behance.net/setta_studio ", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "6deda34a-3504-42f4-b229-c7236d92221b", "alias": "P. Scott Cunningham x Connie Bakshi", "slug": "p-scott-cunningham-x-connie-bakshi-h1i", "fullName": "P. Scott Cunningham x Connie Bakshi", "addresses": {"tezos": "tz2WoHwe5AaQo8YJstMFhjdfvVbKcowiZdqw"}, "isArtist": true, "isCurator": false, "bio": "P. Scott Cunningham\n\nP. Scott Cunningham is the author of Ya Te Veo (University of Arkansas, 2018). His poems, essays, and translations have appeared or are forthcoming in The Nation, American Poetry Review, Gulf Coast, POETRY, A Public Space, Harvard Review, Monocle, and The Guardian, among others. He lives in Miami, FL, where he serves as the executive director of O, Miami.\n\nConnie Bakshi\n\nConnie Bakshi is an artist based in Los Angeles. Working predominantly with artificial intelligence, she probes postcolonial narratives that emerge on the boundaries between the synthetic and organic, material and immaterial, the human and nonhuman. Her works often re-code language, lore, and ritual to invoke the unspoken memories and desires of a collective consciousness. She has spoken and exhibited at FEMGEN at Art Basel Miami, VellumLA, MoCDA, NFCastle, The NFT Gallery in London, and SaloneSatellite in Milan. An alumna of NEW INC, the New Museum\u2019s incubator for art, technology, and design, she is currently a resident artist at the VerticalCrypto Art Residency.", "avatarURI": "avatars/bb2hpbLUf87LijUEFpAXz4C9rHtq8vPRrZLuEKjFKbNXECgbvv/1677937372", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/edf3ff2a-77fa-4258-80fc-37d939071900", "location": "Florida, U.S. & California, U.S. ", "website": "www.pscottcunningham.com & www.conniebakshi.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "be7fc515-5150-4c0f-9772-be9c7c59dd4b", "alias": "John James x Soliman Lopez", "slug": "john-james-x-soliman-lopez-x49", "fullName": "John James x Miguel Solim\u00e1n L\u00f3pez Cortez ", "addresses": {"tezos": "tz1W3XJgdFMkGETBwNLjt9FLf7urheJBojYA"}, "isArtist": true, "isCurator": false, "bio": "John James\n\nJohn James is the author of The Milk Hours (Milkweed, 2019), selected by Henri Cole for the Max Ritvo Poetry Prize. His poems appear in Boston Review, Kenyon Review, Gulf Coast, Best American Poetry, PEN Poetry Series, and elsewhere, and his work has been supported by fellowships and awards from the Bread Loaf Environmental Writers Conference, the Academy of American Poets, and the Lannan Center for Poetics and Social Practice at Georgetown University. He holds an MFA in poetry from Columbia and is completing a PhD in English at the University of California, Berkeley. \n\nSolim\u00e1n L\u00f3pez\n\nSolim\u00e1n L\u00f3pez is a new media and biotech artist based in Paris. Founder of the Harddiskmuseum, the biotoken OLEA, and the DNA digital entities Introns, among other projects, Solim\u00e1n\u2019s works have been shown in more than 20 countries including festivals, museums, galleries and art centers.", "avatarURI": "avatars/bgnZxRhs9jWYXftmRoX94nz5gvkWgpGpwEM98LjZhWu2UTrE2y/1680508649", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/25b48461-03f8-4b81-ac23-a154916f5600", "location": "California/Kentucky, U.S. & Paris, France", "website": "jj-poetry.com & www.solimanlopez.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "9833f7b2-32fb-45a7-95e5-d4ae368c01b9", "alias": "Seth Bockley x Helena Sarin", "slug": "seth-bockley-x-helena-sarin-kuf", "fullName": "Seth Bockley x Helena Sarin", "addresses": {"tezos": "tz1XrfGyvL6EEVXfVnxUYFozN3BXvNaFepoy"}, "isArtist": true, "isCurator": false, "bio": "Seth Bockley\n\nSeth Bockley is a writer of plays, poems, stories and screenplays. His stage works have been seen in Mexico City, Singapore, rural Ireland, Canada and all over the U.S. Current projects include King Gilgamesh & the Man of the Wild, a maqam-jazz inflected retelling of the ancient epic featuring Iraqi-Canadian actor-musician Ahmed Moneka. He is at work on a collection of short stories about magic in the American Midwest, and a novel about outsider art. He teaches at the University of Chicago, and serves as Director of Creative Engagement for the international eco-tech nonprofit Sovereign Nature Initiative, where he leads projects encouraging understanding and entanglement between humans and non-humans through art and technology.\n\nHelena Sarin\n\nHelena Sarin is a visual artist and software engineer who has always worked with cutting edge technologies. First at Bell Labs, designing commercial communication systems, and for the last few years as an independent consultant, developing computer vision software using deep learning. Save for the occasional foray into generative art with Processing and computational photography, all her art was analog... until she discovered GANs (Generative Adversarial Networks). With GANs, there is the adventure of new models and new datasets. There is a certain unpredictability that inspires, unblocks, and creates something special \u2014 something that goes far beyond Instagram/ Photoshop filters or ordinary style transfer. Recently she founded Neural Bricolage Studio to demystify, promote, and display AI assisted artwork.", "avatarURI": "avatars/b3PUriYk8D1ZnK2hr1sU8xf8JF8PKZ9mxvabXFhTta69k7xCzS/1680554647", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/93dbcc3f-04ec-4f6c-6536-012da72ad800", "location": "Midwest, U.S. & Northeast, U.S.", "website": "sethbockley.com & https://twitter.com/neuralbricolage", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "sethboke", "twitterID": "sboke"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "5538abf3-3a04-4e25-910d-654edd9e8368", "alias": "Denise Duhamel x Diane Drubay", "slug": "denise-duhamel-x-diane-drubay-xq1", "fullName": "Denise Duhamel x Diane Drubay", "addresses": {"tezos": "tz1b1sH2FmuVazszFdkUn8GvfvZpNxSa7C8J"}, "isArtist": true, "isCurator": false, "bio": "Denise Duhamel\n\nDenise Duhamel\u2019s most recent books of poetry are Second Story (Pittsburgh, 2021) and Scald (2017). Blowout (2013) was a finalist for the National Book Critics Circle Award. A proponent of collaboration, she and Maureen Seaton have co-authored five collections, the most recent of which is CAPRICE (Collaborations: Collected, Uncollected, and New) (Sibling Rivalry Press, 2015). Her nonfiction publications include The Unrhymables: Collaborations in Prose (with Julie Marie Wade, Noctuary Press, 2019). A recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts, she is a professor in the MFA program at Florida International University in Miami.\n\nDiane Drubay\n\nDiane Drubay is a visual artist who uses photographs and videos to create optimistic visions of possible futures, inspired by social science fiction literature, color psychology, and scientific discoveries. Her fascination with natural light and colors began in 2012 while waiting for the golden hour in Claude Monet's garden at Giverny. Her work includes projects such as \u201cOdyssey,\u201d a 23-minute video compiling impressions of rising and setting suns, and exploration of natural glitches and their impact on our vision of landscapes and the future. Her work has been exhibited in various galleries and festivals worldwide.", "avatarURI": "avatars/bjtyUCshFQC2DEvzu4jqvCtpr62AC1CwS22LiKn7JGAuJ5sgyV/1680714532", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/84e5e0e8-dca6-4743-8c64-043639f91900", "location": "Florida, U.S. & Berlin, Germany ", "website": "https://poets.org/poet/denise-duhamel & www.dianedrubay.com ", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "8d707dcc-77ab-4e84-8d25-da1fe66d0b27", "alias": "Ana Maria Caballero x Nancy Baker Cahill", "slug": "ana-maria-caballero-x-nancy-baker-cahill-myo", "fullName": "Ana Mar\u00eda Caballero x Nancy Baker Cahill", "addresses": {"tezos": "tz1X4Z7JcyYAgxr33bh2XyWBXMug5AcuKg5y"}, "isArtist": true, "isCurator": false, "bio": "Ana Mar\u00eda Caballero\n \nAna Mar\u00eda Caballero is a Colombian-American poet and artist. Her multiple award-winning work explores how biology delimits societal and cultural rites, ripping the veil off romanticized motherhood and questioning notions that package sacrifice as a virtue. She\u2019s the recipient of the Beverly International Prize, Colombia\u2019s Jos\u00e9 Manuel Arango National Poetry Prize, the Steel Toe Books Poetry Prize, and a Sevens Foundation Grant. Her Pushcart Prize and Best of the Net-nominated work has been sold at live auction, published in top literary outlets and exhibited internationally. She\u2019s the author of the chapbooks Reverse Commute and mid-life. In 2022 she published her first digital book TRYST. She published a full-length poetry collection Entre Domingo y Domingo and A Petit Mal, a nonfiction manuscript, in 2023 and will be publishing Mammal in 2024. Widely recognized as a web3 poetry pioneer for her own innovative work, she\u2019s also the co-founder of digital poetry gallery theVERSEverse.\n\nNancy Baker Cahill\n\nNancy Baker Cahill is an award-winning interdisciplinary artist whose hybrid practice focuses on systemic power, consciousness, and the human body. She creates research-based immersive experiences, video installations, and conceptual blockchain projects rooted in the history of drawing. Her monumental augmented reality (AR) artworks extend and subvert the lineage of land art, often highlighting the climate crisis, civics, and a desire for more equitable futures. She is the founder and artistic director of 4th Wall, a free AR public art platform exploring site interventions, resistance, and inclusive creative expression. She has exhibited internationally at museums and galleries, and her solo exhibition Slipstream: Table of Contents was recently acquired by LACMA. In 2023, she will have her first solo mid-career retrospective exhibition at the Georgia Museum of Art which will travel in 2024. In addition, The Whitney Museum has commissioned and will acquire an Artport video and AR installation, launching in the fall of 2023. 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Her concept-driven work is based on a transdisciplinary and transmedia practice at the intersection of art, writing, and technology. She takes a playful and experimental approach in exploring new, blockchain-native writing practices and reading experiences. 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Her award-winning work fuses text and technology to probe what it means to be human in an increasingly posthuman era, and has garnered global attention from cultural powerhouses such as MoMA, Art Basel, Ars Electronica, Artforum, Christie\u2019s, NPR, and Gucci. Stiles is author of the \u201cinstant techno-classic\u201d Technelegy (2021), and co-founder of literary gallery theVERSEverse, and has served as Poetry Mentor to the humanoid android BINA48 since 2018.
\n", "avatarURI": "avatars/buKXPCaminECxgSAjvJMxCKvS1gqqgfT4fQzRT4qJK4REcj6LZ/1680714997", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/9ed24849-6095-499c-8011-ba3f1f100700", "location": "New York, U.S. & Wisconsin, U.S.", "website": "https://nnftfont.xyz/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "36fbd007-5197-4470-badb-12e47a679b4a", "alias": "Marci Calabretta Cancio-Bello x Gretta Louw", "slug": "marci-calabretta-cancio-bello-x-gretta-louw-2sr", "fullName": "Marci Cancio-Bello x Gretta Louw-Kupser", "addresses": {"tezos": "tz1bpp7YvNKHJNgGcCYJ2JBRBv7AaZxPEbSR"}, "isArtist": true, "isCurator": false, "bio": "Marci Calabretta Cancio-Bello\n\nMarci Calabretta Cancio-Bello is the author of Hour of the Ox (Pittsburgh, 2016), winner of the Donald Hall Prize for Poetry. She co-translated Yi Won\u2019s The World\u2019s Lightest Motorcycle (Zephyr Press, 2021), which won the 2022 Translation Grand Prize from the Literature Translation Institute of Korea. Cancio-Bello has received fellowships from the NEA, Kundiman, Knight Foundation, and American Literary Translators Association, and her work has appeared in Kenyon Review Online, The New York Times, and more. She is co-director for the Adoptee Literary Festival and PEN America Miami/South Florida Chapter, and a program manager for Miami Book Fair. www.MarciCalabretta.com\n\nGretta Louw\n\nGretta Louw is a South African-born Australian artist, writer, and curator based in Munich, Germany. Her practice investigates the tensions between sensuality and efficiency; craft and automation; constant digital connectedness and corporeal dislocation: in short, the technosphere and the biosphere. 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The output of Lu Yang\u2019s artistic practice spans game engines, 3D-animated films, video game installations, holograms, motion capture performances, virtual reality and software manipulation. The artist also collaborates with acclaimed scientists, psychologists, performers, dancers, experimental composers, music producers, robotics companies and pop stars.\n\nLu Yang graduated with a BA and MA from the New Media Art department of the China Academy of Art in Hangzhou. Their work has been featured in major museums and institutions internationally, Lu Yang participated in the 2022 Venice Biennale. 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The works in this exhibition explore their existence as \u201ctokens\u201d beyond just being technological records of a transaction: they function as catalysts in precipitating events or actions, from environmental preservation and sustainability of a creative process to aesthetic choices. NFTs are functionally defined by their non-fungible status. They are capable of encapsulating and proving ownership of digital artworks that are often characterized by malleable, generative, untraceable, or imperceptible qualities. 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She is also the founder of the AI Climate Justice Lab, the Talk To Me About Water Collective, and the Stupid Hackathon. In 2022 she was awarded a MacArthur Foundation Award as part of the Sundance AOP Fellowship cohort for her project CLOUD WORLD / SKYWORLD, which was part of The Whitney\u2019s Sunrise/Sunset series. In 2021 she was a fellow at Stanford University as their artist and technologist in residence, made possible by the Stanford Visiting Artist Fund in Honor of Roberta Bowman Denning (VAF). In 2020 she founded Wampum Codes, an award-winning podcast and an ethical framework for software development based on indigenous values of co-creation. In 2019 she was a delegate at the Summit on Fostering Universal Ethics and Compassion for His Holiness, The 14th Dalai Lama, at his World Headquarters in Dharmsala, India. In 2018 she was awarded the 100k Alternative Realities Prize for her Virtual Reality Project: Your Hands Are Feet from Engadget and Verizon Media. This was also the year that nonprofit IDEA New Rochelle won the $1 Million Bloomberg Mayor\u2019s Challenge for their VR/AR Citizen toolkit to help the community co-design their city. 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Using research and technologies including software, animation, food, and other biomaterials, she fosters intimate multispecies and geophysical connections. Zurkow works as a founding member of several collaborative initiatives, including Investing in Futures, Dear Climate, and Climoji. Her recent solo exhibitions include Bitforms gallery, New York; Google (Hudson River campus); ICA San Diego; New York City\u2019s MTA Arts & Design; and Borusan Contemporary, Istanbul. Her work has been featured at Storm King Art Center, New York; the 7th Moscow Biennale; Smithsonian American Art Museum, Washington D.C.; Sundance Film Festival, Utah; and the Seoul Media City Biennial, Korea, among others. Her public art engagements include work with Creative Time, New York; The New Museum\u2019s Ideas City, New York; Northern Lights.mn, Minneapolis; 01SJ Biennial, San Jose, California; and Rice University, Houston. Zurkow was a 2022 fellow at the Environmental Media Lab, Princeton University. 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Spalter has drawn on the writings of Carl Jung as well as science fiction novels and movies to develop a consistent set of personal symbols using a hybrid arsenal of traditional mark-making methods and innovative digital tools. Her crypto art has been auctioned by Sotheby\u2019s and Phillips, and featured in the New York Times. She recently completed a successful 501-piece drop: AI Spaceships.\n\nSpalter is also noted for her large-scale public projects. MTA Arts commissioned Spalter to create a 52-screen digital art installation, New York Dreaming, which remained on view in Fulton Center for just under a year. \n\nSpalter\u2019s work is in the permanent collections of the V&A Museum (London), the Buffalo AKG Art Museum (Buffalo, NY), the RISD Museum (Providence, RI), The Museum of CryptoArt, and others. Alongside her studio practice, Spalter continues to lecture on digital art practice and theory. She recently completed an alumni residency at MASS MoCA.", "avatarURI": "avatars/ahyJUKrQUTZkY4tAJLEnuwjga6fFL9wyQukqyXrNp43ixLL1yT/1664851317", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/f9972bff-5829-495e-f754-029b503e8200", "location": "New York, United States", "website": "https://annespalter.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "5aa30f9a-74e3-40b9-8852-46a9c8d88e7e", "alias": "Botto", "slug": "botto-68b", "fullName": "Botto", "addresses": {"tezos": "tz2BUAkat16Po9RZjeYCt96vEkRgwBikbzBS"}, "isArtist": true, "isCurator": false, "bio": "Botto is a decentralized autonomous artist governed by a collective. Launched in October 2021, Botto\u2019s artistic capabilities are based on an art engine, a proprietary blend of algorithmic models that have synthesized millions of works of art. Each week, 350 art pieces are presented to the community, a growing group of thousands of users, and this community votes on which piece they deem to be the most aesthetically pleasing. This voting mechanism allows the collective to select a singular artwork to be minted while also using this information to train the artist\u2019s algorithm. Botto incorporates these preferences in its growing sense of taste ultimately evolving Botto\u2019s aesthetic and body of work over time.", "avatarURI": "avatars/bUtuEu8Ddd14gX8d1mtL3tyLDHQSE97Mx2VrzfcY29e5EFCbEJ/1665245375", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/a81100a7-73db-494d-eaa5-7b5528115300", "location": "", "website": "botto.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "742be967-2831-47d1-9605-0ecdf18002fa", "alias": "Behnaz Farahi", "slug": "behnaz-farahi-p2f", "fullName": "Behnaz Farahi", "addresses": {"tezos": "tz1RWkLLEDW6Ks1BSaR7ybmbxK3nLXFXdfBx"}, "isArtist": true, "isCurator": false, "bio": "Born and raised in Iran, Behnaz Farahi is an award winning designer and critical maker based in Los Angeles. She holds a PhD in Interdisciplinary Media Arts and Practice from USC School of Cinematic Arts. Currently she is an assistant professor at the department of design, California State University, Long Beach. She explores how to foster an empathetic relationship between the human body and the space around it using computational systems. Her work addresses critical issues such as feminism, emotion, perception, and social interaction. Farahi has won several awards including the Cooper Hewitt Smithsonian Design Museum Digital Design Award, Innovation By Design Fast Company Award, and the World Technology Award. She is a co-editor of the issue of AD, \u201c3D Printed Body Architecture\u201d (2017) and \u201cInteractive Futures\u201d (forthcoming).", "avatarURI": "avatars/bRn4WzZErkUBC1HjA4XPywTWiDgfctx7hNVFPHFA5a4NzbsK2i/1665001113", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/c2b15741-8571-46b0-18db-71bf6830da00", "location": "California, United States", "website": "https://behnazfarahi.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "7e1f6075-b1da-445a-a1cf-dc3aff032692", "alias": "David OReilly", "slug": "david-oreilly-bwc", "fullName": "David OReilly", "addresses": {"tezos": "tz1gx9mhvd9gUSjRyJDNLceqMJEK1RVaC8Dx"}, "isArtist": true, "isCurator": false, "bio": "David OReilly is a multidisciplinary artist based in Los Angeles. His work spans animation, video games, and interactive art. He started his career as an animator, creating numerous short films which inspired a wave of lo-fi digital aesthetics. In collaboration with Spike Jonze, he created the holographic video games in the film Her. He then went on to develop interactive nature simulations such as Mountain and the universe scale Everything. His pioneering AR works have received over 3 billion views across social media.", "avatarURI": "avatars/bq38YQLYVsyyBihSGaDtodifh5dP3maNTk9PGbEzyFRfGbMxJp/1665187482", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/0ca127c9-f404-4998-0ec3-c4da3eb99400", "location": "California, United States ", "website": "https://davidoreilly.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "621d0600-67a5-4b96-8c91-cda800212681", "alias": "Ix Shells", "slug": "ix-shells-qlc", "fullName": "Itzel Yard", "addresses": {"ethereum": "0x452F438aAD8B675232C1fD7Ff8E940D72d8A9F45", "tezos": "tz2Hb9usQivGU4rXWucfF3H1CD8821oi2pVM"}, "isArtist": true, "isCurator": false, "bio": "Itzel Yard\u2013recognised as Ix Shells\u2013is a Panamanian-based artist and self taught coder. By playing video games during her childhood, Yard was able to tap into her creativity which prompted a deep fascination for coding at an early age. In recalling her pathway towards where she is now, Yard attributes a lot of her growth to her five-year stay in Toronto, where she studied architectural technology. Though this period was a tumultuous time in her life, it pushed her to find her own voice and creativity, through the safe space of computer science. By combining her observations of patterns in nature with her appreciation for Brutalist architecture, Yard had allowed computer science research to act as a digital simulation of an extension within her own mind, ultimately translating into generative art. While her creations portray a visual interpretation of the physical world, Yard intends every work to act as a metaphor of internal exploration. This narrative is written within each of her works through lines of code, acting as a context-based portrait of what Yard is experiencing at the time. She explains that her home is in her head\u2013 welcoming her audience to open a digital door into the artist\u2019s own visual portrayal of self reflection. Her gentle nature, personable warmth, and sincere appreciation for the creation of her work produces a visual form of ingenuity that is unmatched.", "avatarURI": "avatars/as4N6vNfL4kjRjj2HvbLuCwLsdi1j2nMrQkKqMRFExSWHm2utk/1666152605", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/31beab83-6190-4a12-c19f-4fa41de33b00", "location": "Panama", "website": "y.at/\u26d3\ud83d\udd73\u2728", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "6f888d4e-76af-4b96-9bd9-c6894e256501", "alias": "john gerrard", "slug": "john-gerrard-din", "fullName": "john gerrard", "addresses": {"ethereum": "0xACc5603061e2713785176A58Dd6464D34b4278b0", "tezos": "tz1LPayGkYYEPfZXhtZHdyYMyG9YHJX7JjVr"}, "isArtist": true, "isCurator": false, "bio": "john gerrard is widely regarded as a key figure in the development of simulation within contemporary art. Deceptively looking like film or video, his works are virtual worlds, made using real-time computer graphics, a technology developed by the military and now used extensively in the gaming industry. Recent exhibitions include Surrender (Flag) 2023 at Hayward Gallery, London, Western Flag at Dark MOFO, Tasmania, NGV Triennial 2023, National Gallery of Victoria, Australia. Pl\u00e1smata II, Onassis Foundation, Greece, Corn Work at Galway International Arts Festival, travelling to Gwangju Biennial; X. Laevis at Okayama Art Summit, Japan; Western Flag at Museo Thyssen Bornemisza, Madrid; Solar Reserve, LACMA, Los Angeles, USA; Western Flag, Somerset House with Channel 4, London, England,; Power. Play, Ullens Centre for Contemporary Art, Beijing, China; and Solar Reserve, Lincoln Center in Association with the Public Art Fund, New York, New York. Gerrard's work is in the collection of Tate, London; MoMA, New York; SFMOMA, San Francisco; LACMA, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington; Kistefos Collection, Norway; IMMA, Dublin; Borusan Contemporary, Istanbul; M+, Hong Kong and many private collections internationally. His work Western Flag (2024) was the first tokenized artwork (NFT) to enter LACMA's permanent collection. John Gerrard received a BFA from Oxford University in 1997 and an MFA from the School of the Art Institute of Chicago in 2000. He is represented by Pace Gallery globally.
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Her multimedia practice uses print, code, installation, and archival video to make sense of the complex ecological, digital, and historical systems that surround and co-create us. \u1eccn\u1ee5\u1ecdha\u2019s work has been exhibited widely at venues like The Whitney Museum of American Art in New York, the Tate Modern in London, La Gait\u00ea Lyrique in Paris, FIBER Festival in Amsterdam, Mao Jihong Arts Foundation in Shanghai, and Le Centre Pompidou in Paris. She has spoken and been in residence at The Royal College of Art. In \u1eccn\u1ee5\u1ecdha\u2019s own words, \u201cI am an eternal hybrid, drawn always to in-between spaces. I am fascinated by how metrified societies require the fluid, organic, messiness of people to be secured, tagged, categorized, and abstracted. In a world mediated by computers, everything begins to look like data, and that which doesn't fit the mold is at risk of being forgotten. My practice begins with these patterns of absence, which are always real and material and often located within people. 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She has released two collections: \u201cFragments of an Infinite Field\" and \u201cTropical Garden.\u201d She has exhibited in the United States, Brazil, Germany, China, and Spain. Monica aims to create generative rules that resemble an organism\u2019s growth and/or evolution. 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Yeff has been visualizing the voice for 15 years and is globally celebrated as a leader in a new wave of voice technology-focused experimentation. He continues to build on his world-class skillset, utilizing an almost inhuman vocal range to drive his works. His performative installations, AI-driven voice work, and machine-like vocal control have amassed a global following, rendering over 100 million views online. Yeff has completed three artist residencies at Harvard University, is a culture leader at The World Economic Forum, and has followed in the footsteps of John Cage and Rauschenberg by joining the legendary Experiments in Art and Technology program at Bell Labs. His multidisciplinary new-media spectacles and theory have established artist in residence roles at Factory Berlin and Sonar Barcelona. In 2020, Yeff won the Arts and Science Breakthrough with the Falling Walls Foundation for his ongoing portfolio of cutting edge voice and technology experimentation.", "avatarURI": "avatars/aPS1TQ9UGbtqs7QmQqZTfcJ7UH6XrXTyLDwfgMRSJnDQ4Dqr9H/1665012995", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/c450a9ff-98cb-4994-2ca8-72d74261a500", "location": "London, United Kingdom", "website": "https://reeps100.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}]}, {"id": "48a442ae-3003-483e-b107-e9d37ae694bc", "title": "Peer to Peer", "slug": "peer-to-peer-pjb", "exhibitionStartAt": "2022-11-29T22:00:00Z", "previewDuration": 720000, "curatorAlumniAccountID": "66879a42-a429-4461-be8d-056ba60034d9", "partnerAlumniAccountID": "0cc609a9-d16d-4193-8d41-7780b1dde76d", "setReservation": 0, "noteTitle": "On the Museum as Cultural Protocol", "noteBrief": "One of the most-discussed cultural shifts of the past two years is the unprecedented surge of interest in digital art. 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Avedon has spent the past decade developing a body of work that illuminates the ever-growing intensity between users and the virtual, pursuing creative environments that deepen the meaning of immaterial experiences. They curate and design Panther Modern, a file-based exhibition space that encourages artists to create site-specific installations for the Internet. LaTurbo\u2019s process of character creation continues through gaming, performance and exhibitions. Their work has been exhibited and collected internationally.", "avatarURI": "avatars/bT4zxgmitazZ8txVW1W9qa72iYPxAsZ4PJPsb2m8sZEGsqGsxY/1660166825", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/86122b30-c8fa-482e-3d60-d5e5025e5700", "location": "Internet", "website": "https://www.laturboavedon.com", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {"instagramID": "laturbo", "twitterID": "laturboavedon"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x4BF3805B23c99f8E0a5797E86fd0232A04a2a629", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "a6b495d0-c3d9-496d-b689-c33985853933", "alias": "Mitchell F. Chan", "slug": "mitchell-f-chan-62x", "fullName": "Mitchell F. Chan", "addresses": {"ethereum": "0x4BF3805B23c99f8E0a5797E86fd0232A04a2a629"}, "isArtist": true, "isCurator": false, "bio": "Mitchell F. Chan produces a diverse body of work, performed in both physical and digital public spaces. His blockchain-based work posits crypto as a harbinger of a fully dematerialized world, and conceptualism as a tool for understanding it. Examples include 2017's Digital Zones of Immaterial Pictorial Sensibility, one of the earliest non-fungible token artworks, and 2021's LeWitt Generator Generator, on Art Blocks. In physical spaces, he has produced permanent large-scale public projects across North America, most recently Monument to United Nations Peacekeeping Veterans (2022). His work has been discussed in numerous media outlets including Artforum, Kunstforum, VICE, Canadian Art, Slate, the Toronto Star, Gizmodo, and Art In America.", "avatarURI": "avatars/bnophRXzRucXdv2UnKc4bACV74eTJhvB3sY19QWCumSKXtEAXj/1663680380", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/5f990aba-f241-487b-9962-bcb8267f0b00", "location": "Toronto, Canada", "website": "chan.gallery", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x3F50c925e19a4c145378553a2e3E1d55BF554Cf5", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "b1e780d2-10a1-4839-a199-f8547b0d20e3", "alias": "Entangled Others", "slug": "entangled-others-clf", "fullName": "Sofia Crespo & Feileacan McCormick", "addresses": {"ethereum": "0x3F50c925e19a4c145378553a2e3E1d55BF554Cf5", "tezos": "tz1YGgynw35ruyc6V58LJJ1ryg3Rx62Ftxo8"}, "isArtist": true, "isCurator": false, "bio": "Entangled Others is the shared studio practice of artists Feileacan McCormick and Sofia Crespo. Their work focuses on ecology, artificial lifeforms and generative arts, with an emphasis on giving the more-than-human new forms a presence and life in digital space. This involves exploring questions of relationship, biodiversity, and awareness through biology-inspired technologies. They highlight how, through conscious efforts, new technology can be used to bring attention and awareness to the unseen that we are tightly interwoven with. Entanglement is a complex state one where no single entity can be said to be separate, or somehow unaffected, by any other present entangled, we cannot consider ourselves without others, act without interacting, speak without being heard.", "avatarURI": "avatars/bkAggTXk8Kn9bZmVZ1Xj5KUC68iJ3A36jeKb6LBqsdcBDzktCY/1663399898", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/0004d9fd-d47b-424a-7508-fad0d2d82300", "location": "Berlin, Germany", "website": "https://entangledothers.studio/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x1bE9Da7cD45a45d960bDDfbF51804EBCcB0499D3", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "c7f97ca4-8ae9-4630-95db-76abc9b41ec0", "alias": "Simon Denny", "slug": "simon-denny-ifd", "fullName": "Simon Denny", "addresses": {"ethereum": "0x1bE9Da7cD45a45d960bDDfbF51804EBCcB0499D3"}, "isArtist": true, "isCurator": false, "bio": "Simon Denny (b. 1982 Auckland, New Zealand) lives and works in Berlin, Germany. He makes exhibitions that unpack the social and political implications of the technology industry and the rise of social media, startup culture, blockchains and cryptocurrencies, using a variety of media including installation, sculpture, print and video. He studied at the Elam School of Fine Arts, University of Auckland and at the St\u00e4delschule, Frankfurt am Main. Denny has curated significant exhibitions about blockchain and art such as Proof of Stake at Kunstverein in Hamburg (2021) and Proof of Work at Schinkel Pavillon, Berlin (2018). Recent solo exhibitions include Dotcom S\u00e9ance on folia.app, www.dotcomseance.com (2021), K21\u2013Kunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf (2020); the Museum of Old and New Art (Mona), Tasmania (2019); MOCA, Cleveland (2018); OCAT, Shenzhen (2017); Hammer Museum, Los Angeles (2017); WIELS Contemporary Art Centre, Brussels (2016); Serpentine Galleries, London (2015); MoMA PS1, New York (2015); Portikus, Frankfurt (2014) MUMOK, Vienna (2013); Kunstverein Munich (2013). He represented New Zealand at the 56th Venice Biennale in 2015. His works are held in institutional collections including Hamburger Kunsthalle (Hamburg), Kunstsammlung Nordrhein-Westfalen, (D\u00fcsseldorf), MoMA (New York), Walker Art Centre (Minneapolis), Kunsthaus Z\u00fcrich (Z\u00fcrich), Sammlung zeitgen\u00f6ssischer Kunst der Bundesrepublik Deutschland (Berlin) and Museum of New Zealand Te Papa Tongarewa (Wellington). He co-founded the artist mentoring program BPA//Berlin Program for Artists and serves as a Professor of Time-Based Media at The Hochschule f\u00fcr bildende K\u00fcnste Hamburg.", "avatarURI": "", "avatarDisplay": "", "location": "Berlin, Germany", "website": "https://simondenny.net/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x32B16CbCb8A2044417AC2D5b2422732015BE1301", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "6ab365c6-198c-4c91-aa50-6daac6256369", "alias": "Amir H. Fallah", "slug": "amir-h-fallah-tg5", "fullName": "Amir H. Fallah", "addresses": {"ethereum": "0x32B16CbCb8A2044417AC2D5b2422732015BE1301"}, "isArtist": true, "isCurator": false, "bio": "Amir H. Fallah received his BFA in Fine Art & Painting at the Maryland Institute College of Art and his MFA in painting at the University of California, Los Angeles. He has exhibited extensively in solo and group exhibitions across the United States and abroad. Selected solo exhibitions include the Museum of Contemporary Art in Tucson; South Dakota Art Museum, Brookings SD; Schneider Museum of Art, Ashland OR; San Diego ICA; and the Nerman Museum of Contemporary Art, Overland KS.\n\u200b\nIn 2009, the artist was chosen to participate in the 9th Sharjah Biennial. In 2015, Fallah received the Joan Mitchell Foundation Painters and Sculptors Grant. In 2019, Fallah\u2019s painting Calling On The Past received the Northern Trust Purchase Prize at EXPO Chicago. In 2020, Fallah was awarded the COLA Individual Artist Fellowship and the Artadia grant. In addition, the artist had a solo exhibition at the Museum of Contemporary Art, Tucson, accompanied by a catalogue, and a year-long installation at the ICA San Jose.\n\u200b\nThe artist has works in the permanent collections of the Los Angeles County Museum of Art, Los Angeles; Birmingham Museum of Art, Alabama; Jorge M. P\u00e9rez Collection, Miami; Deste Foundation For Contemporary Art, Athens, Greece; Xiao Museum Of Contemporary Art, Rizhao, China; McEvoy Foundation For The Arts, San Francisco; Nerman Museum, Kansas City; SMART Museum of Art at the University of Chicago; Davis Museum, Massachusetts; The Microsoft Collection, Washington; Plattsburg State Art Museum, NY; Cerritos College Public Art Collection, CA; Los Angeles County Department of Arts & Culture, CA; and Salsali Private Museum, Dubai, UAE.", "avatarURI": "avatars/avdSmQL4aihQQqQneV9XwxCMxD2Uv6uJrHQxUKn6ifg25YtAne/1663730841", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/acee7491-6e23-400a-0532-064f9eb4ba00", "location": "Los Angeles, U.S.", "website": "www.amirhfallah.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x85beD5928b351892cd610a554C018978BA944A95", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "732ee642-adcc-4069-b071-a167a2bb5bc7", "alias": "Sarah Friend", "slug": "sarah-friend-533", "fullName": "Sarah Friend", "addresses": {"ethereum": "0x85beD5928b351892cd610a554C018978BA944A95", "tezos": "tz1dne2qf8eMxsumVx61QMMbrzATQP8Ze356"}, "isArtist": true, "isCurator": false, "bio": "Sarah Friend is an artist, software developer and researcher from Canada and currently based in Berlin, Germany. She is Visiting Chair of blockchain art at The Cooper Union. She is also a participant in the Berlin Program for Artists, a co-curator of Ender Gallery, an artist residency taking place inside the game Minecraft, and an organizer of Our Networks, a conference on all aspects of the distributed web. Recent solo exhibitions include Off: Endgame, curated by Rhizome, Refraction and Fingerprints at Public Works Administration, New York, USA and Terraforming at Galerie Nagel Draxler in Berlin, Germany.", "avatarURI": "avatars/ahEaXTsiMJuBmWx1U6oZ3TRovvxaiKS7TRxcavYFyDDK39V1cf/1659608962", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/3375dc02-3685-4a65-b3a7-588722a88f00", "location": "Berlin, Germany", "website": "https://isthisa.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x8667C752039f322e50535f4eaE2a56C4a00F2B60", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "4c7cf1fa-9ed5-4143-a3f1-91cbcdd2b4e3", "alias": "Auriea Harvey", "slug": "auriea-harvey-knh", "fullName": "Auriea Harvey", "addresses": {"ethereum": "0x8667C752039f322e50535f4eaE2a56C4a00F2B60"}, "isArtist": true, "isCurator": false, "bio": "Auriea Harvey is a Rome-based artist whose practice encompasses virtual and tangible sculptures, drawings, and simulations while blending digital and handmade production. She is primarily concerned with making the mythological world visible through form, interaction, and immersion. Her works are a synthesis of art historical reference and imagination, and she is engaged across time, media, and material to define what sculptural production means in the present moment.
\nHarvey is half of the award-winning artist duo known as Entropy8Zuper!/Tale of Tales/Song of Songs, known for their pioneering works in internet art, video games, and mixed reality. Her work can be found in the permanent collections of institutions such as the Whitney Museum of American Art, Buffalo AKG Art Museum, Walker Art Center, KADIST Collection, RF.C Collection, and Rhizome\u2019s Net Art Anthology. Her video games and VR works have been featured internationally within exhibitions at the Tinguely Museum, Basel; the Victoria & Albert Museum, London; the New Museum, New York; Brooklyn Academy of Music, New York; and ZKM, Karlsruhe.
\n", "avatarURI": "avatars/awbjKsED2faQuwtykwLQHyD1NSmGQJv6YXaJAefXzxvZh6EZjp/1620423820", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/7bb5dab6-3f2b-40ab-5094-7dd9879fd200", "location": "Rome, Italy", "website": "http://auriea.art", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "auriea.harvey.studio", "twitterID": "auriea"}, "associatedAddresses": ["tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy"], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x7a282701403DADb827A2F83Cc3e714e7660537fA", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "d7d92696-d860-40db-8f3f-489ad5937aac", "alias": "Rhea Myers", "slug": "rhea-myers-dsm", "fullName": "Rhea Myers", "addresses": {"ethereum": "0x7a282701403DADb827A2F83Cc3e714e7660537fA"}, "isArtist": true, "isCurator": false, "bio": "Rhea Myers is an artist, hacker and writer originally from the UK now based in British Columbia, Canada. Her work places technology and culture in mutual interrogation to produce new ways of seeing the world as it unfolds around us. Since 2014 she has been using the blockchain to do so.", "avatarURI": "avatars/atCAwxApkAdMynWonKkXQWadJvcaZkEbhuigqdEXE7gCMjiiQb/1662785271", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/d19c07bc-ec15-4d88-938a-89758c4cec00", "location": "Vancouver, Canada", "website": "https://rhea.art", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "rheapl3x", "twitterID": "rheaplex"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x6F1AC601a10f4d41CF1194b02DF57F9Aa003B362", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "d6dd78f1-b721-470b-95a5-e2c42d177aee", "alias": "Osinachi", "slug": "osinachi-ufh", "fullName": "Prince Jacon Igwe", "addresses": {"ethereum": "0x6F1AC601a10f4d41CF1194b02DF57F9Aa003B362"}, "isArtist": true, "isCurator": false, "bio": "Osinachi is the first and foremost crypto artist out of Africa. Based in Lagos, Nigeria the 31-year-old creates figurative portraits that mirror his personal experiences through a unique visual language that he has perfected over 15 years. His practice has led to conversations around NFTs and how works being produced in the space speak to a larger humanity. He is the creator of the widely successful pfp/avatar project 'Across the Face'.", "avatarURI": "avatars/aFSUKHv8hT9BPQxjPn7CwGULyeh6pGZgoKMGPPg5CZGENHECsL/1663058571", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/b6715bb4-703e-4dfb-8caf-daf0e76cb200", "location": "Lagos, Nigeria", "website": "www.osinachi.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x457ee5f723C7606c12a7264b52e285906F91eEA6", "isArtist": true, "isCurator": true, "alumniAccount": {"ID": "85766ac1-ce65-420a-9c19-a954b2c96dc6", "alias": "Casey REAS", "slug": "casey-reas-nsa", "fullName": "Casey REAS", "addresses": {"ethereum": "0x457ee5f723C7606c12a7264b52e285906F91eEA6"}, "isArtist": true, "isCurator": true, "bio": "Casey Reas (b. 1972, Troy, Ohio) is an internationally recognized artist and educator based in Los Angeles. His work spans software, installations, prints, and drawings to explore the relationship between computational systems and contemporary visual culture. Engaging with the history of conceptual art, drawing, and photography, Reas creates generative systems that unfold over time.
Reas\u2019 work has been exhibited at the Whitney Museum of American Art, New York; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; Centre Pompidou, Paris; Victoria and Albert Museum, London; and Ullens Center for Contemporary Art, Beijing. It has also appeared in major group exhibitions across Europe, Asia, and the Americas.
Alongside his studio practice, Reas is deeply engaged in expanding the ecosystem for software-based art. He co-founded Processing (2001), the open-source programming language and environment that has widely expanded creative coding for artists and designers, and the Processing Foundation (2012), which supports visual literacy and access to creative tools worldwide. In 2020, he co-founded Feral File, an online platform for exhibiting and collecting digital art.
", "avatarURI": "avatars/0x457ee5f723C7606c12a7264b52e285906F91eEA6/1697782368", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/e7e4e79a-f11a-496c-d0e0-05a4a2227900", "location": "Los Angeles, U.S.", "website": "https://reas.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "REAS", "twitterID": "REAS"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xfCB1446008820afE90348048B633bC52173F18a1", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "d41a850a-d751-49f0-b6d1-e58c340764c4", "alias": "Anne Spalter", "slug": "anne-spalter-pxg", "fullName": "Anne Spalter", "addresses": {"ethereum": "0xfCB1446008820afE90348048B633bC52173F18a1", "tezos": "tz1LGE1c8bgBVu6tsgwc2UubGduQPd19VJRp"}, "isArtist": true, "isCurator": false, "bio": "Digital mixed-media artist Anne Spalter is an academic pioneer who founded the original digital fine arts courses at Brown University and RISD in the 1990s and authored the internationally taught textbook, The Computer in the Visual Arts. \n\nHer artistic process explores imagery of the modern landscape. Spalter has drawn on the writings of Carl Jung as well as science fiction novels and movies to develop a consistent set of personal symbols using a hybrid arsenal of traditional mark-making methods and innovative digital tools. Her crypto art has been auctioned by Sotheby\u2019s and Phillips, and featured in the New York Times. She recently completed a successful 501-piece drop: AI Spaceships.\n\nSpalter is also noted for her large-scale public projects. MTA Arts commissioned Spalter to create a 52-screen digital art installation, New York Dreaming, which remained on view in Fulton Center for just under a year. \n\nSpalter\u2019s work is in the permanent collections of the V&A Museum (London), the Buffalo AKG Art Museum (Buffalo, NY), the RISD Museum (Providence, RI), The Museum of CryptoArt, and others. Alongside her studio practice, Spalter continues to lecture on digital art practice and theory. She recently completed an alumni residency at MASS MoCA.", "avatarURI": "avatars/ahyJUKrQUTZkY4tAJLEnuwjga6fFL9wyQukqyXrNp43ixLL1yT/1664851317", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/f9972bff-5829-495e-f754-029b503e8200", "location": "New York, United States", "website": "https://annespalter.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x452F438aAD8B675232C1fD7Ff8E940D72d8A9F45", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "621d0600-67a5-4b96-8c91-cda800212681", "alias": "Ix Shells", "slug": "ix-shells-qlc", "fullName": "Itzel Yard", "addresses": {"ethereum": "0x452F438aAD8B675232C1fD7Ff8E940D72d8A9F45", "tezos": "tz2Hb9usQivGU4rXWucfF3H1CD8821oi2pVM"}, "isArtist": true, "isCurator": false, "bio": "Itzel Yard\u2013recognised as Ix Shells\u2013is a Panamanian-based artist and self taught coder. By playing video games during her childhood, Yard was able to tap into her creativity which prompted a deep fascination for coding at an early age. In recalling her pathway towards where she is now, Yard attributes a lot of her growth to her five-year stay in Toronto, where she studied architectural technology. Though this period was a tumultuous time in her life, it pushed her to find her own voice and creativity, through the safe space of computer science. By combining her observations of patterns in nature with her appreciation for Brutalist architecture, Yard had allowed computer science research to act as a digital simulation of an extension within her own mind, ultimately translating into generative art. While her creations portray a visual interpretation of the physical world, Yard intends every work to act as a metaphor of internal exploration. This narrative is written within each of her works through lines of code, acting as a context-based portrait of what Yard is experiencing at the time. She explains that her home is in her head\u2013 welcoming her audience to open a digital door into the artist\u2019s own visual portrayal of self reflection. Her gentle nature, personable warmth, and sincere appreciation for the creation of her work produces a visual form of ingenuity that is unmatched.", "avatarURI": "avatars/as4N6vNfL4kjRjj2HvbLuCwLsdi1j2nMrQkKqMRFExSWHm2utk/1666152605", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/31beab83-6190-4a12-c19f-4fa41de33b00", "location": "Panama", "website": "y.at/\u26d3\ud83d\udd73\u2728", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xcF0949bf6d2aDF8032260Fd08039c879CF71c128", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "7a7bc987-4a60-42c1-9122-7d7367df3718", "alias": "Sarah Zucker", "slug": "sarah-zucker-spq", "fullName": "Sarah Zucker", "addresses": {"ethereum": "0xcF0949bf6d2aDF8032260Fd08039c879CF71c128"}, "isArtist": true, "isCurator": false, "bio": "Sarah Zucker is an artist and writer based in Los Angeles. Her work merges humor, myth and mysticism with the interplay of cutting edge and archaic technologies.\n\nShe works across mediums. Her signature videos are produced by channeling video synthesis, animation and performance through a custom analog video rig onto physical VHS tapes in a unique digital-analog flow.\n\nShe's been editioning her art on the blockchain since April 2019. In 2021, her work was part of \"Natively Digital,\" the first curated NFT sale at Sotheby's, and \"CryptOGs: The Pioneers of NFT Art\" at Bonhams.\n\nHer work was shown as part of \"Peer to Peer,\" the first survey of leading artists engaging with the blockchain presented at an American Museum.\n\nHer video art series \"Four Caryatids\" was among the first blockchain editions added to the permanent collection of the Buffalo AKG Art Museum. Her work was part of LACMA's \"Remembrance of Things Future,\" a blockchain art initiative at the museum conceived and curated by Cactoid Labs.\n\nShe was named to the NFT100 list in 2022 and 2023 by NFTNow as one of the top artists working with NFTs.\n\nShe co-produced Prism Pipe, a monthly visual music event, at pehrspace in Los Angeles from 2014-2016.\n\nHer GIFs have over 7 billion views on Giphy. She is a Jeopardy! Champion.\n\nShe holds a BA in Theater and Creative Writing for the Media from Northwestern University, and an MFA in Dramatic Writing from New York University.", "avatarURI": "avatars/b2vaJxyGiBM4pw4gxkLAWFFMDHUjrT1oZbXTYcYBeDiQUCAqj8/1632672656", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/bf1e32ab-201b-472c-9ed0-ffcd1f513400", "location": "Los Angeles, U.S.", "website": "http://www.sarahzucker.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}], "artistsAlumni": [{"ID": "6e09ff1a-d56f-4aa7-9816-a2bfcf601c06", "alias": "LaTurbo Avedon", "slug": "laturbo-avedon-85g", "fullName": "LaTurbo", "addresses": {"ethereum": "0x4b91734e98725cED8b9689e327bA76822FbAe2fD", "tezos": "tz1VV7cJyP7Y5Vhidyt26c1MiE4gzLPp4i6f"}, "isArtist": true, "isCurator": false, "bio": "LaTurbo Avedon is an avatar and artist, creating work that emphasizes the practice of non-physical identity and authorship. Avedon has spent the past decade developing a body of work that illuminates the ever-growing intensity between users and the virtual, pursuing creative environments that deepen the meaning of immaterial experiences. They curate and design Panther Modern, a file-based exhibition space that encourages artists to create site-specific installations for the Internet. LaTurbo\u2019s process of character creation continues through gaming, performance and exhibitions. Their work has been exhibited and collected internationally.", "avatarURI": "avatars/bT4zxgmitazZ8txVW1W9qa72iYPxAsZ4PJPsb2m8sZEGsqGsxY/1660166825", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/86122b30-c8fa-482e-3d60-d5e5025e5700", "location": "Internet", "website": "https://www.laturboavedon.com", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {"instagramID": "laturbo", "twitterID": "laturboavedon"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "a6b495d0-c3d9-496d-b689-c33985853933", "alias": "Mitchell F. Chan", "slug": "mitchell-f-chan-62x", "fullName": "Mitchell F. Chan", "addresses": {"ethereum": "0x4BF3805B23c99f8E0a5797E86fd0232A04a2a629"}, "isArtist": true, "isCurator": false, "bio": "Mitchell F. Chan produces a diverse body of work, performed in both physical and digital public spaces. His blockchain-based work posits crypto as a harbinger of a fully dematerialized world, and conceptualism as a tool for understanding it. Examples include 2017's Digital Zones of Immaterial Pictorial Sensibility, one of the earliest non-fungible token artworks, and 2021's LeWitt Generator Generator, on Art Blocks. In physical spaces, he has produced permanent large-scale public projects across North America, most recently Monument to United Nations Peacekeeping Veterans (2022). His work has been discussed in numerous media outlets including Artforum, Kunstforum, VICE, Canadian Art, Slate, the Toronto Star, Gizmodo, and Art In America.", "avatarURI": "avatars/bnophRXzRucXdv2UnKc4bACV74eTJhvB3sY19QWCumSKXtEAXj/1663680380", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/5f990aba-f241-487b-9962-bcb8267f0b00", "location": "Toronto, Canada", "website": "chan.gallery", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "b1e780d2-10a1-4839-a199-f8547b0d20e3", "alias": "Entangled Others", "slug": "entangled-others-clf", "fullName": "Sofia Crespo & Feileacan McCormick", "addresses": {"ethereum": "0x3F50c925e19a4c145378553a2e3E1d55BF554Cf5", "tezos": "tz1YGgynw35ruyc6V58LJJ1ryg3Rx62Ftxo8"}, "isArtist": true, "isCurator": false, "bio": "Entangled Others is the shared studio practice of artists Feileacan McCormick and Sofia Crespo. Their work focuses on ecology, artificial lifeforms and generative arts, with an emphasis on giving the more-than-human new forms a presence and life in digital space. This involves exploring questions of relationship, biodiversity, and awareness through biology-inspired technologies. They highlight how, through conscious efforts, new technology can be used to bring attention and awareness to the unseen that we are tightly interwoven with. Entanglement is a complex state one where no single entity can be said to be separate, or somehow unaffected, by any other present entangled, we cannot consider ourselves without others, act without interacting, speak without being heard.", "avatarURI": "avatars/bkAggTXk8Kn9bZmVZ1Xj5KUC68iJ3A36jeKb6LBqsdcBDzktCY/1663399898", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/0004d9fd-d47b-424a-7508-fad0d2d82300", "location": "Berlin, Germany", "website": "https://entangledothers.studio/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "c7f97ca4-8ae9-4630-95db-76abc9b41ec0", "alias": "Simon Denny", "slug": "simon-denny-ifd", "fullName": "Simon Denny", "addresses": {"ethereum": "0x1bE9Da7cD45a45d960bDDfbF51804EBCcB0499D3"}, "isArtist": true, "isCurator": false, "bio": "Simon Denny (b. 1982 Auckland, New Zealand) lives and works in Berlin, Germany. He makes exhibitions that unpack the social and political implications of the technology industry and the rise of social media, startup culture, blockchains and cryptocurrencies, using a variety of media including installation, sculpture, print and video. He studied at the Elam School of Fine Arts, University of Auckland and at the St\u00e4delschule, Frankfurt am Main. Denny has curated significant exhibitions about blockchain and art such as Proof of Stake at Kunstverein in Hamburg (2021) and Proof of Work at Schinkel Pavillon, Berlin (2018). Recent solo exhibitions include Dotcom S\u00e9ance on folia.app, www.dotcomseance.com (2021), K21\u2013Kunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf (2020); the Museum of Old and New Art (Mona), Tasmania (2019); MOCA, Cleveland (2018); OCAT, Shenzhen (2017); Hammer Museum, Los Angeles (2017); WIELS Contemporary Art Centre, Brussels (2016); Serpentine Galleries, London (2015); MoMA PS1, New York (2015); Portikus, Frankfurt (2014) MUMOK, Vienna (2013); Kunstverein Munich (2013). He represented New Zealand at the 56th Venice Biennale in 2015. His works are held in institutional collections including Hamburger Kunsthalle (Hamburg), Kunstsammlung Nordrhein-Westfalen, (D\u00fcsseldorf), MoMA (New York), Walker Art Centre (Minneapolis), Kunsthaus Z\u00fcrich (Z\u00fcrich), Sammlung zeitgen\u00f6ssischer Kunst der Bundesrepublik Deutschland (Berlin) and Museum of New Zealand Te Papa Tongarewa (Wellington). He co-founded the artist mentoring program BPA//Berlin Program for Artists and serves as a Professor of Time-Based Media at The Hochschule f\u00fcr bildende K\u00fcnste Hamburg.", "avatarURI": "", "avatarDisplay": "", "location": "Berlin, Germany", "website": "https://simondenny.net/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "6ab365c6-198c-4c91-aa50-6daac6256369", "alias": "Amir H. Fallah", "slug": "amir-h-fallah-tg5", "fullName": "Amir H. Fallah", "addresses": {"ethereum": "0x32B16CbCb8A2044417AC2D5b2422732015BE1301"}, "isArtist": true, "isCurator": false, "bio": "Amir H. Fallah received his BFA in Fine Art & Painting at the Maryland Institute College of Art and his MFA in painting at the University of California, Los Angeles. He has exhibited extensively in solo and group exhibitions across the United States and abroad. Selected solo exhibitions include the Museum of Contemporary Art in Tucson; South Dakota Art Museum, Brookings SD; Schneider Museum of Art, Ashland OR; San Diego ICA; and the Nerman Museum of Contemporary Art, Overland KS.\n\u200b\nIn 2009, the artist was chosen to participate in the 9th Sharjah Biennial. In 2015, Fallah received the Joan Mitchell Foundation Painters and Sculptors Grant. In 2019, Fallah\u2019s painting Calling On The Past received the Northern Trust Purchase Prize at EXPO Chicago. In 2020, Fallah was awarded the COLA Individual Artist Fellowship and the Artadia grant. In addition, the artist had a solo exhibition at the Museum of Contemporary Art, Tucson, accompanied by a catalogue, and a year-long installation at the ICA San Jose.\n\u200b\nThe artist has works in the permanent collections of the Los Angeles County Museum of Art, Los Angeles; Birmingham Museum of Art, Alabama; Jorge M. P\u00e9rez Collection, Miami; Deste Foundation For Contemporary Art, Athens, Greece; Xiao Museum Of Contemporary Art, Rizhao, China; McEvoy Foundation For The Arts, San Francisco; Nerman Museum, Kansas City; SMART Museum of Art at the University of Chicago; Davis Museum, Massachusetts; The Microsoft Collection, Washington; Plattsburg State Art Museum, NY; Cerritos College Public Art Collection, CA; Los Angeles County Department of Arts & Culture, CA; and Salsali Private Museum, Dubai, UAE.", "avatarURI": "avatars/avdSmQL4aihQQqQneV9XwxCMxD2Uv6uJrHQxUKn6ifg25YtAne/1663730841", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/acee7491-6e23-400a-0532-064f9eb4ba00", "location": "Los Angeles, U.S.", "website": "www.amirhfallah.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "732ee642-adcc-4069-b071-a167a2bb5bc7", "alias": "Sarah Friend", "slug": "sarah-friend-533", "fullName": "Sarah Friend", "addresses": {"ethereum": "0x85beD5928b351892cd610a554C018978BA944A95", "tezos": "tz1dne2qf8eMxsumVx61QMMbrzATQP8Ze356"}, "isArtist": true, "isCurator": false, "bio": "Sarah Friend is an artist, software developer and researcher from Canada and currently based in Berlin, Germany. She is Visiting Chair of blockchain art at The Cooper Union. She is also a participant in the Berlin Program for Artists, a co-curator of Ender Gallery, an artist residency taking place inside the game Minecraft, and an organizer of Our Networks, a conference on all aspects of the distributed web. Recent solo exhibitions include Off: Endgame, curated by Rhizome, Refraction and Fingerprints at Public Works Administration, New York, USA and Terraforming at Galerie Nagel Draxler in Berlin, Germany.", "avatarURI": "avatars/ahEaXTsiMJuBmWx1U6oZ3TRovvxaiKS7TRxcavYFyDDK39V1cf/1659608962", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/3375dc02-3685-4a65-b3a7-588722a88f00", "location": "Berlin, Germany", "website": "https://isthisa.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "4c7cf1fa-9ed5-4143-a3f1-91cbcdd2b4e3", "alias": "Auriea Harvey", "slug": "auriea-harvey-knh", "fullName": "Auriea Harvey", "addresses": {"ethereum": "0x8667C752039f322e50535f4eaE2a56C4a00F2B60"}, "isArtist": true, "isCurator": false, "bio": "Auriea Harvey is a Rome-based artist whose practice encompasses virtual and tangible sculptures, drawings, and simulations while blending digital and handmade production. She is primarily concerned with making the mythological world visible through form, interaction, and immersion. Her works are a synthesis of art historical reference and imagination, and she is engaged across time, media, and material to define what sculptural production means in the present moment.
\nHarvey is half of the award-winning artist duo known as Entropy8Zuper!/Tale of Tales/Song of Songs, known for their pioneering works in internet art, video games, and mixed reality. Her work can be found in the permanent collections of institutions such as the Whitney Museum of American Art, Buffalo AKG Art Museum, Walker Art Center, KADIST Collection, RF.C Collection, and Rhizome\u2019s Net Art Anthology. Her video games and VR works have been featured internationally within exhibitions at the Tinguely Museum, Basel; the Victoria & Albert Museum, London; the New Museum, New York; Brooklyn Academy of Music, New York; and ZKM, Karlsruhe.
\n", "avatarURI": "avatars/awbjKsED2faQuwtykwLQHyD1NSmGQJv6YXaJAefXzxvZh6EZjp/1620423820", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/7bb5dab6-3f2b-40ab-5094-7dd9879fd200", "location": "Rome, Italy", "website": "http://auriea.art", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "auriea.harvey.studio", "twitterID": "auriea"}, "associatedAddresses": ["tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy"], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "d7d92696-d860-40db-8f3f-489ad5937aac", "alias": "Rhea Myers", "slug": "rhea-myers-dsm", "fullName": "Rhea Myers", "addresses": {"ethereum": "0x7a282701403DADb827A2F83Cc3e714e7660537fA"}, "isArtist": true, "isCurator": false, "bio": "Rhea Myers is an artist, hacker and writer originally from the UK now based in British Columbia, Canada. Her work places technology and culture in mutual interrogation to produce new ways of seeing the world as it unfolds around us. Since 2014 she has been using the blockchain to do so.", "avatarURI": "avatars/atCAwxApkAdMynWonKkXQWadJvcaZkEbhuigqdEXE7gCMjiiQb/1662785271", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/d19c07bc-ec15-4d88-938a-89758c4cec00", "location": "Vancouver, Canada", "website": "https://rhea.art", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "rheapl3x", "twitterID": "rheaplex"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "d6dd78f1-b721-470b-95a5-e2c42d177aee", "alias": "Osinachi", "slug": "osinachi-ufh", "fullName": "Prince Jacon Igwe", "addresses": {"ethereum": "0x6F1AC601a10f4d41CF1194b02DF57F9Aa003B362"}, "isArtist": true, "isCurator": false, "bio": "Osinachi is the first and foremost crypto artist out of Africa. Based in Lagos, Nigeria the 31-year-old creates figurative portraits that mirror his personal experiences through a unique visual language that he has perfected over 15 years. His practice has led to conversations around NFTs and how works being produced in the space speak to a larger humanity. He is the creator of the widely successful pfp/avatar project 'Across the Face'.", "avatarURI": "avatars/aFSUKHv8hT9BPQxjPn7CwGULyeh6pGZgoKMGPPg5CZGENHECsL/1663058571", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/b6715bb4-703e-4dfb-8caf-daf0e76cb200", "location": "Lagos, Nigeria", "website": "www.osinachi.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "85766ac1-ce65-420a-9c19-a954b2c96dc6", "alias": "Casey REAS", "slug": "casey-reas-nsa", "fullName": "Casey REAS", "addresses": {"ethereum": "0x457ee5f723C7606c12a7264b52e285906F91eEA6"}, "isArtist": true, "isCurator": true, "bio": "Casey Reas (b. 1972, Troy, Ohio) is an internationally recognized artist and educator based in Los Angeles. His work spans software, installations, prints, and drawings to explore the relationship between computational systems and contemporary visual culture. Engaging with the history of conceptual art, drawing, and photography, Reas creates generative systems that unfold over time.
Reas\u2019 work has been exhibited at the Whitney Museum of American Art, New York; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; Centre Pompidou, Paris; Victoria and Albert Museum, London; and Ullens Center for Contemporary Art, Beijing. It has also appeared in major group exhibitions across Europe, Asia, and the Americas.
Alongside his studio practice, Reas is deeply engaged in expanding the ecosystem for software-based art. He co-founded Processing (2001), the open-source programming language and environment that has widely expanded creative coding for artists and designers, and the Processing Foundation (2012), which supports visual literacy and access to creative tools worldwide. In 2020, he co-founded Feral File, an online platform for exhibiting and collecting digital art.
", "avatarURI": "avatars/0x457ee5f723C7606c12a7264b52e285906F91eEA6/1697782368", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/e7e4e79a-f11a-496c-d0e0-05a4a2227900", "location": "Los Angeles, U.S.", "website": "https://reas.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "REAS", "twitterID": "REAS"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "d41a850a-d751-49f0-b6d1-e58c340764c4", "alias": "Anne Spalter", "slug": "anne-spalter-pxg", "fullName": "Anne Spalter", "addresses": {"ethereum": "0xfCB1446008820afE90348048B633bC52173F18a1", "tezos": "tz1LGE1c8bgBVu6tsgwc2UubGduQPd19VJRp"}, "isArtist": true, "isCurator": false, "bio": "Digital mixed-media artist Anne Spalter is an academic pioneer who founded the original digital fine arts courses at Brown University and RISD in the 1990s and authored the internationally taught textbook, The Computer in the Visual Arts. \n\nHer artistic process explores imagery of the modern landscape. Spalter has drawn on the writings of Carl Jung as well as science fiction novels and movies to develop a consistent set of personal symbols using a hybrid arsenal of traditional mark-making methods and innovative digital tools. Her crypto art has been auctioned by Sotheby\u2019s and Phillips, and featured in the New York Times. She recently completed a successful 501-piece drop: AI Spaceships.\n\nSpalter is also noted for her large-scale public projects. MTA Arts commissioned Spalter to create a 52-screen digital art installation, New York Dreaming, which remained on view in Fulton Center for just under a year. \n\nSpalter\u2019s work is in the permanent collections of the V&A Museum (London), the Buffalo AKG Art Museum (Buffalo, NY), the RISD Museum (Providence, RI), The Museum of CryptoArt, and others. Alongside her studio practice, Spalter continues to lecture on digital art practice and theory. She recently completed an alumni residency at MASS MoCA.", "avatarURI": "avatars/ahyJUKrQUTZkY4tAJLEnuwjga6fFL9wyQukqyXrNp43ixLL1yT/1664851317", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/f9972bff-5829-495e-f754-029b503e8200", "location": "New York, United States", "website": "https://annespalter.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "621d0600-67a5-4b96-8c91-cda800212681", "alias": "Ix Shells", "slug": "ix-shells-qlc", "fullName": "Itzel Yard", "addresses": {"ethereum": "0x452F438aAD8B675232C1fD7Ff8E940D72d8A9F45", "tezos": "tz2Hb9usQivGU4rXWucfF3H1CD8821oi2pVM"}, "isArtist": true, "isCurator": false, "bio": "Itzel Yard\u2013recognised as Ix Shells\u2013is a Panamanian-based artist and self taught coder. By playing video games during her childhood, Yard was able to tap into her creativity which prompted a deep fascination for coding at an early age. In recalling her pathway towards where she is now, Yard attributes a lot of her growth to her five-year stay in Toronto, where she studied architectural technology. Though this period was a tumultuous time in her life, it pushed her to find her own voice and creativity, through the safe space of computer science. By combining her observations of patterns in nature with her appreciation for Brutalist architecture, Yard had allowed computer science research to act as a digital simulation of an extension within her own mind, ultimately translating into generative art. While her creations portray a visual interpretation of the physical world, Yard intends every work to act as a metaphor of internal exploration. This narrative is written within each of her works through lines of code, acting as a context-based portrait of what Yard is experiencing at the time. She explains that her home is in her head\u2013 welcoming her audience to open a digital door into the artist\u2019s own visual portrayal of self reflection. Her gentle nature, personable warmth, and sincere appreciation for the creation of her work produces a visual form of ingenuity that is unmatched.", "avatarURI": "avatars/as4N6vNfL4kjRjj2HvbLuCwLsdi1j2nMrQkKqMRFExSWHm2utk/1666152605", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/31beab83-6190-4a12-c19f-4fa41de33b00", "location": "Panama", "website": "y.at/\u26d3\ud83d\udd73\u2728", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "7a7bc987-4a60-42c1-9122-7d7367df3718", "alias": "Sarah Zucker", "slug": "sarah-zucker-spq", "fullName": "Sarah Zucker", "addresses": {"ethereum": "0xcF0949bf6d2aDF8032260Fd08039c879CF71c128"}, "isArtist": true, "isCurator": false, "bio": "Sarah Zucker is an artist and writer based in Los Angeles. Her work merges humor, myth and mysticism with the interplay of cutting edge and archaic technologies.\n\nShe works across mediums. Her signature videos are produced by channeling video synthesis, animation and performance through a custom analog video rig onto physical VHS tapes in a unique digital-analog flow.\n\nShe's been editioning her art on the blockchain since April 2019. In 2021, her work was part of \"Natively Digital,\" the first curated NFT sale at Sotheby's, and \"CryptOGs: The Pioneers of NFT Art\" at Bonhams.\n\nHer work was shown as part of \"Peer to Peer,\" the first survey of leading artists engaging with the blockchain presented at an American Museum.\n\nHer video art series \"Four Caryatids\" was among the first blockchain editions added to the permanent collection of the Buffalo AKG Art Museum. Her work was part of LACMA's \"Remembrance of Things Future,\" a blockchain art initiative at the museum conceived and curated by Cactoid Labs.\n\nShe was named to the NFT100 list in 2022 and 2023 by NFTNow as one of the top artists working with NFTs.\n\nShe co-produced Prism Pipe, a monthly visual music event, at pehrspace in Los Angeles from 2014-2016.\n\nHer GIFs have over 7 billion views on Giphy. She is a Jeopardy! 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Originally a photographer, her digital practice spans the programmed, performative, visual, and virtual. Her work deals with issues of disturbance, commingling psycho-sexual and environmental corporeality with the digital and electronic, giving form to the difficult territory of the unbearable and conflicted. Dement\u2019s solo and collaborative work has been widely exhibited internationally including ACCA Melbourne, the Institute of Contemporary Art London, Ars Electronica Austria, and Transmediale, among others. She is twice winner of the Australian National Digital Art Award and has been awarded a New Media Arts Fellowship by the Australia Council for the Arts. Her work is held in collections such as ArtBank, the Biblioth\u00e8que Nationale de France, and Australian Video Art Archive, among others.", "avatarURI": "avatars/aWJeypeEDfrCx8JuLbPVD16H8i8NdtLhFbAYnPykQkpPuf5ppZ/1653114474", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/80f74550-0a1b-4e48-1f1d-dfd075695400", "location": "Gadigal Land (Sydney), Australia", "website": "http://lindadement.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x8E03965beceaC7eE6eE79eA8975bC7A0b8556E1f", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "fc372277-69d5-46f8-aaf5-f97efb5fc9c9", "alias": "Prema Murthy", "slug": "prema-murthy_tez-asa", "fullName": "Prema Murthy", "addresses": {"ethereum": "0x8E03965beceaC7eE6eE79eA8975bC7A0b8556E1f", "tezos": "tz1b2FzBWxBeDdmtoF6uQDf6cP91jFJqiMDH"}, "isArtist": true, "isCurator": false, "bio": "Prema Murthy (she, her) is an American artist based in New York. Her work includes painting, video, digital media, and installation. Employing line, form, geometry, and algorithmic processes, she examines the intersection of embodiment and abstraction. She received a BA in art history and women\u2019s studies from the University of Texas, Austin and an MFA from Goldsmiths College, London. She has exhibited in numerous shows including PS1/MoMA Contemporary Art Center, the Whitney Museum of American Art, the Generali Foundation-Vienna, among others. She is the co-founder of the artgroup Fakeshop, known for its pioneering large-scale performative installations using live video conferencing technologies. Her work has been written about in the New York Times, Art Asia Pacific Magazine, the Wall Street Journal, and Artforum. Murthy has received numerous awards and commissions including a New York Foundation for the Arts Fellowship, a Creative Capital Grant in Emerging Fields, and an Urban Artists Initiative Grant from the Asian American Arts Alliance, among others. 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Since the 1980s, as a multimedia and new-media artist, she has navigated topics of ethnic stereotyping, sexual politics, and institutional oppression with her radical experimentations in digital realms. She drafts sci-fi narratives in her film scenario and artwork imagination, crafting her own \u201cscience\u201d fiction genre of new queer cinema. Cheang is regarded as a pioneering figure in internet-based art, with her multimedia approach at the interface between film, video, internet-based installation, software interaction, and durational performance. Her project \u201cBrandon\u201d (1998\u20131999) was the first piece of web art commissioned and collected by the Guggenheim Museum in New York. Her work employs film, video, net-based installation, and interface to explore \u201c...ethnic stereotyping, the nature and excesses of popular media, institutional\u2014and especially governmental\u2014power, race relations, and sexual politics.\u201d Cheang has written and directed the feature films I.K.U., Fluid\u00f8, and the upcoming UKI. Cheang received a BA in history from the National Taiwan University in 1976 and an MA in Cinema Studies from New York University in 1979.", "avatarURI": "avatars/bfRBpr7ZcnCAyW6qwpZj3PVc8XkdXRFP3S2PVffHdnGtGXg96c/1653055814", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/e0870550-9dae-43b2-1226-32ae91efdf00", "location": "Paris, France", "website": "http://mauvaiscontact.info", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x66AD32b94eF90E623768bc00ad04b50c7f499F23", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "7033f426-cb5c-49d2-bd75-b2f2a653ba39", "alias": "Skawennati", "slug": "skawennati_tez-b3r", "fullName": "Tricia Skawennati Fragnito", "addresses": {"ethereum": "0x66AD32b94eF90E623768bc00ad04b50c7f499F23", "tezos": "tz1drqx54oWXKdCQQS9RPesnuEsLBuLGBxj3"}, "isArtist": true, "isCurator": false, "bio": "Skawennati (she, her) investigates history, the future, and change from her perspective as an urban Kanien\u2019keh\u00e1:ka woman and as a cyberpunk avatar. Considered one of the first indigenous net artists, her early adoption of cyberspace as both a location and a medium for her practice has produced groundbreaking projects such as CyberPowWow and TimeTraveller.\u2122 Her machinimas (movies made in virtual environments), still images, textiles and sculpture have been presented internationally, and they are included in the collections of the National Gallery of Canada and the Thoma Foundation, among others. Recipient of an Honorary Doctorate from the Minneapolis College of Art and Design, she is also a proud member of the Guild of Future Architects and a founding board member of daphne. Skawennati has founded numerous organizations, including Nation to Nation and Aboriginal Territories in Cyberspace, a research-creation based at Concordia University that she currently co-directs. She is represented by ELLEPHANT. Originally from Kahnaw\u00e0:ke Mohawk Territory, Skawennati resides in Montreal.", "avatarURI": "", "avatarDisplay": "", "location": "Montreal, Canada", "website": "www.skawennati.com & www.timetravellertm.com", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x1Dbc7b5Ad4A059ec592b82771C105D516deD0359", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "67142bb8-e4bc-4f4a-a667-5dc58f5fdc3e", "alias": "Mary Maggic", "slug": "mary-maggic_tez-6xe", "fullName": "Mary Tsang", "addresses": {"ethereum": "0x1Dbc7b5Ad4A059ec592b82771C105D516deD0359", "tezos": "tz1MgTkeK4MLk6Ufc322sSk546N1G3gpjmJY"}, "isArtist": true, "isCurator": false, "bio": "Mary Maggic (they, them) is a non-binary Chinese-American artist currently based in Vienna, Austria. Their work spans amateur science, public workshopology, performance, installation, documentary film, and speculative fiction. Since 2015, Maggic\u2019s research has centered on hormone biopolitics and environmental toxicity, and how the ethos and methodologies of biohacking can serve to demystify invisible lines of molecular (bio)power. Since completing a Masters from MIT Media Lab, their work has been exhibited internationally including Migros Museum of Contemporary Art and Institute of Contemporary Arts London, among others. In 2017, their project \u201cOpen Source Estrogen\u201d was awarded Honorary Mention at Prix Ars Electronica Hybrid Arts, and in 2019 Maggic completed a 10-month Fulbright residency in Yogyakarta, Indonesia exploring the connection between Javanese mysticism and the plastic pollution crisis. Maggic is a current member of the online network Hackteria: Open Source Biological Art, the laboratory theater collective Aliens in Green, and the Asian artist collective Mai Ling Vienna.", "avatarURI": "avatars/arLjDhnZVPvGvqk1TBXdPFL6HfFnsTAeLMi2Jv1bijChEEDBHn/1653334854", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/a3031a8f-a898-4080-ac93-ff32ae9e8c00", "location": "Vienna, Austria", "website": "https://maggic.ooo/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x02f38C2c614B9314E80358d0ae9ccC1704414239", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "02da9819-0c8d-4fdb-9b0b-c5f2494396a2", "alias": "Cornelia Sollfrank", "slug": "cornelia-sollfrank_tez-c66", "fullName": "Cornelia Sollfrank", "addresses": {"ethereum": "0x02f38C2c614B9314E80358d0ae9ccC1704414239", "tezos": "tz1aQkVFH9cfMNyi1RqP5Hb7ZevDyPCMHjTf"}, "isArtist": true, "isCurator": false, "bio": "\u201cA smart artist makes the machine do the work\u201d \u2014 net.art-generator.com\n\nWith the mindset of a conceptual thinker and a hacker, Cornelia Sollfrank (she, her) has explored technical innovations and translated them into sophisticated and timeless art since the mid 1990s. As founder of the Old Boys Network, she was an influential figure in early cyberfeminism. After her PhD on art and copyright, she has become a researcher in digital commons. She still writes and publishes on technofeminism. Her latest book is The Beautiful Warriors. 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Through archival practices and storytelling, her work weaves together complex counternarratives in opposition to the lasting influence of Western technological colonialism in the context of SWANA (Southwest Asia and North Africa). Morehshin has been part of numerous exhibitions, festivals, and workshops around the world including Venice Biennale di Architettura, New Museum, The Whitney Museum of American Art, Pompidou Center, Tate Modern, Queens Museum, Museum f\u00fcr Angewandte Kunst, among others. Her work has been featured in the New York Times, BBC, Huffington Post, Wired, National Public Radio, Parkett Art Magazine, Frieze, Rhizome, Hyperallergic, and Al Jazeera, among others. In 2021, she received the United States Artist Fellowship. Her artworks are in the collection of the Whitney Museum of American Art, San Francisco Museum of Modern Art, and the Current Museum.", "avatarURI": "avatars/aDZyD3gUNnLD5ViVVqGq3MPV2EmaxBjijYbaf87Ru6KYu1xNcD/1653153601", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/318fa379-9521-40e0-0ae3-8b98e364cc00", "location": "New York, U.S.", "website": "http://www.morehshin.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x2fa13954518071fc5a91a320358eec03f1743382", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "07cb4429-0d9f-4725-8685-35fcbd36a766", "alias": "Danielle Brathwaite-Shirley", "slug": "danielle-brathwaite-shirley-s4j", "fullName": "Daniel Brathwaite-Shirley", "addresses": {"ethereum": "0x2fa13954518071fc5a91a320358eec03f1743382", "tezos": "tz1eoKq2FcfVgNcVEz2h8nndtNWk9GuSuSRT"}, "isArtist": true, "isCurator": false, "bio": "Danielle Brathwaite-Shirley is a Berlin/London-based artist. They received a BA from the Slade School of Fine Art, London in 2019. Brathwaite-Shirley works predominantly in animation, sound, performance, and video game development. Their practice focuses on intertwining lived experience with fiction to imaginatively retell the stories of Black Trans people. Their work has been the subject of solo exhibitions and performances at institutions such as SCAD (2023), Artnight Dundee (2023), Villa Arson, Nice (2023), FACTLiverpool (2022), Project Arts Centre, Ireland (2022), Sk\u00e4nes konstf\u00f6rening, Malm\u00f6, Sweden (2022), QUAD, Derby, England (2021), Albright-Knox Art Gallery, Buffalo (2021), Science Gallery, London (2020), and MU Hybrid Art House, London (2020). Their work has been included in group exhibitions at institutions such as Julia Stoschek Foundation, Berlin (2022); M\u00fcnchner Kammerspiele, Munich (2019); Les Urbaines, Lausanne (2019); and Barbican, London (2018).
\n", "avatarURI": "avatars/b5vFew7f1qY8APu3DXBStUtAmttrWHccoaUXmMzXTeASMU3aaT/1652781334", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/515a3424-3920-4677-4e34-265d83554900", "location": "London, England & Berlin, Germany", "website": "daniellebrathwaiteshirley.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}], "artistsAlumni": [{"ID": "512e7ff0-8cea-427c-883b-6681c2be2a51", "alias": "VNS Matrix", "slug": "vns-matrix_tez-xat", "fullName": "Virginia Barratt, Francesca da Rimini, Julianne Pierce, Josephine Starrs ", "addresses": {"ethereum": "0xf131A3f62eA9013D73fbE72C598439510d672c5c", "tezos": "tz1chavDdvqDEgjVatqrQFqQyZP82tVCcSqJ"}, "isArtist": true, "isCurator": false, "bio": "VNS MATRIX is an artist collective founded in Adelaide, Australia, in 1991, by Josephine Starrs, Julianne Pierce, Francesca da Rimini, and Virginia Barratt. Taking their point of departure in a sexualised and socially provocative relationship between women and technology, their works subversively question discourses of domination and control in the expanding cyber space. They are credited as being the first artists to use the term cyberfeminism and are generally regarded as the founders of the international cyberfeminist movement, alongside their highly influential 1992 text and artwork \u201cA Cyberfeminist Manifesto for the 21st Century.\u201d\n\nDuring the 1990s, VNS Matrix was invited to exhibit internationally. Australian galleries also recognized the work of VNS Matrix with exhibitions at Experimental Art Foundation (1993), Artspace Sydney (1994), Australian Center for Contemporary Art Melbourne (1995) and more. The work of VNS Matrix has been written about extensively in Art+Text, Wired, Flash Art, and Artlink, among many others. They are studied in universities across the world and are written about in scholarly, art, and popular culture publications. \n\nIn 2016, VNS Matrix celebrated their 25th anniversary with the performance of a new text, \u201cA Tender Hex for the Anthropocene.\u201d Since this milestone their work has continued to be exhibited at museums and galleries, including Rhizome at New Museum New York, Institute of Contemporary Art London, and Migros Gallery Zurich, among many others.", "avatarURI": "avatars/aF2np35YbjYAz6W97nm5wNEKcHCj7KVYSXXXcDFyWVgkfw7X2z/1653039040", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/8d06c9f4-120c-4289-dda9-b56fc3d8dc00", "location": "Australia", "website": "https://vnsmatrix.net/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "75f0900d-a184-402a-b5ed-e2011ab4c2f3", "alias": "Linda Dement", "slug": "linda-dement_tez-lzt", "fullName": "Linda Johnson", "addresses": {"ethereum": "0xaAAEA79916f920DEFD8B721e0DD259378d37F8BC", "tezos": "tz1YkHsADzH9En8xM8mw2wyB3hr29DFMxzSU"}, "isArtist": true, "isCurator": false, "bio": "Linda Dement (she, her) has worked in arts computing since the late 1980s. Originally a photographer, her digital practice spans the programmed, performative, visual, and virtual. Her work deals with issues of disturbance, commingling psycho-sexual and environmental corporeality with the digital and electronic, giving form to the difficult territory of the unbearable and conflicted. Dement\u2019s solo and collaborative work has been widely exhibited internationally including ACCA Melbourne, the Institute of Contemporary Art London, Ars Electronica Austria, and Transmediale, among others. She is twice winner of the Australian National Digital Art Award and has been awarded a New Media Arts Fellowship by the Australia Council for the Arts. Her work is held in collections such as ArtBank, the Biblioth\u00e8que Nationale de France, and Australian Video Art Archive, among others.", "avatarURI": "avatars/aWJeypeEDfrCx8JuLbPVD16H8i8NdtLhFbAYnPykQkpPuf5ppZ/1653114474", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/80f74550-0a1b-4e48-1f1d-dfd075695400", "location": "Gadigal Land (Sydney), Australia", "website": "http://lindadement.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "fc372277-69d5-46f8-aaf5-f97efb5fc9c9", "alias": "Prema Murthy", "slug": "prema-murthy_tez-asa", "fullName": "Prema Murthy", "addresses": {"ethereum": "0x8E03965beceaC7eE6eE79eA8975bC7A0b8556E1f", "tezos": "tz1b2FzBWxBeDdmtoF6uQDf6cP91jFJqiMDH"}, "isArtist": true, "isCurator": false, "bio": "Prema Murthy (she, her) is an American artist based in New York. Her work includes painting, video, digital media, and installation. Employing line, form, geometry, and algorithmic processes, she examines the intersection of embodiment and abstraction. She received a BA in art history and women\u2019s studies from the University of Texas, Austin and an MFA from Goldsmiths College, London. She has exhibited in numerous shows including PS1/MoMA Contemporary Art Center, the Whitney Museum of American Art, the Generali Foundation-Vienna, among others. She is the co-founder of the artgroup Fakeshop, known for its pioneering large-scale performative installations using live video conferencing technologies. Her work has been written about in the New York Times, Art Asia Pacific Magazine, the Wall Street Journal, and Artforum. Murthy has received numerous awards and commissions including a New York Foundation for the Arts Fellowship, a Creative Capital Grant in Emerging Fields, and an Urban Artists Initiative Grant from the Asian American Arts Alliance, among others. She has taught Digital Art at City College (CUNY) and Sarah Lawrence College, NY.", "avatarURI": "avatars/az2BAtp19xucKbcJDCHJ9WCnbeSFLAUtS7Tf1hy7NZSruqEhBe/1652969325", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/7920f6b7-db4e-46c6-f151-f320b4d22900", "location": "New York, U.S.", "website": "premamurthy.com", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "54264f7a-c627-4e8c-abce-11bcc0cefbda", "alias": "Shu Lea Cheang", "slug": "shu-lea-cheang_tez-ihl", "fullName": "Shu Lea Cheang", "addresses": {"ethereum": "0x7CC36053b0a04AC9486CB96E2C335Db2dde9f676", "tezos": "tz2NtYYpUmgDPTqKzqwD9R6Vi5Kt68mLW8DQ"}, "isArtist": true, "isCurator": false, "bio": "Shu Lea Cheang (Chinese: \u912d\u6dd1\u9e97) (she, her) is a Taiwanese-American artist and filmmaker. Since the 1980s, as a multimedia and new-media artist, she has navigated topics of ethnic stereotyping, sexual politics, and institutional oppression with her radical experimentations in digital realms. She drafts sci-fi narratives in her film scenario and artwork imagination, crafting her own \u201cscience\u201d fiction genre of new queer cinema. Cheang is regarded as a pioneering figure in internet-based art, with her multimedia approach at the interface between film, video, internet-based installation, software interaction, and durational performance. Her project \u201cBrandon\u201d (1998\u20131999) was the first piece of web art commissioned and collected by the Guggenheim Museum in New York. Her work employs film, video, net-based installation, and interface to explore \u201c...ethnic stereotyping, the nature and excesses of popular media, institutional\u2014and especially governmental\u2014power, race relations, and sexual politics.\u201d Cheang has written and directed the feature films I.K.U., Fluid\u00f8, and the upcoming UKI. Cheang received a BA in history from the National Taiwan University in 1976 and an MA in Cinema Studies from New York University in 1979.", "avatarURI": "avatars/bfRBpr7ZcnCAyW6qwpZj3PVc8XkdXRFP3S2PVffHdnGtGXg96c/1653055814", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/e0870550-9dae-43b2-1226-32ae91efdf00", "location": "Paris, France", "website": "http://mauvaiscontact.info", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "7033f426-cb5c-49d2-bd75-b2f2a653ba39", "alias": "Skawennati", "slug": "skawennati_tez-b3r", "fullName": "Tricia Skawennati Fragnito", "addresses": {"ethereum": "0x66AD32b94eF90E623768bc00ad04b50c7f499F23", "tezos": "tz1drqx54oWXKdCQQS9RPesnuEsLBuLGBxj3"}, "isArtist": true, "isCurator": false, "bio": "Skawennati (she, her) investigates history, the future, and change from her perspective as an urban Kanien\u2019keh\u00e1:ka woman and as a cyberpunk avatar. Considered one of the first indigenous net artists, her early adoption of cyberspace as both a location and a medium for her practice has produced groundbreaking projects such as CyberPowWow and TimeTraveller.\u2122 Her machinimas (movies made in virtual environments), still images, textiles and sculpture have been presented internationally, and they are included in the collections of the National Gallery of Canada and the Thoma Foundation, among others. Recipient of an Honorary Doctorate from the Minneapolis College of Art and Design, she is also a proud member of the Guild of Future Architects and a founding board member of daphne. Skawennati has founded numerous organizations, including Nation to Nation and Aboriginal Territories in Cyberspace, a research-creation based at Concordia University that she currently co-directs. She is represented by ELLEPHANT. Originally from Kahnaw\u00e0:ke Mohawk Territory, Skawennati resides in Montreal.", "avatarURI": "", "avatarDisplay": "", "location": "Montreal, Canada", "website": "www.skawennati.com & www.timetravellertm.com", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "67142bb8-e4bc-4f4a-a667-5dc58f5fdc3e", "alias": "Mary Maggic", "slug": "mary-maggic_tez-6xe", "fullName": "Mary Tsang", "addresses": {"ethereum": "0x1Dbc7b5Ad4A059ec592b82771C105D516deD0359", "tezos": "tz1MgTkeK4MLk6Ufc322sSk546N1G3gpjmJY"}, "isArtist": true, "isCurator": false, "bio": "Mary Maggic (they, them) is a non-binary Chinese-American artist currently based in Vienna, Austria. Their work spans amateur science, public workshopology, performance, installation, documentary film, and speculative fiction. Since 2015, Maggic\u2019s research has centered on hormone biopolitics and environmental toxicity, and how the ethos and methodologies of biohacking can serve to demystify invisible lines of molecular (bio)power. Since completing a Masters from MIT Media Lab, their work has been exhibited internationally including Migros Museum of Contemporary Art and Institute of Contemporary Arts London, among others. In 2017, their project \u201cOpen Source Estrogen\u201d was awarded Honorary Mention at Prix Ars Electronica Hybrid Arts, and in 2019 Maggic completed a 10-month Fulbright residency in Yogyakarta, Indonesia exploring the connection between Javanese mysticism and the plastic pollution crisis. Maggic is a current member of the online network Hackteria: Open Source Biological Art, the laboratory theater collective Aliens in Green, and the Asian artist collective Mai Ling Vienna.", "avatarURI": "avatars/arLjDhnZVPvGvqk1TBXdPFL6HfFnsTAeLMi2Jv1bijChEEDBHn/1653334854", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/a3031a8f-a898-4080-ac93-ff32ae9e8c00", "location": "Vienna, Austria", "website": "https://maggic.ooo/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "02da9819-0c8d-4fdb-9b0b-c5f2494396a2", "alias": "Cornelia Sollfrank", "slug": "cornelia-sollfrank_tez-c66", "fullName": "Cornelia Sollfrank", "addresses": {"ethereum": "0x02f38C2c614B9314E80358d0ae9ccC1704414239", "tezos": "tz1aQkVFH9cfMNyi1RqP5Hb7ZevDyPCMHjTf"}, "isArtist": true, "isCurator": false, "bio": "\u201cA smart artist makes the machine do the work\u201d \u2014 net.art-generator.com\n\nWith the mindset of a conceptual thinker and a hacker, Cornelia Sollfrank (she, her) has explored technical innovations and translated them into sophisticated and timeless art since the mid 1990s. As founder of the Old Boys Network, she was an influential figure in early cyberfeminism. After her PhD on art and copyright, she has become a researcher in digital commons. She still writes and publishes on technofeminism. Her latest book is The Beautiful Warriors. ", "avatarURI": "avatars/btNKk3zXe4qEQPhBAuWqaJzLBb3fxSWVNRmcvKw6f4VoYCvQ8t/1648909541", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/f567b4e0-a5a2-4ea5-cd91-0f29e76f5e00", "location": "Berlin, Germany", "website": "artwarez.org", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "1352232a-60a3-42d7-ac62-b4fd58f20d52", "alias": "Morehshin Allahyari", "slug": "morehshin-allahyari-mvt", "fullName": "Morehshin Allahyari", "addresses": {"ethereum": "0xf8b482bbD522E1ed1e77F0da2E022a59188e9db8"}, "isArtist": true, "isCurator": false, "bio": "Morehshin Allahyari (Persian: \u0645\u0648\u0631\u0647 \u0634\u06cc\u0646 \u0627\u0644\u0644\u0647\u06cc\u0627\u0631\u06cc\u200e) (she, her) is a NY-based Iranian-Kurdish artist using 3D simulation, video, sculpture, and digital fabrication as tools to re-figure myth and history. Through archival practices and storytelling, her work weaves together complex counternarratives in opposition to the lasting influence of Western technological colonialism in the context of SWANA (Southwest Asia and North Africa). Morehshin has been part of numerous exhibitions, festivals, and workshops around the world including Venice Biennale di Architettura, New Museum, The Whitney Museum of American Art, Pompidou Center, Tate Modern, Queens Museum, Museum f\u00fcr Angewandte Kunst, among others. Her work has been featured in the New York Times, BBC, Huffington Post, Wired, National Public Radio, Parkett Art Magazine, Frieze, Rhizome, Hyperallergic, and Al Jazeera, among others. In 2021, she received the United States Artist Fellowship. Her artworks are in the collection of the Whitney Museum of American Art, San Francisco Museum of Modern Art, and the Current Museum.", "avatarURI": "avatars/aDZyD3gUNnLD5ViVVqGq3MPV2EmaxBjijYbaf87Ru6KYu1xNcD/1653153601", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/318fa379-9521-40e0-0ae3-8b98e364cc00", "location": "New York, U.S.", "website": "http://www.morehshin.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "07cb4429-0d9f-4725-8685-35fcbd36a766", "alias": "Danielle Brathwaite-Shirley", "slug": "danielle-brathwaite-shirley-s4j", "fullName": "Daniel Brathwaite-Shirley", "addresses": {"ethereum": "0x2fa13954518071fc5a91a320358eec03f1743382", "tezos": "tz1eoKq2FcfVgNcVEz2h8nndtNWk9GuSuSRT"}, "isArtist": true, "isCurator": false, "bio": "Danielle Brathwaite-Shirley is a Berlin/London-based artist. They received a BA from the Slade School of Fine Art, London in 2019. Brathwaite-Shirley works predominantly in animation, sound, performance, and video game development. Their practice focuses on intertwining lived experience with fiction to imaginatively retell the stories of Black Trans people. Their work has been the subject of solo exhibitions and performances at institutions such as SCAD (2023), Artnight Dundee (2023), Villa Arson, Nice (2023), FACTLiverpool (2022), Project Arts Centre, Ireland (2022), Sk\u00e4nes konstf\u00f6rening, Malm\u00f6, Sweden (2022), QUAD, Derby, England (2021), Albright-Knox Art Gallery, Buffalo (2021), Science Gallery, London (2020), and MU Hybrid Art House, London (2020). Their work has been included in group exhibitions at institutions such as Julia Stoschek Foundation, Berlin (2022); M\u00fcnchner Kammerspiele, Munich (2019); Les Urbaines, Lausanne (2019); and Barbican, London (2018).
\n", "avatarURI": "avatars/b5vFew7f1qY8APu3DXBStUtAmttrWHccoaUXmMzXTeASMU3aaT/1652781334", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/515a3424-3920-4677-4e34-265d83554900", "location": "London, England & Berlin, Germany", "website": "daniellebrathwaiteshirley.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}]}, {"id": "cd467ddf-6e17-4f5a-b869-25e41b5c0d37", "title": "On Screen Presence", "slug": "on-screen-presence-kpb", "exhibitionStartAt": "2022-05-23T15:00:00Z", "previewDuration": 3600, "curatorAlumniAccountID": "d31fe888-5291-48b4-a465-2cc3de4dfd4b", "setReservation": 45, "noteTitle": "Notes On Domestic Virtual Display", "noteBrief": "The computer monitor has been a viewing apparatus for the public exchange and exhibition of art since the early 1970s. When, for example, the first publicly accessible bulletin board system, Community Memory, was launched in Berkeley, California, it was not long until the digital sharing of computerized creative expression took hold.1 Yet, after 50 years, a majority of art galleries and institutions only recently, and due to the forced hand of SARS-CoV-2, collectively scrambled to adapt to virtual, public exhibition. With multifarious projects, webpages, and organized shows to learn from, galleries and museums at large instead resorted to ubiquitous OVRs, or \u201conline viewing rooms.\u201d Often displayed as flat, glorified e-commerce pages, OVRs only helped to emphasize galleries as luxury goods retailers. This is not to say that an individual is incapable of having a visceral, intimate experience with a particular configuration of materials and ideas, distilled into an image from a photoshoot in an off-limits location, but it remains an independent experience from standing with the same work in the flesh.\r\n", "note": "", "noteAuthor": "", "coverURI": "exhibition-thumbnails/cd467ddf-6e17-4f5a-b869-25e41b5c0d37/1651724283", "coverDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/47a61fca-7702-4319-f978-05c1b5c1c600", "thumbnailCoverURI": "https://imagedelivery.net/5BJzhBHeVhlhbn58hvcXAQ/54e90798-8f50-4bf3-e248-6f3ccbb56300", "highlightOrder": 10000, "type": "group", "metadata": {"closeUpTitle": "Screen Time", "closeUpLink": "https://feralfile.com/close-ups/screen-time", "newsletterLink": "https://mailchi.mp/78be9f36cd6b/feral-file-016-on-screen-presenceopens-may-23th"}, "settings": {"set_settings": null, "collaborator_amount": 0, "salePaused": false, "burn": false, "bridge": false, "reserveSetting": null, "legalContractRevision": "", "advancePayment": null}, "hidden": false, "isTesting": false, "ordinalLabel": "016", "saleStatus": "sale", "status": 4, "mintBlockchain": "bitmark", "createdAt": "2022-05-03T07:26:48.421921Z", "updatedAt": "2024-11-08T08:01:38.268228Z", "publicViewable": true, "curator": {"ID": "0x0eB4Ad1E393A8e3064Cdb36f64eCe5786de6ea3B", "isArtist": false, "isCurator": true, "alumniAccount": {"ID": "d31fe888-5291-48b4-a465-2cc3de4dfd4b", "alias": "Regina Harsanyi", "slug": "regina-harsanyi-mig", "fullName": "", "addresses": {"ethereum": "0x0eB4Ad1E393A8e3064Cdb36f64eCe5786de6ea3B"}, "isArtist": false, "isCurator": true, "avatarURI": "avatars/aWp4GCSW28yuQ9FEBNDDsqvvS9jiQ6oJbk3r8k2x7wUupnUooz/1672676513", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/64c3055c-bcae-4ae3-5ab6-bbbd3e9b6700", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, "curatorAlumni": {"ID": "d31fe888-5291-48b4-a465-2cc3de4dfd4b", "alias": "Regina Harsanyi", "slug": "regina-harsanyi-mig", "fullName": "", "addresses": {"ethereum": "0x0eB4Ad1E393A8e3064Cdb36f64eCe5786de6ea3B"}, "isArtist": false, "isCurator": true, "avatarURI": "avatars/aWp4GCSW28yuQ9FEBNDDsqvvS9jiQ6oJbk3r8k2x7wUupnUooz/1672676513", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/64c3055c-bcae-4ae3-5ab6-bbbd3e9b6700", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, "artists": [{"ID": "0x7ccd2EE72a75F7e4776f598c1Be11A119fD8d191", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "f226a1d8-f838-40e8-bcd7-420a58766c6d", "alias": "0xDEAFBEEF", "slug": "0xdeafbeef-abe", "fullName": "0xDEAFBEEF", "addresses": {"ethereum": "0x7ccd2EE72a75F7e4776f598c1Be11A119fD8d191"}, "isArtist": true, "isCurator": false, "bio": "0xDEAFBEEF is an artist and engineer based in Toronto, Canada. Over the past 20 years he has been tinkering in diverse areas overlapping art and technology including music, sound recording, computer animation, blacksmithing, and generative art. He received his BASc in electrical engineering and MSc from the University of Toronto, where he contributed to internationally recognized research in the field of computer animation. As a classically trained musician with a strong background in sound technology, he brings together all of his interests in a bespoke art practice, using low-level computer code and a minimal toolset to craft raw information into audiovisual artworks. His recent generative works explore the unique affordances of programmable blockchains as both subject and medium.
\n", "avatarURI": "avatars/0x7ccd2EE72a75F7e4776f598c1Be11A119fD8d191/1720364035", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/814bb330-e137-4bd3-9d62-192f1b28e200", "location": "", "website": "https://www.deafbeef.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "_deafbeef", "twitterID": "_deafbeef"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xF2C268b60AA5462c433dF05645B289422b85dDEC", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "f1599653-a144-49b1-b4b5-88656294aeee", "alias": "John F. Simon Jr.", "slug": "john-f-simon-jr-hsw", "fullName": "John F. Simon Jr. ", "addresses": {"ethereum": "0xF2C268b60AA5462c433dF05645B289422b85dDEC"}, "isArtist": true, "isCurator": false, "bio": "John F. Simon Jr.\u2019s art career spans over 25 years. He began with pen plotter drawings, continued onto Internet Art, then created software artworks shown as sculptural wall hangings with LCD screens called \u201cart appliances.\u201d Most recently, he uses computer controlled fabrication techniques to sculpt bas-relief wall hangings out of mixed materials. Having written his own software since the 1980s, he is fluent in the use of the computer, manipulating his tool\u2019s potential in imaginative and innovative ways. He produces new artworks each year that continue to be exhibited internationally and acquired by museums. \n \nA contemplative drawing practitioner, Simon\u2019s daily drawings inspire his larger artworks. After carefully observing his own intuitive markings, he interprets them using the unique properties of digital media to create artworks in diverse mediums such as: software, laser engraved plastic, machine carved HDU, laser-cut linoleum, inlaid plastic laminate, charcoal, and hand painted gouache drawings.\n \nHis seminal work \u201cEvery Icon\u201d was included in the Whitney\u2019s Biennial Exhibition (2000). Simon\u2019s artworks can be found in the permanent collections of the San Francisco Museum of Modern Art, The Phillips Collection, Collezione Maramotti, The Brooklyn Museum, and the The Los Angeles County Museum of Art, among others. He is represented by the Sandra Gering Inc. gallery in New York City.\n", "avatarURI": "avatars/b7jSigRGpoTyeSp2jBUog2B2XX8eQ54y3QfBvu2pLBntnf94e8/1651622364", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/0dd0a2e6-2395-495c-dda5-3b00b46adc00", "location": "New York, U.S.", "website": "https://www.drawingyourownpath.com/about", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xe4eA5688f6E3413ba1477319f31201ccD944f9d7", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "6dd47418-4df4-4cae-ac1e-bffc5b499cec", "alias": "Wiena Lin", "slug": "wiena-lin-48x", "fullName": "Wiena Lin", "addresses": {"ethereum": "0xe4eA5688f6E3413ba1477319f31201ccD944f9d7"}, "isArtist": true, "isCurator": false, "bio": "Wiena Lin is an artist exploring shared timelines: contemporary lived experiences, the epoch of explosive innovation, and the impending extinction of the human species. Working as a creative director focused on experience design and emerging technology, Lin co-opts and manipulates traditional corporate strategies used to drive individual consumerism to seed a personal \u201cconversion experience\u201d toward climate activism. As such, Lin\u2019s sculptural works document moments of time from the horizons of the near future, capturing the tensions between the lived Anthropocene, impending Singularity, and the natural world destined to survive humankind. In her artwork, Lin seeks to spark a visceral sense of urgency. She wants to empower the individual and collective audience to envision optimistic futures as a first step in individual climate advocacy and an exponential amplification around climate action. Lin\u2019s work has been exhibited internationally with institutions including The Smithsonian Museum, The Himalayas Museum, Institute for the Future, and BMW / ADO. She has created interactive new media experiences for clients including Intel, IBM, Microsoft, Samsung, Google, Bell Labs, Adidas, and Cartier.", "avatarURI": "avatars/bvbP1vSNhAzvi2LizdoUDH5sjD4QCJNAk5FVsJutNeG42bSUHd/1651855131", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/6bb81efd-8aa5-4704-168f-486b1036cc00", "location": "New York, U.S.", "website": "http://www.wienalin.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x792654e8ea69b9c4aa7588dfd89ed64e90b3f200", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "ec3df777-a152-4290-bc81-df2bdbe23e2d", "alias": "Golan Levin", "slug": "golan-levin-6aq", "fullName": "Golan Levin", "addresses": {"ethereum": "0x792654e8ea69b9c4aa7588dfd89ed64e90b3f200"}, "isArtist": true, "isCurator": false, "bio": "Golan Levin is an artist, engineer, researcher, and educator interested in new intersections of machine code, visual culture, and critical making. His work combines equal measures of the whimsical, the provocative, and the sublime in an eclectic variety of online, installation, and performance media. Through responsive artifacts, virtual environments, and media provocations, Levin applies creative twists to digital technologies that highlight our relationship with machines, expand the vocabulary of human action, and awaken participants to their potential as creative actors. His projects have engaged themes and materials such as interactive gestural robotics, the tactical potential of personal digital fabrication, new aesthetics of nonverbal interaction, and information visualization as a mode of critical inquiry.\n\nLevin has spent more than 30 years as an artist embedded within technological research environments, including the MIT Media Laboratory, Ars Electronica Futurelab, Interval Research Corporation, and the Eyebeam Center for Art and Technology. His work is included in the permanent collection of the Museum of Modern Art (MoMA), has appeared in the Whitney Biennial, and has been recognized with grants from Creative Capital, the Rockefeller MAP Fund, and others. A two-time TED speaker, Levin was named one of \u201c50 Designers Shaping the Future\u201d by Fast Company magazine. He has exhibited widely in Europe, America, and Asia.\n\nLevin is currently professor of electronic art in the School of Art at Carnegie Mellon University, where his pedagogy is concerned with reclaiming computation as a medium of personal expression. He teaches \u201cstudio courses in computer science\u201d on themes like interactive art, generative form, critical making, and audiovisual performance. With Tega Brain, Levin is co-author of Code as Creative Medium (MIT Press, 2021), an essential guide to creative coding for software arts educators. Levin holds additional appointments at CMU\u2019s School of Design, School of Architecture, Computer Science Department, and Entertainment Technology Center. Since 2009, Levin has also served as director or co-director of CMU's Frank-Ratchye STUDIO for Creative Inquiry, a laboratory for atypical and antidisciplinary research across the arts, science, technology, and culture.", "avatarURI": "avatars/aZETGqAxQxPBej9LGscJ6pmhhED5uQA45NQGf4Axc6GtiRbWUB/1651720485", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/e28c9dec-5870-4163-8b0d-2834b6700400", "location": "Pennsylvania, U.S.", "website": "http://www.flong.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xB403422Ef4bbaa109f8c9018953DaC1C6958Dd37", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "360e60bf-cf6e-4323-986a-dfb7272b3cc2", "alias": "Molly Soda", "slug": "molly-soda-dzr", "fullName": "Amalia Soto", "addresses": {"ethereum": "0xB403422Ef4bbaa109f8c9018953DaC1C6958Dd37"}, "isArtist": true, "isCurator": false, "bio": "Molly Soda is an artist based in Brooklyn, NY. Nearly all of her work lives online, as she uses a variety of social media platforms to host her work, allowing the work to evolve and interact with the platforms themselves. Soda makes videos, installations, and web-based, interactive works that touch on concepts around performing the self, memory, aspiration, and consumer culture. 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He uses various neural networks such as VQGan, Clip, and Styletransfers to achieve his vision to \u201cdisturb the comfortable and comfort the disturbed.\u201d With his work, Shkipin explores the blending and deconstruction of a figure through abstraction, kind of like how dreams deconstruct forms and memories.", "avatarURI": "avatars/agDz3aEMXd5kfZG6mye6tTrcVthTP8RZNohbGvhp5p6Rr41X95/1641588264", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/6c1b39d8-01bb-4c53-2d08-b87f06bc3400", "location": "California, U.S.", "website": "http://ilyashkipin.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "58f55dfb-1065-4ce3-a658-2fed619d343a", "alias": "Sofia Crespo", "slug": "sofia-crespo-zmh", "fullName": "Sofia Crespo", "addresses": {"ethereum": "0xCD8B07fBB50d85a47B2EA536EC53d2E60c39b5B3", "tezos": "tz2A92XTaMkg757Lq2jT32yhDo6ZwTupFP1y"}, "isArtist": true, "isCurator": false, "bio": "Sofia Crespo is an artist with a huge interest in biology-inspired technologies. One of her main focuses is the way organic life uses artificial mechanisms to simulate itself and evolve, this implying the idea that technologies are a biased product of the organic life that created them and not a completely separated object. Crespo looks at the similarities between techniques of AI image formation and the way that humans express themselves creatively and cognitively recognize their world. Her work brings into question the potential of AI in artistic practice and its ability to reshape our understanding of creativity. On the side, she is also hugely concerned with the dynamic change in the role of the artists working with machine learning techniques. She\u2019s also the co-founder of Entangled Others Studio.", "avatarURI": "avatars/airFryqMcKpRuU7KLHierKRUPDjAPYpALyxMyxMnYt9bvsrBje/1641296440", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/6709a05b-6869-49c2-05ae-ae8e62080500", "location": "Lisbon, Portugal", "website": "sofiacrespo.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}]}, {"id": "6be0bfbc-391a-40f0-bf13-6aa61c628f30", "title": "For Your Eyes Only", "slug": "for-your-eyes-only-qpg", "exhibitionStartAt": "2021-12-16T03:00:00Z", "previewDuration": 3600, "curatorAlumniAccountID": "553b16b7-2c19-40f1-8902-94db2cdb6702", "setReservation": 50, "noteTitle": "Notes for a Post-Human Human Vision", "noteBrief": "\u201cOver the last decade or so...human visual culture has become a special case of vision, an exception to the rule. The overwhelming majority of images are now made by machines for other machines, with humans rarely in the loop,\u201d1 artist Trevor Paglen wrote in 2016. Paglen\u2019s statement doesn\u2019t apply just to machine vision imagery and datasets: any born-digital or digitized image may or may not be seen by human eyes, but would always be seen by a number of machines\u2014 the device taking it, the computer we use to archive or edit it, the server where we upload it, and the number of algorithms active at any of these levels.\n", "note": "", "coverURI": "exhibition-thumbnails/6be0bfbc-391a-40f0-bf13-6aa61c628f30/1639625301", "coverDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/89abaab9-44f1-4a96-0f66-fcab99035700", "thumbnailCoverURI": "https://imagedelivery.net/5BJzhBHeVhlhbn58hvcXAQ/8994866c-d351-4ae4-6046-6225e486aa00", "highlightOrder": 10000, "type": "group", "metadata": {"closeUpTitle": "The Meaning of \u201cVision\u201d and \u201cImage\u201d in the Age of AI", "closeUpLink": "https://feralfile.com/close-ups/the-meaning-of-vision-and-image-in-the-age-of-ai"}, "settings": {"set_settings": null, "collaborator_amount": 0, "salePaused": false, "burn": false, "bridge": false, "reserveSetting": null, "legalContractRevision": "", "advancePayment": null}, "hidden": false, "isTesting": false, "ordinalLabel": "011", "saleStatus": "sale", "status": 4, "mintBlockchain": "bitmark", "createdAt": "2021-12-01T10:43:22.39343Z", "updatedAt": "2024-11-08T07:56:50.076356Z", "publicViewable": true, "curator": {"ID": "0x11731586c573Bc263De405603793Ef48F974830F", "isArtist": false, "isCurator": true, "alumniAccount": {"ID": "553b16b7-2c19-40f1-8902-94db2cdb6702", "alias": "Domenico Quaranta", "slug": "domenico-quaranta-uqt", "fullName": "Domenico Quaranta", "addresses": {"ethereum": "0x11731586c573Bc263De405603793Ef48F974830F"}, "isArtist": false, "isCurator": true, "avatarURI": "avatars/axqqCTxq8p2svvyf17oXyAVBoimMvmkZYVeLqRnqMHcRN9fSSS/1616863468", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/720788bc-97d1-40e8-b61e-aeeba2d4d900", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, "curatorAlumni": {"ID": "553b16b7-2c19-40f1-8902-94db2cdb6702", "alias": "Domenico Quaranta", "slug": "domenico-quaranta-uqt", "fullName": "Domenico Quaranta", "addresses": {"ethereum": "0x11731586c573Bc263De405603793Ef48F974830F"}, "isArtist": false, "isCurator": true, "avatarURI": "avatars/axqqCTxq8p2svvyf17oXyAVBoimMvmkZYVeLqRnqMHcRN9fSSS/1616863468", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/720788bc-97d1-40e8-b61e-aeeba2d4d900", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, "artists": [{"ID": "0xf8b482bbD522E1ed1e77F0da2E022a59188e9db8", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "1352232a-60a3-42d7-ac62-b4fd58f20d52", "alias": "Morehshin Allahyari", "slug": "morehshin-allahyari-mvt", "fullName": "Morehshin Allahyari", "addresses": {"ethereum": "0xf8b482bbD522E1ed1e77F0da2E022a59188e9db8"}, "isArtist": true, "isCurator": false, "bio": "Morehshin Allahyari (Persian: \u0645\u0648\u0631\u0647 \u0634\u06cc\u0646 \u0627\u0644\u0644\u0647\u06cc\u0627\u0631\u06cc\u200e) (she, her) is a NY-based Iranian-Kurdish artist using 3D simulation, video, sculpture, and digital fabrication as tools to re-figure myth and history. Through archival practices and storytelling, her work weaves together complex counternarratives in opposition to the lasting influence of Western technological colonialism in the context of SWANA (Southwest Asia and North Africa). Morehshin has been part of numerous exhibitions, festivals, and workshops around the world including Venice Biennale di Architettura, New Museum, The Whitney Museum of American Art, Pompidou Center, Tate Modern, Queens Museum, Museum f\u00fcr Angewandte Kunst, among others. Her work has been featured in the New York Times, BBC, Huffington Post, Wired, National Public Radio, Parkett Art Magazine, Frieze, Rhizome, Hyperallergic, and Al Jazeera, among others. In 2021, she received the United States Artist Fellowship. 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Her artistic practice is characterized by the exploration, collection, and storage of mostly pop-cultural visual references from various online platforms, films, and TV series. Using a cut/copy-and-paste technique, she combines found digital material into web pages, collages, mashup videos, etc., thus creating new narratives through appropriation. In doing so, she is interested in what people view and share on social networks, how visual material travels the internet, how it changes, and how it affects users. By using digital images familiar to the global internet user, she wishes to depict how internet phenomena, clich\u00e9s, and iconic pop-cultural references influence our perception. The dense amount of short clips from known series and films, animated GIFs, internet memes, videos, and other images from online platforms creates a feeling of layeredness, as the viewer can read a number of parallel associations, linked to recognizing individual material, in addition to the basic story.", "avatarURI": "avatars/aa9rACW8wtxqEsXY5rmTJUgeMoQq1oC2axLedjDStCz8Gzd6Lc/1638520069", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/65734d58-aabb-4a7b-7d02-8069dec56d00", "location": "Slovenia", "website": "https://sarabezovsek.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x18c2E51a8F7E22BC78D2A12E21e12a5987b4F21F", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "40823ff7-0998-4b50-8e9f-0a3e2b7a479a", "alias": "\u00c9milie Brout & Maxime Marion", "slug": "emilie-brout-and-maxime-marion-yt6", "fullName": "\u00c9milie Brout, Maxime Marion", "addresses": {"ethereum": "0x18c2E51a8F7E22BC78D2A12E21e12a5987b4F21F"}, "isArtist": true, "isCurator": false, "bio": "\u00c9milie Brout & Maxime Marion began their collaboration at the \u00c9cole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs in Paris. Their work sits in public and private collections such as the FRAC Ile-de-France and the Fran\u00e7ois Schneider foundation, and has been featured in numerous media outlets including Le Monde, Art Viewer, New York Observer, BBC and Frieze.\n\nPrevious exhibitions and screenings include Young Art Triennale at Casino Luxembourg; Thessaloniki International Short Film Festival; Louvre Auditorium, Paris; Haus der Kulturen der Welt, Berlin; MAC VAL, Vitry-sur-Seine; Redline Contemporary Art Center, Denver; OCAT Shenzhen; Carroll/Fletcher, London; Moscow Biennale for Young Art; Le Loft - Collection famille Servais, Brussels; Seongnam Art Center; Palais de Tokyo, Paris. They have recently had solo exhibitions at 22,48 m\u00b2, Paris; La Chaufferie, Strasbourg; Pori Art Museum; Villa du Parc, Annemasse; and Steve Turner, Los Angeles.", "avatarURI": "avatars/bYLRCjteQgA54SRQKfPeoheTiuLn4RJ6mU53NBtKTWkqYWdhgm/1638400743", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/55ff1457-da7e-4461-dc5b-6fe071ac5500", "location": "Paris, France", "website": "http://www.eb-mm.net/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x32f848B9436F6400E5FA1fd46E9b96F4541C0966", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "184eae40-3ac5-4fde-9acc-9791bd05e314", "alias": "Anna Carreras", "slug": "anna-carreras-vtc", "fullName": "Anna Carreras Sales", "addresses": {"ethereum": "0x32f848B9436F6400E5FA1fd46E9b96F4541C0966"}, "isArtist": true, "isCurator": false, "bio": "Anna Carreras is a Barcelona, Spain-based creative coder and digital artist whose work focuses on generative algorithms and interactive technology. In addition to working directly with code, Anna develops interactive installations to explore new emerging narratives with an emphasis on audience collaboration. She is interested in the complexity that emerges from small simple behaviors, and she aspires to capture the diversity and richness of complex systems in her works. Throughout the pandemic, she created daily code sketches, which she called \u201cquarantena generativa,\u201d to explore new ideas.", "avatarURI": "avatars/b4SnpxtHwS1ThPGvaECZSc8dUYbCP1wSQqaCsr3jgCMme4YMUX/1615587736", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/8b641f97-6f09-4fec-fd6a-ca2509096e00", "location": "Barcelona, Spain", "website": "https://www.annacarreras.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x9444f68751Bb1741813619421acf855a1a6Ba4B0", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "2157a61d-00c9-4480-ac55-3b2468de6628", "alias": "Petra Cortright", "slug": "petra-cortright-pse", "fullName": "Petra Cortright", "addresses": {"ethereum": "0x9444f68751Bb1741813619421acf855a1a6Ba4B0"}, "isArtist": true, "isCurator": false, "bio": "Petra Cortright\u2019s core practice is the creation and distribution of digital and physical images using consumer or corporate software. She became renowned for making self-portrait videos that use her computer\u2019s webcam and default effects tools. Cortright\u2019s paintings on aluminum, linen, and paper are created in Photoshop. Cortright lives and works in Altadena, CA. She studied Fine Arts at Parsons School of Design, The New School, New York, NY (2006-2008) and the California College of the Arts, San Francisco, CA (2004). Her works are in the permanent collections of the Museum of Modern Art (New York), The P\u00e9r\u00e9z Museum (Miami), The Bass Museum (Miami), Los Angeles County Museum of Art, the Hammer Museum (Los Angeles), Moderna Museet (Stockholm), MOTI (Breda) in collaboration with Stedelijk Museum (Amsterdam), MCA Chicago, Kadist Foundation (San Francisco), BAMPFA (Berkeley, CA), the San Jose Museum of Art (San Jose, CA), Rhizome\u2019s Net Art Anthology, and MOCA Los Angeles.", "avatarURI": "avatars/bdJTD9BA12HCYckZZV8hjXRLySgW2ABTcbbqr5WKLTsJaWQKfM/1638378745", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/b0248fc1-722a-497a-0b57-17d5498c5d00", "location": "California, U.S.", "website": "https://www.petracortright.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "https://www.instagram.com/petra_cortright/", "twitterID": "https://twitter.com/petcortright"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x0A6F9EE15659dd25Da0d598093452fA7aCDD4090", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "974d431f-57a8-4b3b-9952-faeced68a1c3", "alias": "Francoise Gamma", "slug": "francoise-gamma-n1x", "fullName": "Francoise Gamma", "addresses": {"ethereum": "0x0A6F9EE15659dd25Da0d598093452fA7aCDD4090"}, "isArtist": true, "isCurator": false, "bio": "Francoise Gamma is a digitally embodied entity using the internet to draw GIFs (for Netscape 3.04). His work has appeared on Kanye West\u2019s blog, in solo exhibitions, and all around the WWW. Francoise is a member of the online art collective Computers Club, and his work is featured on Foundation.app, a platform for live auctions of digital art and NFTs. He\u2019s known for his digital drawings of animated, contorted, and mutated bodies; this has been his main form of experimentation with narrativity \u2014also an object of investigation \u2014while immersed in Literary Studies at the University of Barcelona. He started to create internet art when he met the enigmatic secret art group HELL.COM in 2001. Francoise has worked professionally on the internet since 1995.", "avatarURI": "avatars/bAoE2CXGG48ckeGfyejKkifqdZBe9v91uAnQruvwTavEifjAuv/1631183583", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/b4ce315b-29d6-48c4-77bd-3f4233586b00", "location": "Barcelona, Spain", "website": "https://francoisegamma.cat/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x51BED376e565c345DF640f1822EFADa95b1513b7", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "395896c0-b82f-4062-b230-81767b129351", "alias": "Theodoros Giannakis", "slug": "theodoros-giannakis-qew", "fullName": "Theodoros Giannakis", "addresses": {"ethereum": "0x51BED376e565c345DF640f1822EFADa95b1513b7"}, "isArtist": true, "isCurator": false, "bio": "Theodoros Giannakis is a graduate of the Athens School of Fine Arts and the MA program in digital media management of the London Metropolitan University. He is a Ph.D candidate at the Athens School of Fine Arts. He has presented his work in solo exhibitions at Union Pacific (London), Eleni Koroneou (Athens), Radio Athenes (Athens), and SPACE (London), and has taken part in international group exhibitions in art venues, museums, and institutions such as the New Museum in New York; the National Museum of Contemporary Art; Delphi Archeological Museum; Fondazione Prada; Ontario College of Art and Design; V22 Collection; and Futura Center for Contemporary Art. As a member of the art collective KERNEL, he has curated exhibitions and events and has lectured on his research at ICA London, the National Museum of Contemporary Art, the National Hellenic Research Foundation, and at the Athens School of Fine Arts.", "avatarURI": "avatars/ayHbyg2UmBXaNcv2Jh5myfb8EhEpbjadWMWUBLmR7unm6du5ND/1638723598", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/d8526884-95cb-449d-2606-abc1de939e00", "location": "Athens, Greece", "website": "http://www.theodorosgiannakis.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "@metakasari", "twitterID": "@metakasari"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x93af0BDd3eF036537979F5eE247d2eAfDf58d0e8", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "c24c0380-4c4e-4a3f-94e4-b27befbd7fac", "alias": "Kamilia Kard", "slug": "kamilia-kard-ecu", "fullName": "Michela De Carlo", "addresses": {"ethereum": "0x93af0BDd3eF036537979F5eE247d2eAfDf58d0e8"}, "isArtist": true, "isCurator": false, "bio": "Kamilia Kard is an artist and researcher whose work explores how hyper-connectivity and new forms of online communication have modified and influenced the perception of the human body, as well as our gestures, feelings and emotions. Her practice spans from digital paintings to websites, from video installations to 3D printed sculptures, from animated gifs to interactive virtual environments. She has exhibited internationally in museums, galleries, public spaces and online venues, including Careof, Milan (2021); Mars\u00e9ll, Milan (2021); Galerie Odile Ouizeman, Paris (2020); Dimora Artica, Milan (2020); Metronom, Modena (2018, 2019, and 2020); EP7, Paris (2019); Victoria and Albert Museum, London (2018); Fotomuseum Winterthur (2017); La Quadriennale di Roma (2016). She edited the book Alpha Plus. An Anthology of Digital Art (Editorial Vortex 2017) and she often lectures about her artistic practice and research. She is a PhD candidate in Digital Humanities at the University of Genoa and teaches Multimedia Communication in Milan and Carrara, Italy.", "avatarURI": "avatars/aq665buCphKEpuDq2BTa181fCPjWrAFTBUk5BhD4UdxJM8RVFz/1639065214", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/0862c64a-92a8-45b1-8695-2fa95db6f200", "location": "Milan, Italy", "website": "http://kamiliakard.org", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x67e01477c7B463397313bB64a111D0baB40Ea3Da", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "6fffb559-5144-45f9-a0b0-3eb27585295f", "alias": "Jonas Lund", "slug": "jonas-lund-yw9", "fullName": "Jonas Lund", "addresses": {"ethereum": "0x67e01477c7B463397313bB64a111D0baB40Ea3Da"}, "isArtist": true, "isCurator": false, "bio": "Jonas Lund creates paintings, sculpture, photography, websites, and performances that critically reflect on contemporary networked systems and power structures of control. His artistic practice involves creating systems and setting up parameters that oftentimes require engagement from the viewer. This results in performative artworks where tasks are executed according to algorithms or a set of rules. Through his works, Lund investigates the latest issues generated by the increasing digitization of contemporary society, such as authorship, participation, and distribution of agency. At the same time, he questions the mechanisms of the art world; he challenges the production process, authoritative power, and art market practices. Lund has had solo exhibitions at The Photographers' Gallery (2019); Whitechapel Art Gallery, London (2016); Steve Turner, Los Angeles (2016, 2015, 2014); and Showroom MAMA, Rotterdam (2013). Group exhibitions include Centre Pompidou, Paris; Schinkel Pavillon, Berlin; ZKM, Karlsruhe; and the Stedelijk Museum, Amsterdam, among others.", "avatarURI": "avatars/aDADzvsfKdAA4fSoAh9sBFcVzAgbiaGbrTJkS5SMpT8zfza7SD/1638360786", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/f894b291-4e42-4176-d320-936b8113a000", "location": "Amsterdam / Berlin", "website": "https://jonaslund.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xB44f830561f8600D11D4957f688fc1665aE3bAC6", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "0208990a-83a0-4db3-ab22-700ac337a4b9", "alias": "Lev Manovich", "slug": "lev-manovich-x6s", "fullName": "Lev Manovich", "addresses": {"ethereum": "0xB44f830561f8600D11D4957f688fc1665aE3bAC6"}, "isArtist": true, "isCurator": false, "bio": "Dr. Lev Manovich is an artist and a theorist of digital culture. He was included in the list of \"25 People Shaping the Future of Design\" in 2013 and the list of \"50 Most Interesting People Building the Future\" in 2014. He is the author and editor of 14 books including Cultural Analytics, AI Aesthetics, and The Language of New Media, which was described as \"the most suggestive and broad-ranging media history since Marshall McLuhan.\" Manovich is a Presidential Professor at The Graduate Center, CUNY, and a director of the Cultural Analytics Lab. His digital art projects have been shown in over 100 group and personal exhibitions worldwide at venues that include New York Public Library, Google's Zeitgeist 2014, Shanghai Art and Architecture Biennale, Chelsea Art Museum, ZKM, The Walker Art Center, KIASMA, Centre Pompidou, and ICA London.", "avatarURI": "avatars/aTZvbpGS3gHasycyAfUckd4BXSGcnmgjnNemgzR4tft4MHtmDu/1638791865", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/10dd420d-6a41-4b12-bdcd-3e6d38c84300", "location": "New York, U.S.", "website": "http://manovich.net/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x864FE2e82f993a8e7231d87a1f738E5F4F064Afc", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "d979ed11-c27b-4d64-9bf3-5ab7514cfa19", "alias": "Petros Moris", "slug": "petros-moris-ka7", "fullName": "Petros Moris", "addresses": {"ethereum": "0x864FE2e82f993a8e7231d87a1f738E5F4F064Afc"}, "isArtist": true, "isCurator": false, "bio": "Petros Moris is an artist based in Athens. He has presented solo exhibitions in galleries and art spaces including Galeria Duarte Sequiera (Braga), Project Native Informant (London), Point Centre (Nicosia), Union Pacific (London), LilyRobert Gallery (Paris), ROOM E-10 27 (Berlin), SPACE (London), The Cyprus Embassy (Athens), and Onassis Culture (Athens). He has participated in group exhibitions including the 2021 Athens Biennale - Eclipse (Athens), the 2019 Singapore Biennale (Singapore), the New Museum Triennial - Songs for Sabotage (New York), The Tides of the Century (Ocean Flower Island Museum, Hainan), the 7th Thessaloniki Biennale (Thessaloniki), Still Here Tomorrow (Stavros Niarchos Foundation, Athens), Digital Gothic (Centre d'art Contemporain, Delme), Tomorrows (Le Lieu Unique, Nantes), Geometries (Onassis Culture, Athens), The Same River Twice & The Equilibrists (Deste X New Museum, Benaki Museum Athens). He has been nominated for the Deste Prize 2015 and has been awarded the SNF Artists Fellowship, the Onassis Foundation Scholarship, and is a Delfina Foundation Alumni. He has curated exhibitions and events at the Chisenhale Gallery, the Whitechapel Gallery, and Circuits and Currents as part of the curatorial collectives SIM and Radical Reading. He has been part of the art collective KERNEL and co-runs the publication project AM.", "avatarURI": "avatars/bt9TZpHWTR8CZo7mUwn2QfokXRaKi3yNG6HQeQudSuzDbp9AHE/1638724774", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/3ab9768d-05ef-4dae-a82d-a52bf2f22400", "location": "Athens, Greece", "website": "http://petrosmoris.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x3fCeEe17a0F6E4A4cdb34BB7D26d952CB41c4D1f", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "d3b8a612-4266-46c6-b710-84c327c52c35", "alias": "Katja Novitskova", "slug": "katja-novitskova-717", "fullName": "Katja Novitskova Studio B.V.", "addresses": {"ethereum": "0x3fCeEe17a0F6E4A4cdb34BB7D26d952CB41c4D1f"}, "isArtist": true, "isCurator": false, "bio": "Katja Novitskova lives and works in Amsterdam. Novitskova researches ongoing ecological transformations of living, social, and informational processes in the present world, developing personal strategies to render its complex forms. Her works include sculptures generated from online imagery and text, installations and artist publications. In 2011, Novitskova published her first artist book Post Internet Survival Guide 2010. Her work has been exhibited internationally in solo and group exhibitions including Kunstfort bij Vijfhuizen (2021, solo); Belgrade Biennal (2021); Migros Museum, Z\u00fcrich (2020); Sharjah Art Foundation (2020); Powerlong Museum, Shanghai (2019); Hamburger Bahnhof, Berlin (2019); Whitechapel Gallery, London (2018, solo), the Estonian Pavilion at the 57th Venice Biennale (2017, solo); The Public Art Fund, New York (2017, solo), The Museum of Contemporary Art Kiasma, Helsinki (2017); and Greene Naftali, New York (2016, solo). Her work is in various public and private collections, including: Museum Ludwig, Cologne; Moderna Museet, Stockholm; Boros Collection, Berlin; CC Foundation, Shanghai; Fondazione Sandretto Re Rebaudengo, Turin; Rubell Family Collection, Miami, and many others.", "avatarURI": "avatars/ae8GSMANTHmkKbXj1hX7HgV8n4bcYFUj16M6b5qXS8x9Z8npb8/1638546224", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/556ac684-16e9-4829-3af0-2b5d47515a00", "location": "Estonia", "website": "http://www.katjanovi.net/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xF6173C76D6Ad9de9BE350842DEdFE51D63B4B00c", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "a88314ff-7a42-4639-9787-8900b1681a0a", "alias": "Jon Rafman", "slug": "jon-rafman-fjh", "fullName": "Jon Rafman", "addresses": {"ethereum": "0xF6173C76D6Ad9de9BE350842DEdFE51D63B4B00c"}, "isArtist": true, "isCurator": false, "bio": "Jon Rafman was born in 1981 in Montreal, Canada. His artistic practice spans film, sculpture, photography and installation, incorporating the rich vocabulary of virtual worlds to create poetic narratives that critically engage with the present. His works have been featured in prominent international exhibitions, including the 58th Venice Biennale (2019), and is represented in the permanent collections of the Museum of Modern Art (New York), Stedelijk Museum (Amsterdam), Moderna Museet (Stockholm), and many more. Rafman's recent solo exhibitions include Dream Journal 2016 - 2019, Centraal Museum, Utrecht; The Mental Traveller, Fondazione Modena Arti Visive (2018); Dream Journal 16' - 17', Sprueth Magers Berlin (2017); I Have Ten Thousand Compound Eyes and Each is Named Suffering, Stedelijk Museum, Amsterdam (2016); and Westf\u00e4lischer Kunstverein, Munster (2016).", "avatarURI": "avatars/bvWQrBWrXZsh4BfNAq47t3KqveZwa97twPb9L7avUiyj4JCJdd/1638426670", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/08ce0964-2610-44ff-d4a1-ed4729ec0b00", "location": "Los Angeles, U.S.", "website": "https://linktr.ee/jonrafman", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "jonrafman", "twitterID": "jonrafman"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}], "artistsAlumni": [{"ID": "1352232a-60a3-42d7-ac62-b4fd58f20d52", "alias": "Morehshin Allahyari", "slug": "morehshin-allahyari-mvt", "fullName": "Morehshin Allahyari", "addresses": {"ethereum": "0xf8b482bbD522E1ed1e77F0da2E022a59188e9db8"}, "isArtist": true, "isCurator": false, "bio": "Morehshin Allahyari (Persian: \u0645\u0648\u0631\u0647 \u0634\u06cc\u0646 \u0627\u0644\u0644\u0647\u06cc\u0627\u0631\u06cc\u200e) (she, her) is a NY-based Iranian-Kurdish artist using 3D simulation, video, sculpture, and digital fabrication as tools to re-figure myth and history. Through archival practices and storytelling, her work weaves together complex counternarratives in opposition to the lasting influence of Western technological colonialism in the context of SWANA (Southwest Asia and North Africa). Morehshin has been part of numerous exhibitions, festivals, and workshops around the world including Venice Biennale di Architettura, New Museum, The Whitney Museum of American Art, Pompidou Center, Tate Modern, Queens Museum, Museum f\u00fcr Angewandte Kunst, among others. Her work has been featured in the New York Times, BBC, Huffington Post, Wired, National Public Radio, Parkett Art Magazine, Frieze, Rhizome, Hyperallergic, and Al Jazeera, among others. In 2021, she received the United States Artist Fellowship. Her artworks are in the collection of the Whitney Museum of American Art, San Francisco Museum of Modern Art, and the Current Museum.", "avatarURI": "avatars/aDZyD3gUNnLD5ViVVqGq3MPV2EmaxBjijYbaf87Ru6KYu1xNcD/1653153601", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/318fa379-9521-40e0-0ae3-8b98e364cc00", "location": "New York, U.S.", "website": "http://www.morehshin.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "aa7810c0-a47d-4b1d-a82d-c8ee7eded578", "alias": "Sara Bezov\u0161ek", "slug": "sara-bezovsek-l1q", "fullName": "Sara Bezov\u0161ek", "addresses": {"ethereum": "0x7c65Ca9aFB9DD061c25537BE7FdcC555473c7044"}, "isArtist": true, "isCurator": false, "bio": "Sara Bezov\u0161ek is a visual artist, active in the fields of new media, experimental film, and graphic design. Her artistic practice is characterized by the exploration, collection, and storage of mostly pop-cultural visual references from various online platforms, films, and TV series. Using a cut/copy-and-paste technique, she combines found digital material into web pages, collages, mashup videos, etc., thus creating new narratives through appropriation. In doing so, she is interested in what people view and share on social networks, how visual material travels the internet, how it changes, and how it affects users. By using digital images familiar to the global internet user, she wishes to depict how internet phenomena, clich\u00e9s, and iconic pop-cultural references influence our perception. The dense amount of short clips from known series and films, animated GIFs, internet memes, videos, and other images from online platforms creates a feeling of layeredness, as the viewer can read a number of parallel associations, linked to recognizing individual material, in addition to the basic story.", "avatarURI": "avatars/aa9rACW8wtxqEsXY5rmTJUgeMoQq1oC2axLedjDStCz8Gzd6Lc/1638520069", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/65734d58-aabb-4a7b-7d02-8069dec56d00", "location": "Slovenia", "website": "https://sarabezovsek.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "40823ff7-0998-4b50-8e9f-0a3e2b7a479a", "alias": "\u00c9milie Brout & Maxime Marion", "slug": "emilie-brout-and-maxime-marion-yt6", "fullName": "\u00c9milie Brout, Maxime Marion", "addresses": {"ethereum": "0x18c2E51a8F7E22BC78D2A12E21e12a5987b4F21F"}, "isArtist": true, "isCurator": false, "bio": "\u00c9milie Brout & Maxime Marion began their collaboration at the \u00c9cole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs in Paris. Their work sits in public and private collections such as the FRAC Ile-de-France and the Fran\u00e7ois Schneider foundation, and has been featured in numerous media outlets including Le Monde, Art Viewer, New York Observer, BBC and Frieze.\n\nPrevious exhibitions and screenings include Young Art Triennale at Casino Luxembourg; Thessaloniki International Short Film Festival; Louvre Auditorium, Paris; Haus der Kulturen der Welt, Berlin; MAC VAL, Vitry-sur-Seine; Redline Contemporary Art Center, Denver; OCAT Shenzhen; Carroll/Fletcher, London; Moscow Biennale for Young Art; Le Loft - Collection famille Servais, Brussels; Seongnam Art Center; Palais de Tokyo, Paris. They have recently had solo exhibitions at 22,48 m\u00b2, Paris; La Chaufferie, Strasbourg; Pori Art Museum; Villa du Parc, Annemasse; and Steve Turner, Los Angeles.", "avatarURI": "avatars/bYLRCjteQgA54SRQKfPeoheTiuLn4RJ6mU53NBtKTWkqYWdhgm/1638400743", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/55ff1457-da7e-4461-dc5b-6fe071ac5500", "location": "Paris, France", "website": "http://www.eb-mm.net/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "184eae40-3ac5-4fde-9acc-9791bd05e314", "alias": "Anna Carreras", "slug": "anna-carreras-vtc", "fullName": "Anna Carreras Sales", "addresses": {"ethereum": "0x32f848B9436F6400E5FA1fd46E9b96F4541C0966"}, "isArtist": true, "isCurator": false, "bio": "Anna Carreras is a Barcelona, Spain-based creative coder and digital artist whose work focuses on generative algorithms and interactive technology. In addition to working directly with code, Anna develops interactive installations to explore new emerging narratives with an emphasis on audience collaboration. She is interested in the complexity that emerges from small simple behaviors, and she aspires to capture the diversity and richness of complex systems in her works. Throughout the pandemic, she created daily code sketches, which she called \u201cquarantena generativa,\u201d to explore new ideas.", "avatarURI": "avatars/b4SnpxtHwS1ThPGvaECZSc8dUYbCP1wSQqaCsr3jgCMme4YMUX/1615587736", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/8b641f97-6f09-4fec-fd6a-ca2509096e00", "location": "Barcelona, Spain", "website": "https://www.annacarreras.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "2157a61d-00c9-4480-ac55-3b2468de6628", "alias": "Petra Cortright", "slug": "petra-cortright-pse", "fullName": "Petra Cortright", "addresses": {"ethereum": "0x9444f68751Bb1741813619421acf855a1a6Ba4B0"}, "isArtist": true, "isCurator": false, "bio": "Petra Cortright\u2019s core practice is the creation and distribution of digital and physical images using consumer or corporate software. She became renowned for making self-portrait videos that use her computer\u2019s webcam and default effects tools. Cortright\u2019s paintings on aluminum, linen, and paper are created in Photoshop. Cortright lives and works in Altadena, CA. She studied Fine Arts at Parsons School of Design, The New School, New York, NY (2006-2008) and the California College of the Arts, San Francisco, CA (2004). Her works are in the permanent collections of the Museum of Modern Art (New York), The P\u00e9r\u00e9z Museum (Miami), The Bass Museum (Miami), Los Angeles County Museum of Art, the Hammer Museum (Los Angeles), Moderna Museet (Stockholm), MOTI (Breda) in collaboration with Stedelijk Museum (Amsterdam), MCA Chicago, Kadist Foundation (San Francisco), BAMPFA (Berkeley, CA), the San Jose Museum of Art (San Jose, CA), Rhizome\u2019s Net Art Anthology, and MOCA Los Angeles.", "avatarURI": "avatars/bdJTD9BA12HCYckZZV8hjXRLySgW2ABTcbbqr5WKLTsJaWQKfM/1638378745", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/b0248fc1-722a-497a-0b57-17d5498c5d00", "location": "California, U.S.", "website": "https://www.petracortright.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "https://www.instagram.com/petra_cortright/", "twitterID": "https://twitter.com/petcortright"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "974d431f-57a8-4b3b-9952-faeced68a1c3", "alias": "Francoise Gamma", "slug": "francoise-gamma-n1x", "fullName": "Francoise Gamma", "addresses": {"ethereum": "0x0A6F9EE15659dd25Da0d598093452fA7aCDD4090"}, "isArtist": true, "isCurator": false, "bio": "Francoise Gamma is a digitally embodied entity using the internet to draw GIFs (for Netscape 3.04). His work has appeared on Kanye West\u2019s blog, in solo exhibitions, and all around the WWW. Francoise is a member of the online art collective Computers Club, and his work is featured on Foundation.app, a platform for live auctions of digital art and NFTs. He\u2019s known for his digital drawings of animated, contorted, and mutated bodies; this has been his main form of experimentation with narrativity \u2014also an object of investigation \u2014while immersed in Literary Studies at the University of Barcelona. He started to create internet art when he met the enigmatic secret art group HELL.COM in 2001. Francoise has worked professionally on the internet since 1995.", "avatarURI": "avatars/bAoE2CXGG48ckeGfyejKkifqdZBe9v91uAnQruvwTavEifjAuv/1631183583", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/b4ce315b-29d6-48c4-77bd-3f4233586b00", "location": "Barcelona, Spain", "website": "https://francoisegamma.cat/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "395896c0-b82f-4062-b230-81767b129351", "alias": "Theodoros Giannakis", "slug": "theodoros-giannakis-qew", "fullName": "Theodoros Giannakis", "addresses": {"ethereum": "0x51BED376e565c345DF640f1822EFADa95b1513b7"}, "isArtist": true, "isCurator": false, "bio": "Theodoros Giannakis is a graduate of the Athens School of Fine Arts and the MA program in digital media management of the London Metropolitan University. He is a Ph.D candidate at the Athens School of Fine Arts. He has presented his work in solo exhibitions at Union Pacific (London), Eleni Koroneou (Athens), Radio Athenes (Athens), and SPACE (London), and has taken part in international group exhibitions in art venues, museums, and institutions such as the New Museum in New York; the National Museum of Contemporary Art; Delphi Archeological Museum; Fondazione Prada; Ontario College of Art and Design; V22 Collection; and Futura Center for Contemporary Art. As a member of the art collective KERNEL, he has curated exhibitions and events and has lectured on his research at ICA London, the National Museum of Contemporary Art, the National Hellenic Research Foundation, and at the Athens School of Fine Arts.", "avatarURI": "avatars/ayHbyg2UmBXaNcv2Jh5myfb8EhEpbjadWMWUBLmR7unm6du5ND/1638723598", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/d8526884-95cb-449d-2606-abc1de939e00", "location": "Athens, Greece", "website": "http://www.theodorosgiannakis.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "@metakasari", "twitterID": "@metakasari"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "c24c0380-4c4e-4a3f-94e4-b27befbd7fac", "alias": "Kamilia Kard", "slug": "kamilia-kard-ecu", "fullName": "Michela De Carlo", "addresses": {"ethereum": "0x93af0BDd3eF036537979F5eE247d2eAfDf58d0e8"}, "isArtist": true, "isCurator": false, "bio": "Kamilia Kard is an artist and researcher whose work explores how hyper-connectivity and new forms of online communication have modified and influenced the perception of the human body, as well as our gestures, feelings and emotions. Her practice spans from digital paintings to websites, from video installations to 3D printed sculptures, from animated gifs to interactive virtual environments. She has exhibited internationally in museums, galleries, public spaces and online venues, including Careof, Milan (2021); Mars\u00e9ll, Milan (2021); Galerie Odile Ouizeman, Paris (2020); Dimora Artica, Milan (2020); Metronom, Modena (2018, 2019, and 2020); EP7, Paris (2019); Victoria and Albert Museum, London (2018); Fotomuseum Winterthur (2017); La Quadriennale di Roma (2016). She edited the book Alpha Plus. An Anthology of Digital Art (Editorial Vortex 2017) and she often lectures about her artistic practice and research. She is a PhD candidate in Digital Humanities at the University of Genoa and teaches Multimedia Communication in Milan and Carrara, Italy.", "avatarURI": "avatars/aq665buCphKEpuDq2BTa181fCPjWrAFTBUk5BhD4UdxJM8RVFz/1639065214", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/0862c64a-92a8-45b1-8695-2fa95db6f200", "location": "Milan, Italy", "website": "http://kamiliakard.org", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "6fffb559-5144-45f9-a0b0-3eb27585295f", "alias": "Jonas Lund", "slug": "jonas-lund-yw9", "fullName": "Jonas Lund", "addresses": {"ethereum": "0x67e01477c7B463397313bB64a111D0baB40Ea3Da"}, "isArtist": true, "isCurator": false, "bio": "Jonas Lund creates paintings, sculpture, photography, websites, and performances that critically reflect on contemporary networked systems and power structures of control. His artistic practice involves creating systems and setting up parameters that oftentimes require engagement from the viewer. This results in performative artworks where tasks are executed according to algorithms or a set of rules. Through his works, Lund investigates the latest issues generated by the increasing digitization of contemporary society, such as authorship, participation, and distribution of agency. At the same time, he questions the mechanisms of the art world; he challenges the production process, authoritative power, and art market practices. Lund has had solo exhibitions at The Photographers' Gallery (2019); Whitechapel Art Gallery, London (2016); Steve Turner, Los Angeles (2016, 2015, 2014); and Showroom MAMA, Rotterdam (2013). Group exhibitions include Centre Pompidou, Paris; Schinkel Pavillon, Berlin; ZKM, Karlsruhe; and the Stedelijk Museum, Amsterdam, among others.", "avatarURI": "avatars/aDADzvsfKdAA4fSoAh9sBFcVzAgbiaGbrTJkS5SMpT8zfza7SD/1638360786", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/f894b291-4e42-4176-d320-936b8113a000", "location": "Amsterdam / Berlin", "website": "https://jonaslund.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "0208990a-83a0-4db3-ab22-700ac337a4b9", "alias": "Lev Manovich", "slug": "lev-manovich-x6s", "fullName": "Lev Manovich", "addresses": {"ethereum": "0xB44f830561f8600D11D4957f688fc1665aE3bAC6"}, "isArtist": true, "isCurator": false, "bio": "Dr. Lev Manovich is an artist and a theorist of digital culture. He was included in the list of \"25 People Shaping the Future of Design\" in 2013 and the list of \"50 Most Interesting People Building the Future\" in 2014. He is the author and editor of 14 books including Cultural Analytics, AI Aesthetics, and The Language of New Media, which was described as \"the most suggestive and broad-ranging media history since Marshall McLuhan.\" Manovich is a Presidential Professor at The Graduate Center, CUNY, and a director of the Cultural Analytics Lab. 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The exhibition artists’ continued explorations into the natural form and its possibilities of representation with AI over the years have encouraged me to consider what distinguishes this type of art practice from the myriad other ways of depicting humans and the natural world. \n", "note": "", "coverURI": "exhibition-thumbnails/eb6d01d9-0c0e-4615-a271-cd062229dd9f/1632238286", "coverDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/2def21ec-37a8-4bc8-d630-7250c2b22400", "thumbnailCoverURI": "https://imagedelivery.net/5BJzhBHeVhlhbn58hvcXAQ/3ef8c2f9-656f-4363-a56a-9213235ad300", "highlightOrder": 10000, "type": "group", "metadata": {"closeUpTitle": "On Generative Ecologies", "closeUpLink": "https://feralfile.com/close-ups/on-generative-ecologies"}, "settings": {"set_settings": null, "collaborator_amount": 0, "salePaused": false, "burn": false, "bridge": false, "reserveSetting": null, "legalContractRevision": "", "advancePayment": null}, "hidden": false, "isTesting": false, "ordinalLabel": "007", "saleStatus": "sale", "status": 4, "mintBlockchain": "bitmark", "createdAt": "2021-09-10T07:50:43.134673Z", "updatedAt": "2024-11-08T08:01:48.279494Z", "publicViewable": true, "curator": {"ID": "abokrzYNZo4rfyeDqq6tKGBntXetF3H5ACi2FovaPohivzMk7o", "isArtist": false, "isCurator": true, "alumniAccount": {"ID": "ab01ee74-11bc-428a-b504-da9ab285c947", "alias": "Luba Elliott", "slug": "luba-elliott-und", "fullName": "Luba Elliott", "addresses": {"ethereum": "0x1748Fd9107991EA915D889A06bdbE2A23a10ecC7", "tezos": "tz1Rt8e4J6pc63Gwdk7omHTPdjmq95WpvXhR", "bitmark": "abokrzYNZo4rfyeDqq6tKGBntXetF3H5ACi2FovaPohivzMk7o"}, "isArtist": false, "isCurator": true, "avatarURI": "avatars/abokrzYNZo4rfyeDqq6tKGBntXetF3H5ACi2FovaPohivzMk7o/1672676249", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/6cb8656c-7cad-45b8-6402-dcbe95b5e100", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, "curatorAlumni": {"ID": "ab01ee74-11bc-428a-b504-da9ab285c947", "alias": "Luba Elliott", "slug": "luba-elliott-und", "fullName": "Luba Elliott", "addresses": {"ethereum": "0x1748Fd9107991EA915D889A06bdbE2A23a10ecC7", "tezos": "tz1Rt8e4J6pc63Gwdk7omHTPdjmq95WpvXhR", "bitmark": "abokrzYNZo4rfyeDqq6tKGBntXetF3H5ACi2FovaPohivzMk7o"}, "isArtist": false, "isCurator": true, "avatarURI": "avatars/abokrzYNZo4rfyeDqq6tKGBntXetF3H5ACi2FovaPohivzMk7o/1672676249", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/6cb8656c-7cad-45b8-6402-dcbe95b5e100", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, "artists": [{"ID": "0x3F50c925e19a4c145378553a2e3E1d55BF554Cf5", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "b1e780d2-10a1-4839-a199-f8547b0d20e3", "alias": "Entangled Others", "slug": "entangled-others-clf", "fullName": "Sofia Crespo & Feileacan McCormick", "addresses": {"ethereum": "0x3F50c925e19a4c145378553a2e3E1d55BF554Cf5", "tezos": "tz1YGgynw35ruyc6V58LJJ1ryg3Rx62Ftxo8"}, "isArtist": true, "isCurator": false, "bio": "Entangled Others is the shared studio practice of artists Feileacan McCormick and Sofia Crespo. Their work focuses on ecology, artificial lifeforms and generative arts, with an emphasis on giving the more-than-human new forms a presence and life in digital space. This involves exploring questions of relationship, biodiversity, and awareness through biology-inspired technologies. They highlight how, through conscious efforts, new technology can be used to bring attention and awareness to the unseen that we are tightly interwoven with. 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She is particularly interested in ideas around measurement and quantification and how this relates to the natural world. Her process often involves working with collections of information or data\u2014 particularly data sets\u2014and exploring how they are created in order to better understand society and the world. She has exhibited at institutions such as the Centre Pompidou, Ars Electronica, HeK Basel, Impakt, and the Barbican Centre and has degrees from the Royal College of Art, Oxford University and University of Arts London. She was a 2018 EMAP fellow and was listed by Artnet as one of nine \u201cpioneering artists\u201d exploring AI\u2019s creative potential.\n\nCaroline Sinders is a machine learning researcher and artist obsessed with language, culture, and images. Her work explores the intersections between natural language processing, artificial intelligence, abuse, online harassment, and politics in digital, conversational spaces. 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He is particularly interested in human perception of art and creativity, researching methods in which machines can augment or emulate these processes. Thus his artistic research spans a wide range of areas like generative art, cybernetic aesthetics, information theory, feedback loops, pattern recognition, emergent behaviors, neural networks, cultural data, or storytelling.\n\nHe has been active in the field of blockchain-based art since early 2020 and played an instrumental role in the stewardship and emergence of the ecologically responsible and self-governed NFT community Hic et Nunc.\n\nHe was winner of the Lumen Prize Gold 2018, received an honorary mention at the Prix Ars Electronica 2020, and won the British Library Labs Creative Award 2015. He was artist in residence at the Google Arts & Culture Lab and has been recognized as a pioneer in the field of AI art. 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Within this scope, his work strives to examine the human condition and our increasingly complex relationship with technology. \n\nHis experimental practice uses AI to interpret the form and motion of the figure by combining machine learning with drawing, video, animation, and sculpture. The aesthetic of the work is continually evolving, often mirroring early-Modernist explorations around geometric abstraction and a reductive approach to representing the natural world by simplifying complex forms into primitive surfaces and shapes. But rather than creating still images alone, the magic of machine learning affords the possibility of animating and pushing these abstractions through time, creating a dynamic, unpredictable interplay of forms mediated by the machine but responding to artistic direction.\n\nScott\u2019s education spans his interests in art and technology\u2014he studied engineering at Princeton University and MIT, academic drawing and sculpture in Florence, Italy, and contemporary art at the Royal College of Art. His work has been featured in Wired, GQ, Vanity Fair, and the New York Times and exhibited and collected around the world.", "avatarURI": "avatars/ainxgTpGiVd4CnSB4WWDV1C6eLRZDS1AVttprvNYA9GLBEmFgw/1632328252", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/0294d3f0-e9a5-4925-0906-508f1ef83000", "location": "London, UK", "website": "https://www.scott-eaton.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x4Ed3EC70D74d5836d3C600b835fA9aFD40f5dd84", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "3c3ee430-8b94-41af-a50e-f6f72a142171", "alias": "Daniel Ambrosi", "slug": "daniel-ambrosi-rqt", "fullName": "Daniel Ambrosi", "addresses": {"ethereum": "0x4Ed3EC70D74d5836d3C600b835fA9aFD40f5dd84"}, "isArtist": true, "isCurator": false, "bio": "Daniel Ambrosi combines computational photography methods with DeepDream technologies to create highly detailed landscape images as a form of human-AI hybrid art. \n\nBased near Silicon Valley in Half Moon Bay, California, Ambrosi has been exploring novel methods of visual presentation for almost 40 years since entering the Program of Computer Graphics at Cornell University where he earned a Bachelor of Architecture degree and a Masters in 3D Graphics. \n\nIn 2011, Ambrosi devised a unique form of computational photography that generates exceptionally immersive landscape images. More recently, Ambrosi's \"Dreamscapes\" build upon his previous experiments by adding a powerful new graphics tool to his artistic workflow: an enhanced version of \u201cDeepDream,\u201d a computer vision program evolved from Google engineers\u2019 desire to visualize the inner workings of deep learning artificial intelligence models.\n\nWith proprietary access to a customized version of DeepDream expressly modified by two software engineers, Joseph Smarr (Google) and Chris Lamb (NVIDIA), to operate successfully on his giant images, Ambrosi has created large scale artworks that display exquisite sensitivity and intricacy. Ambrosi's engaging AI-augmented artworks and grand format landscape images have been exhibited at international conferences, art fairs, and gallery shows, installed in major tech offices, featured in multiple publications, and are collected worldwide.", "avatarURI": "avatars/bbZdbfTuHKZjMMWuFJuzXctLmGCwEe4crUbvkwMd1d5GZx2ZFf/1632471742", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/5d96e809-d58b-494f-f6b7-f9bb05032500", "location": "California, U.S.", "website": "https://www.danielambrosi.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x8371F4A6Dd13A1e324edaFBB7dA2C391f0e8bDEB", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "da232360-0f2c-42d4-ba19-43b45a03fd70", "alias": "Vadim Epstein", "slug": "vadim-epstein_tez-egf", "fullName": "Vadim Epstein", "addresses": {"ethereum": "0x8371F4A6Dd13A1e324edaFBB7dA2C391f0e8bDEB", "tezos": "tz1WvMHRDDoB6diYs35q2643pefyJpap52gf"}, "isArtist": true, "isCurator": false, "bio": "Vadim Epstein is a media artist, theorist, and practitioner; leading Russian VJ; former IT consultant and theoretical physicist. He has worked in various fields such as net.art, science art, and avant-garde club events since 1996, eventually focusing on visual media. Nowadays, his practice encompasses multimedia vandalism and numeric taxidermy. His current focus is on AI, generative graphics, new media art, and creative coding in general.\n\nAs an artist and curator, he has made visuals for hundreds of concerts, festivals, parties, and commercial events. His artworks have been exhibited worldwide in Montreal, Vancouver, Stuttgart, Paris, Basel and at institutions such as the New Tretyakov gallery, Moscow Biennale, and HeK Basel. His personal style tends towards bold recognizable aesthetics, combining generative and figurative, with high impact native to post-industrial cultures.\n\nSince March 2009 Epstein is the founder and creative director of in[visible] studio, pooling masters of hi-tech visual design and multimedia art. 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He has a research-led practice exploring new methodologies for computational image making. Since 2015 he has been making art using machine learning, engaging with themes of replication, simulation and representation. His research explores new methods that allow for the manipulation of \u2018black-box\u2019 AI models, and other strategies for uncovering the latent aesthetic possibilities of generative AI systems. His practice is a process of humanizing technology and giving rise to the possibility for a subjective machine. \n\nHis art and research have been presented internationally: at conferences and journals such as SIGGRAPH, Leonardo, NeurIPS, EvoMUSART, and ICCC; and museums such as The Whitney Museum of American Art, Garage Museum of Contemporary Art, Ars Electronica, The Barbican, and The Whitechapel Gallery. In 2019 He won the Grand Prize in the ICCV Computer Vision Art Gallery and in 2021 he served on the Jury for SIGGRAPH. His work is in the city of Geneva\u2019s contemporary art collection.\n\nTerence Broad is currently a Ph.D. candidate at Goldsmiths, University of London and is a visiting researcher at the UAL Creative Computing Institute.", "avatarURI": "avatars/bsUZkjiL16uRqvPDaVxoHNuGHDJoceufc6QsWhFk8bdTnp9pr9/1632580640", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/6a8f1b64-4948-4496-bc82-d7ff410abe00", "location": "Newcastle, UK", "website": "https://terencebroad.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x8cc837e441e9c3ebe0dd9aa595f2997c1b93794b", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "a7ba7e89-2261-434d-b848-a02da4755ce8", "alias": "Libby Heaney", "slug": "libby-heaney_tez-8mn", "fullName": "Libby Heaney", "addresses": {"ethereum": "0x8cc837e441e9c3ebe0dd9aa595f2997c1b93794b", "tezos": "tz1PmZBoHjyyF1L2GHLeCzZk5PC54zTGK2ek"}, "isArtist": true, "isCurator": false, "bio": "Libby Heaney is a visual artist with a PhD in quantum physics, whose moving image works, performances and participatory experiences explore the impacts of emerging technologies such as quantum computing and machine learning.\n\nAfter 8 years as a lecturer and researcher at institutions such as University of Oxford and the National University of Singapore, Heaney became disillusioned by the lack of critical discourses within physics. She retrained as an artist not only to investigate the power structures of technology from wider viewpoints, but to also propose alternative, queer realities subverting the predominent uses of these tools.\n\nNow, Heaney uses noise, nonsense, surrealism and affect to create new expressions of collective identity and belonging with each other and the world\u2014a shape-shifting posthuman spirituality. \n\nHeaney's work uses diverse media and modes like blurring, combining, remixing, weaving (derived from quantum physics) to unsettle or 'diffract' standard conceptions of 'truth.' From these foggy modes emerge strange new forms that question the distinction between fake and real, visible and invisible, private and public, the individual and the collective, especially where those categories are mediated by technology.\n\nShe has exhibited widely in the UK and internationally including at the V&A, ICA & Tate Modern in London, Sonar and CCCB in Barcelona as well as Ars Electronica in Linz.", "avatarURI": "avatars/a7sGhhDA5tgm4QrqaVFQrdXPMJuJP56LvmGjKBdGPEp9hDLTes/1632512495", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/e9f02f96-2bd6-47df-1b8c-8063257fd800", "location": "London, UK", "website": "http://libbyheaney.co.uk/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xdEA2D0E86F3B867b217c680638eF24f1bF872020", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "8efd7040-fb8d-4649-a143-0689bcfebc93", "alias": "Mal Som", "slug": "mal-som-tde", "fullName": "Mal Som", "addresses": {"ethereum": "0xdEA2D0E86F3B867b217c680638eF24f1bF872020"}, "isArtist": true, "isCurator": false, "bio": "Mal Som is an artist made in Cambodia, planted in Los Angeles, and currently based in Berlin. Growing up in the United States as a first-gen Cambodian with Buddhist upbringings, his philosophies have married ancient Eastern views with modern Western pop-culture beliefs. He\u2019s able to reflect on both sides. In an age where everyone is more connected than ever, how do we understand information from another culture in a sensitive way and make use of it? Ignoring other cultures can lead to miscommunication. By exploring cultural conflicts, we can foster deeper understanding and bring new possibilities.\n\nThis has touched all aspects of his work. Now based in Berlin, he has begun to explore the realm of AI-generated art. While other AI artists explore the expansive and infinite possibilities this medium represents, Mal has concentrated his focus on what he described as \u201cthe collapse of diversity in a system.\u201d \n\nMal is a self-taught designer/coder. His background is in philosophy, which he studied at California State University in Long Beach, CA. His key focus in AI is on identity bias, ethical practices, datasets diversity, and its impacts on humans. In general, he gravitates towards experiments that break or stress the limitation of a system. His work explores a constant occurrence in machine learning models, known as mode collapses.", "avatarURI": "avatars/bvR78JL8V8eFhGyj4ad6Fx6rwmHUVs2wNHGiMqWShsYbdRmfQD/1632307071", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/8673c8d2-2df1-42af-cb8a-f6822a0d6800", "location": "Berlin, Germany", "website": "https://thismonsterdoesnotexist.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x32533f388C66fac8b69eEd6b67bffd52221D0792", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "f049aca7-6113-457c-b96a-89a63e425000", "alias": "Yuma Kishi", "slug": "yuma-kishi_tez-x7j", "fullName": "Yuma Kishi", "addresses": {"ethereum": "0x32533f388C66fac8b69eEd6b67bffd52221D0792", "tezos": "tz1YHVScPLdAWxfAxAzFJ5YvqNo96ztivMWT"}, "isArtist": true, "isCurator": false, "bio": "Yuma Kishi is a contemporary artist working with AI and the human form. Kishi considers AI not as something that imitates people, but as an alien intelligence from another dimension. By relying on it in his artistic process, he creates works in which the digital intelligence and the analog body are always placed in a parallel relationship. In his works, he often borrows motifs from past art history, which are distortedly combined with technology to evoke a sense of momentary dislocation in the viewer's awareness of the self and the world that exists in the here and now.\n\nKishi received his MFA in Image Generation Algorithms from the University of Tokyo in 2019 and is currently a graduate student at Tokyo University of the Arts. He has been part of a number of group exhibitions in Tokyo, including at Mitsukoshi Contemporary Gallery, T-Art Hall, and Gallery Water as well as in online galleries such as the NeurIPS Creativity AI Art Online. This year, he has his first solo exhibition at the Block House in Tokyo. His work has also been featured by Nike and Vogue.", "avatarURI": "avatars/bRe255UYT8NP67Uc3vM81cESqM5ckmkWbgmNBXggBGgLNDWDgW/1632810521", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/e51030be-975b-45b8-f917-a78a98e42d00", "location": "Tokyo, Japan", "website": "https://obake2ai.com", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x733983a4c7e778CA9f57cAC6ee361c4A9b24E4b1", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "717cb48d-1a80-4e86-9f2c-843579a74337", "alias": "Helena Sarin", "slug": "helena-sarin-l6n", "fullName": "Helena Sarin", "addresses": {"ethereum": "0x733983a4c7e778CA9f57cAC6ee361c4A9b24E4b1", "tezos": "tz2GLYoq3erGG5ajCxrYjk5aNMeHw4kDtzMV"}, "isArtist": true, "isCurator": false, "bio": "Helena Sarin is a visual artist and software engineer working with cutting-edge technologies for tech companies. At the same time, she has done commission work in watercolor and pastel, as well as in the applied arts like fashion, food, and drink styling and photography. Art and software had always run as parallel tracks in her life \u2014software in the digital realm and art in the analog\u2014until she discovered GANs. Since then, generative models became her primary medium. Sarin is known for her artisanal AI art practice, where she works with small datasets made up of her own sketches, ink drawings, engravings, and photographs, which\u2014through the help of AI technologies\u2014are transformed into images that lie across the digital and the analog realm. Her still lifes inherit the particularities of the media in her datasets\u2014we see traces of pastels, newspapers, and photographs as well as the specifics of the AI models. The results are colourful, energetic, and highly personal.\n\nShe is a frequent speaker at machine learning conferences delivering invited talks at institutions such as MIT, Eyeo Festival, Library of Congress and TEDx Konstanz. Her artwork has been exhibited at a variety of AI Art exhibitions including in Zurich, Dubai, Oxford, Shanghai and Miami. Sarin has published a series of artist books including the sell-out \u201cThe Book of GANesis\u201d followed by \u201cGANcommedia Erudita\u201d.", "avatarURI": "avatars/bUHUXJiy42fXWUg5nuCJr12kbYh4mFe1z7W1EWHUEyyneS91KD/1632412601", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/3ba8ed5a-05dc-4128-3dbc-699268263d00", "location": "New Jersey, US", "website": "https://twitter.com/neuralbricolage", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xA71B76214e99b9c57Db2b2B40004250FD959863a", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "edfbbf44-f15c-44f0-9511-f30956dcab21", "alias": "Jake Elwes", "slug": "jake-elwes-czb", "fullName": "Jake Elwes", "addresses": {"ethereum": "0xA71B76214e99b9c57Db2b2B40004250FD959863a"}, "isArtist": true, "isCurator": false, "bio": "Jake Elwes is a media artist living and working in London. He studied at The Slade School of Fine Art, UCL (2013-17). In his art Elwes engages with both the history and tropes of fine art and the possibilities and consequences of digital code with a recent focus on machine learning. His projects explore how we interact with and conceive of technology and artificial intelligence, exploring the technology, philosophy, and ethics behind it, asking questions such as what happens to artistic agency when working with artificial intelligence? What does it mean to collaborate creatively with an unpredictable algorithm, learning from data sets unsupervised, and how does this fit into a history of conceptual and systems art? His practice looks for poetry and narrative in the success and failures of these systems, while also investigating and questioning the code and ethics behind them. His current works in the Zizi Project explore AI bias by queering datasets with drag performers. They simultaneously demystify and subvert AI systems.\n\nJake's work has been exhibited in museums and galleries internationally, including the ZKM, Karlsruhe, Zabludowicz Collection, Ars Electronica, Victoria and Albert Museum and Centre for the Future of Intelligence. He has been featured on ZDF & BBC.", "avatarURI": "avatars/aYRJPCQRhZNPwY571t2eBK1hrQp1QbjC6oS7wRX92e6sZ8KTJs/1632306129", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/1c96f18f-f42b-494b-02ef-6b337c7f6f00", "location": "London, UK", "website": "https://www.jakeelwes.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}], "artistsAlumni": [{"ID": "b1e780d2-10a1-4839-a199-f8547b0d20e3", "alias": "Entangled Others", "slug": "entangled-others-clf", "fullName": "Sofia Crespo & Feileacan McCormick", "addresses": {"ethereum": "0x3F50c925e19a4c145378553a2e3E1d55BF554Cf5", "tezos": "tz1YGgynw35ruyc6V58LJJ1ryg3Rx62Ftxo8"}, "isArtist": true, "isCurator": false, "bio": "Entangled Others is the shared studio practice of artists Feileacan McCormick and Sofia Crespo. Their work focuses on ecology, artificial lifeforms and generative arts, with an emphasis on giving the more-than-human new forms a presence and life in digital space. This involves exploring questions of relationship, biodiversity, and awareness through biology-inspired technologies. They highlight how, through conscious efforts, new technology can be used to bring attention and awareness to the unseen that we are tightly interwoven with. Entanglement is a complex state one where no single entity can be said to be separate, or somehow unaffected, by any other present entangled, we cannot consider ourselves without others, act without interacting, speak without being heard.", "avatarURI": "avatars/bkAggTXk8Kn9bZmVZ1Xj5KUC68iJ3A36jeKb6LBqsdcBDzktCY/1663399898", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/0004d9fd-d47b-424a-7508-fad0d2d82300", "location": "Berlin, Germany", "website": "https://entangledothers.studio/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "d606f637-cc4d-4564-92b2-aa637a827c3a", "alias": "Anna Ridler & Caroline Sinders", "slug": "anna-ridler-and-caroline-sinders_tez-abk", "fullName": "Anna Ridler & Caroline Sinders", "addresses": {"ethereum": "0x71A7767e47bBBcBb194ebAE8C7b4D2A8215E9773", "tezos": "tz1RqPn4EkvJAzmPXb8tdp1GybRBvP3WUArp"}, "isArtist": true, "isCurator": false, "bio": "Anna Ridler is an artist and researcher who works with systems of knowledge and how technologies are created in order to better understand the world. She is particularly interested in ideas around measurement and quantification and how this relates to the natural world. Her process often involves working with collections of information or data\u2014 particularly data sets\u2014and exploring how they are created in order to better understand society and the world. She has exhibited at institutions such as the Centre Pompidou, Ars Electronica, HeK Basel, Impakt, and the Barbican Centre and has degrees from the Royal College of Art, Oxford University and University of Arts London. She was a 2018 EMAP fellow and was listed by Artnet as one of nine \u201cpioneering artists\u201d exploring AI\u2019s creative potential.\n\nCaroline Sinders is a machine learning researcher and artist obsessed with language, culture, and images. Her work explores the intersections between natural language processing, artificial intelligence, abuse, online harassment, and politics in digital, conversational spaces. Her work has been featured in the Victoria and Albert Museum, MoMA PS1, the Modern Art Museum of Bologna, Ars Electronica, as well as others. She is the founder of Convocation Design + Research, an agency focusing on the use of machine learning and design for public good.", "avatarURI": "avatars/bSF84Fx6jSYv15bA3EaZqRWKThXgVkucFZZ476R2nG53fTGbmV/1632748007", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/13d7530a-b94d-4901-6afa-5388fc1b0e00", "location": "London, UK", "website": "https://annaridler.com/ & https://carolinesinders.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "451173a6-09ad-4b30-8669-c283c1f190dd", "alias": "Mario Klingemann", "slug": "mario-klingemann_tez-ycl", "fullName": "Mario Klingemann", "addresses": {"ethereum": "0x7535Da202d79cA57299918c60C218f9b779AA14c", "tezos": "tz1hb9PiWxQEf6J9xevPsUM6dkuCLnhDMvsp"}, "isArtist": true, "isCurator": false, "bio": "Mario Klingemann is an artist who uses algorithms and artificial intelligence to create and investigate systems. He is particularly interested in human perception of art and creativity, researching methods in which machines can augment or emulate these processes. Thus his artistic research spans a wide range of areas like generative art, cybernetic aesthetics, information theory, feedback loops, pattern recognition, emergent behaviors, neural networks, cultural data, or storytelling.\n\nHe has been active in the field of blockchain-based art since early 2020 and played an instrumental role in the stewardship and emergence of the ecologically responsible and self-governed NFT community Hic et Nunc.\n\nHe was winner of the Lumen Prize Gold 2018, received an honorary mention at the Prix Ars Electronica 2020, and won the British Library Labs Creative Award 2015. He was artist in residence at the Google Arts & Culture Lab and has been recognized as a pioneer in the field of AI art. His work has been featured in art publications as well as academic research and has been shown in international museums and at art festivals like Ars Electronica, the Centre Pompidou, ZKM, the Barbican, the Photographers' Gallery, Colecci\u00f3n Solo Madrid, Grey Area Foundation, Mediacity Biennale Seoul, the British Library, and MoMA. He is represented by Onkaos, Madrid and DAM Gallery Berlin.", "avatarURI": "avatars/a7mLEU9wCacHYXG4edrfV72YJQrnXo1GEyPuXAYFBpZEKHFUNH/1632732303", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/20be31bf-aef6-483a-3396-fad21497c800", "location": "Munich, Germany", "website": "https://quasimondo.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "b6e0e744-959b-49d9-8002-643fe078bba2", "alias": "Scott Eaton", "slug": "scott-eaton-k3x", "fullName": "Scott Eaton", "addresses": {"ethereum": "0x62CfEe6314FC2b68464f66b216371970f200Af8f"}, "isArtist": true, "isCurator": false, "bio": "Scott Eaton is a multi-disciplinary artist exploring the boundaries of figurative representation and abstraction using machine learning (AI) alongside traditional and time-based media. Within this scope, his work strives to examine the human condition and our increasingly complex relationship with technology. \n\nHis experimental practice uses AI to interpret the form and motion of the figure by combining machine learning with drawing, video, animation, and sculpture. The aesthetic of the work is continually evolving, often mirroring early-Modernist explorations around geometric abstraction and a reductive approach to representing the natural world by simplifying complex forms into primitive surfaces and shapes. But rather than creating still images alone, the magic of machine learning affords the possibility of animating and pushing these abstractions through time, creating a dynamic, unpredictable interplay of forms mediated by the machine but responding to artistic direction.\n\nScott\u2019s education spans his interests in art and technology\u2014he studied engineering at Princeton University and MIT, academic drawing and sculpture in Florence, Italy, and contemporary art at the Royal College of Art. His work has been featured in Wired, GQ, Vanity Fair, and the New York Times and exhibited and collected around the world.", "avatarURI": "avatars/ainxgTpGiVd4CnSB4WWDV1C6eLRZDS1AVttprvNYA9GLBEmFgw/1632328252", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/0294d3f0-e9a5-4925-0906-508f1ef83000", "location": "London, UK", "website": "https://www.scott-eaton.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "3c3ee430-8b94-41af-a50e-f6f72a142171", "alias": "Daniel Ambrosi", "slug": "daniel-ambrosi-rqt", "fullName": "Daniel Ambrosi", "addresses": {"ethereum": "0x4Ed3EC70D74d5836d3C600b835fA9aFD40f5dd84"}, "isArtist": true, "isCurator": false, "bio": "Daniel Ambrosi combines computational photography methods with DeepDream technologies to create highly detailed landscape images as a form of human-AI hybrid art. \n\nBased near Silicon Valley in Half Moon Bay, California, Ambrosi has been exploring novel methods of visual presentation for almost 40 years since entering the Program of Computer Graphics at Cornell University where he earned a Bachelor of Architecture degree and a Masters in 3D Graphics. \n\nIn 2011, Ambrosi devised a unique form of computational photography that generates exceptionally immersive landscape images. More recently, Ambrosi's \"Dreamscapes\" build upon his previous experiments by adding a powerful new graphics tool to his artistic workflow: an enhanced version of \u201cDeepDream,\u201d a computer vision program evolved from Google engineers\u2019 desire to visualize the inner workings of deep learning artificial intelligence models.\n\nWith proprietary access to a customized version of DeepDream expressly modified by two software engineers, Joseph Smarr (Google) and Chris Lamb (NVIDIA), to operate successfully on his giant images, Ambrosi has created large scale artworks that display exquisite sensitivity and intricacy. Ambrosi's engaging AI-augmented artworks and grand format landscape images have been exhibited at international conferences, art fairs, and gallery shows, installed in major tech offices, featured in multiple publications, and are collected worldwide.", "avatarURI": "avatars/bbZdbfTuHKZjMMWuFJuzXctLmGCwEe4crUbvkwMd1d5GZx2ZFf/1632471742", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/5d96e809-d58b-494f-f6b7-f9bb05032500", "location": "California, U.S.", "website": "https://www.danielambrosi.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "da232360-0f2c-42d4-ba19-43b45a03fd70", "alias": "Vadim Epstein", "slug": "vadim-epstein_tez-egf", "fullName": "Vadim Epstein", "addresses": {"ethereum": "0x8371F4A6Dd13A1e324edaFBB7dA2C391f0e8bDEB", "tezos": "tz1WvMHRDDoB6diYs35q2643pefyJpap52gf"}, "isArtist": true, "isCurator": false, "bio": "Vadim Epstein is a media artist, theorist, and practitioner; leading Russian VJ; former IT consultant and theoretical physicist. He has worked in various fields such as net.art, science art, and avant-garde club events since 1996, eventually focusing on visual media. Nowadays, his practice encompasses multimedia vandalism and numeric taxidermy. His current focus is on AI, generative graphics, new media art, and creative coding in general.\n\nAs an artist and curator, he has made visuals for hundreds of concerts, festivals, parties, and commercial events. His artworks have been exhibited worldwide in Montreal, Vancouver, Stuttgart, Paris, Basel and at institutions such as the New Tretyakov gallery, Moscow Biennale, and HeK Basel. His personal style tends towards bold recognizable aesthetics, combining generative and figurative, with high impact native to post-industrial cultures.\n\nSince March 2009 Epstein is the founder and creative director of in[visible] studio, pooling masters of hi-tech visual design and multimedia art. Besides commercial and personal projects, he has delivered numerous lectures, workshops, and training courses at art schools.", "avatarURI": "avatars/a7N3bPnWnjAc56QP85yUUVtzBLWSkewnyTSvHVdz4dHQpYpewd/1632476735", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/a02ca147-2129-43f9-af41-b6ae1cbdac00", "location": "Moscow, Russia", "website": "http://eps.here.ru/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "89cd24bf-0556-4663-a6ec-246574caae4a", "alias": "Terence Broad", "slug": "terence-broad_tez-vho", "fullName": "Terence Broad", "addresses": {"ethereum": "0xd29c42fe40534446918619cbbac1E88dE4836161", "tezos": "tz1YEm99nkwMsLgd5f9KsoYwAZQUmFUeH9Md"}, "isArtist": true, "isCurator": false, "bio": "Terence Broad is an artist and researcher living and working in Newcastle Upon Tyne. He has a research-led practice exploring new methodologies for computational image making. Since 2015 he has been making art using machine learning, engaging with themes of replication, simulation and representation. His research explores new methods that allow for the manipulation of \u2018black-box\u2019 AI models, and other strategies for uncovering the latent aesthetic possibilities of generative AI systems. His practice is a process of humanizing technology and giving rise to the possibility for a subjective machine. \n\nHis art and research have been presented internationally: at conferences and journals such as SIGGRAPH, Leonardo, NeurIPS, EvoMUSART, and ICCC; and museums such as The Whitney Museum of American Art, Garage Museum of Contemporary Art, Ars Electronica, The Barbican, and The Whitechapel Gallery. In 2019 He won the Grand Prize in the ICCV Computer Vision Art Gallery and in 2021 he served on the Jury for SIGGRAPH. His work is in the city of Geneva\u2019s contemporary art collection.\n\nTerence Broad is currently a Ph.D. candidate at Goldsmiths, University of London and is a visiting researcher at the UAL Creative Computing Institute.", "avatarURI": "avatars/bsUZkjiL16uRqvPDaVxoHNuGHDJoceufc6QsWhFk8bdTnp9pr9/1632580640", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/6a8f1b64-4948-4496-bc82-d7ff410abe00", "location": "Newcastle, UK", "website": "https://terencebroad.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "a7ba7e89-2261-434d-b848-a02da4755ce8", "alias": "Libby Heaney", "slug": "libby-heaney_tez-8mn", "fullName": "Libby Heaney", "addresses": {"ethereum": "0x8cc837e441e9c3ebe0dd9aa595f2997c1b93794b", "tezos": "tz1PmZBoHjyyF1L2GHLeCzZk5PC54zTGK2ek"}, "isArtist": true, "isCurator": false, "bio": "Libby Heaney is a visual artist with a PhD in quantum physics, whose moving image works, performances and participatory experiences explore the impacts of emerging technologies such as quantum computing and machine learning.\n\nAfter 8 years as a lecturer and researcher at institutions such as University of Oxford and the National University of Singapore, Heaney became disillusioned by the lack of critical discourses within physics. She retrained as an artist not only to investigate the power structures of technology from wider viewpoints, but to also propose alternative, queer realities subverting the predominent uses of these tools.\n\nNow, Heaney uses noise, nonsense, surrealism and affect to create new expressions of collective identity and belonging with each other and the world\u2014a shape-shifting posthuman spirituality. \n\nHeaney's work uses diverse media and modes like blurring, combining, remixing, weaving (derived from quantum physics) to unsettle or 'diffract' standard conceptions of 'truth.' From these foggy modes emerge strange new forms that question the distinction between fake and real, visible and invisible, private and public, the individual and the collective, especially where those categories are mediated by technology.\n\nShe has exhibited widely in the UK and internationally including at the V&A, ICA & Tate Modern in London, Sonar and CCCB in Barcelona as well as Ars Electronica in Linz.", "avatarURI": "avatars/a7sGhhDA5tgm4QrqaVFQrdXPMJuJP56LvmGjKBdGPEp9hDLTes/1632512495", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/e9f02f96-2bd6-47df-1b8c-8063257fd800", "location": "London, UK", "website": "http://libbyheaney.co.uk/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "8efd7040-fb8d-4649-a143-0689bcfebc93", "alias": "Mal Som", "slug": "mal-som-tde", "fullName": "Mal Som", "addresses": {"ethereum": "0xdEA2D0E86F3B867b217c680638eF24f1bF872020"}, "isArtist": true, "isCurator": false, "bio": "Mal Som is an artist made in Cambodia, planted in Los Angeles, and currently based in Berlin. Growing up in the United States as a first-gen Cambodian with Buddhist upbringings, his philosophies have married ancient Eastern views with modern Western pop-culture beliefs. He\u2019s able to reflect on both sides. In an age where everyone is more connected than ever, how do we understand information from another culture in a sensitive way and make use of it? Ignoring other cultures can lead to miscommunication. By exploring cultural conflicts, we can foster deeper understanding and bring new possibilities.\n\nThis has touched all aspects of his work. Now based in Berlin, he has begun to explore the realm of AI-generated art. While other AI artists explore the expansive and infinite possibilities this medium represents, Mal has concentrated his focus on what he described as \u201cthe collapse of diversity in a system.\u201d \n\nMal is a self-taught designer/coder. His background is in philosophy, which he studied at California State University in Long Beach, CA. His key focus in AI is on identity bias, ethical practices, datasets diversity, and its impacts on humans. In general, he gravitates towards experiments that break or stress the limitation of a system. His work explores a constant occurrence in machine learning models, known as mode collapses.", "avatarURI": "avatars/bvR78JL8V8eFhGyj4ad6Fx6rwmHUVs2wNHGiMqWShsYbdRmfQD/1632307071", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/8673c8d2-2df1-42af-cb8a-f6822a0d6800", "location": "Berlin, Germany", "website": "https://thismonsterdoesnotexist.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "f049aca7-6113-457c-b96a-89a63e425000", "alias": "Yuma Kishi", "slug": "yuma-kishi_tez-x7j", "fullName": "Yuma Kishi", "addresses": {"ethereum": "0x32533f388C66fac8b69eEd6b67bffd52221D0792", "tezos": "tz1YHVScPLdAWxfAxAzFJ5YvqNo96ztivMWT"}, "isArtist": true, "isCurator": false, "bio": "Yuma Kishi is a contemporary artist working with AI and the human form. Kishi considers AI not as something that imitates people, but as an alien intelligence from another dimension. By relying on it in his artistic process, he creates works in which the digital intelligence and the analog body are always placed in a parallel relationship. In his works, he often borrows motifs from past art history, which are distortedly combined with technology to evoke a sense of momentary dislocation in the viewer's awareness of the self and the world that exists in the here and now.\n\nKishi received his MFA in Image Generation Algorithms from the University of Tokyo in 2019 and is currently a graduate student at Tokyo University of the Arts. He has been part of a number of group exhibitions in Tokyo, including at Mitsukoshi Contemporary Gallery, T-Art Hall, and Gallery Water as well as in online galleries such as the NeurIPS Creativity AI Art Online. This year, he has his first solo exhibition at the Block House in Tokyo. His work has also been featured by Nike and Vogue.", "avatarURI": "avatars/bRe255UYT8NP67Uc3vM81cESqM5ckmkWbgmNBXggBGgLNDWDgW/1632810521", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/e51030be-975b-45b8-f917-a78a98e42d00", "location": "Tokyo, Japan", "website": "https://obake2ai.com", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "717cb48d-1a80-4e86-9f2c-843579a74337", "alias": "Helena Sarin", "slug": "helena-sarin-l6n", "fullName": "Helena Sarin", "addresses": {"ethereum": "0x733983a4c7e778CA9f57cAC6ee361c4A9b24E4b1", "tezos": "tz2GLYoq3erGG5ajCxrYjk5aNMeHw4kDtzMV"}, "isArtist": true, "isCurator": false, "bio": "Helena Sarin is a visual artist and software engineer working with cutting-edge technologies for tech companies. At the same time, she has done commission work in watercolor and pastel, as well as in the applied arts like fashion, food, and drink styling and photography. Art and software had always run as parallel tracks in her life \u2014software in the digital realm and art in the analog\u2014until she discovered GANs. Since then, generative models became her primary medium. Sarin is known for her artisanal AI art practice, where she works with small datasets made up of her own sketches, ink drawings, engravings, and photographs, which\u2014through the help of AI technologies\u2014are transformed into images that lie across the digital and the analog realm. Her still lifes inherit the particularities of the media in her datasets\u2014we see traces of pastels, newspapers, and photographs as well as the specifics of the AI models. The results are colourful, energetic, and highly personal.\n\nShe is a frequent speaker at machine learning conferences delivering invited talks at institutions such as MIT, Eyeo Festival, Library of Congress and TEDx Konstanz. Her artwork has been exhibited at a variety of AI Art exhibitions including in Zurich, Dubai, Oxford, Shanghai and Miami. Sarin has published a series of artist books including the sell-out \u201cThe Book of GANesis\u201d followed by \u201cGANcommedia Erudita\u201d.", "avatarURI": "avatars/bUHUXJiy42fXWUg5nuCJr12kbYh4mFe1z7W1EWHUEyyneS91KD/1632412601", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/3ba8ed5a-05dc-4128-3dbc-699268263d00", "location": "New Jersey, US", "website": "https://twitter.com/neuralbricolage", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "edfbbf44-f15c-44f0-9511-f30956dcab21", "alias": "Jake Elwes", "slug": "jake-elwes-czb", "fullName": "Jake Elwes", "addresses": {"ethereum": "0xA71B76214e99b9c57Db2b2B40004250FD959863a"}, "isArtist": true, "isCurator": false, "bio": "Jake Elwes is a media artist living and working in London. He studied at The Slade School of Fine Art, UCL (2013-17). In his art Elwes engages with both the history and tropes of fine art and the possibilities and consequences of digital code with a recent focus on machine learning. His projects explore how we interact with and conceive of technology and artificial intelligence, exploring the technology, philosophy, and ethics behind it, asking questions such as what happens to artistic agency when working with artificial intelligence? What does it mean to collaborate creatively with an unpredictable algorithm, learning from data sets unsupervised, and how does this fit into a history of conceptual and systems art? His practice looks for poetry and narrative in the success and failures of these systems, while also investigating and questioning the code and ethics behind them. His current works in the Zizi Project explore AI bias by queering datasets with drag performers. They simultaneously demystify and subvert AI systems.\n\nJake's work has been exhibited in museums and galleries internationally, including the ZKM, Karlsruhe, Zabludowicz Collection, Ars Electronica, Victoria and Albert Museum and Centre for the Future of Intelligence. He has been featured on ZDF & BBC.", "avatarURI": "avatars/aYRJPCQRhZNPwY571t2eBK1hrQp1QbjC6oS7wRX92e6sZ8KTJs/1632306129", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/1c96f18f-f42b-494b-02ef-6b337c7f6f00", "location": "London, UK", "website": "https://www.jakeelwes.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}]}, {"id": "8ed36075-d3fd-4127-b3c5-164fe2d23ec1", "title": "P1\u00d73L", "slug": "p1x3l-n36", "exhibitionStartAt": "2021-09-23T15:00:00Z", "previewDuration": 3600, "curatorAlumniAccountID": "85766ac1-ce65-420a-9c19-a954b2c96dc6", "setReservation": 0, "noteTitle": "The Medium is the Medium", "noteBrief": "A P1×3L is the atomic unit of digital and generative art. It can’t be quantified. A P1×3L is vibrant and alive. Artists choreograph P1×3Ls and P1×3Ls possess artists. 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His work has long been concerned with the tensions between the pixel and the screen, reflecting on their materiality by integrating pixelated figures, moir\u00e9 patterns, and early computer graphics into experiential displays. This focus on early computer graphics is driven by the sculptural, material, and pictorial qualities of this imagery, as well as its limitations and its poetics. Sassoon\u2019s work often explores the projective dimensions of screen-based space, and the many relationships between computer technology and the natural world. His research has led him to engage in cross-disciplinary projects in the fields of architecture, electronic music, textiles, and art. His work has been exhibited at The Whitney Museum of American Art (U.S.), Eyebeam (U.S.), Current Museum (U.S.), Vancouver Art Gallery (CA), Plugin ICA (CA), Contemporary Art Gallery (CA), Charles H.Scott Gallery (CA), Western Front (CA), PRETEEN Gallery (MX), Victoria & Albert Museum (UK), the Centre Pompidou (FR), House of Electronic Basel (SW), Arti et Amicitiae (NL), MU Eindhoven (NL) , Today Art Museum (CN), Chronus Art Center (CN), Berlin Fashion Week (DE), and New York Fashion Week (U.S.).", "avatarURI": "avatars/aDJnBndykUEhuo76Ao1sEAfCoLevXYhkkUVBVA9DigyUgCmkue/1621556104", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/56d06454-ed6a-4769-6b8a-ce46413d3300", "location": "Vancouver, Canada", "website": "www.nicolassassoon.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x0A6F9EE15659dd25Da0d598093452fA7aCDD4090", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "974d431f-57a8-4b3b-9952-faeced68a1c3", "alias": "Francoise Gamma", "slug": "francoise-gamma-n1x", "fullName": "Francoise Gamma", "addresses": {"ethereum": "0x0A6F9EE15659dd25Da0d598093452fA7aCDD4090"}, "isArtist": true, "isCurator": false, "bio": "Francoise Gamma is a digitally embodied entity using the internet to draw GIFs (for Netscape 3.04). His work has appeared on Kanye West\u2019s blog, in solo exhibitions, and all around the WWW. Francoise is a member of the online art collective Computers Club, and his work is featured on Foundation.app, a platform for live auctions of digital art and NFTs. He\u2019s known for his digital drawings of animated, contorted, and mutated bodies; this has been his main form of experimentation with narrativity \u2014also an object of investigation \u2014while immersed in Literary Studies at the University of Barcelona. He started to create internet art when he met the enigmatic secret art group HELL.COM in 2001. Francoise has worked professionally on the internet since 1995.", "avatarURI": "avatars/bAoE2CXGG48ckeGfyejKkifqdZBe9v91uAnQruvwTavEifjAuv/1631183583", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/b4ce315b-29d6-48c4-77bd-3f4233586b00", "location": "Barcelona, Spain", "website": "https://francoisegamma.cat/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xd743B27D75A6DcDB34baFc6De0Acb8cecB3aC43F", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "ae5503a6-3cad-40c7-88b4-af5475e866a7", "alias": "ertdfgcvb", "slug": "ertdfgcvb-skl", "fullName": "Andreas Gysin", "addresses": {"ethereum": "0xd743B27D75A6DcDB34baFc6De0Acb8cecB3aC43F"}, "isArtist": true, "isCurator": false, "bio": "Art, code.", "avatarURI": "avatars/bvU4HYvdQmwfq1oSS5Y3LDD5XTsS8Lq6DrJ8LzhkDt7qJpzMrn/1631376634", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/bc0338bf-007f-4e31-6bb8-02e874661d00", "location": "Lugano, Switzerland", "website": "https://ertdfgcvb.xyz/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xA2bb63dfaa00D603ca7f9FceAD1BD664320cee27", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "8f8598c7-679e-4d03-8f9c-75863f0808b6", "alias": "Raquel Meyers", "slug": "raquel-meyers-ouh", "fullName": "Raquel Meyers", "addresses": {"ethereum": "0xA2bb63dfaa00D603ca7f9FceAD1BD664320cee27"}, "isArtist": true, "isCurator": false, "bio": "Raquel Meyers is a Spanish artist who defines her practice as KYBDsl\u00f6jd (mecanograf\u00eda expandida), which can be roughly defined asAuriea Harvey is a Rome-based artist whose practice encompasses virtual and tangible sculptures, drawings, and simulations while blending digital and handmade production. She is primarily concerned with making the mythological world visible through form, interaction, and immersion. Her works are a synthesis of art historical reference and imagination, and she is engaged across time, media, and material to define what sculptural production means in the present moment.
\nHarvey is half of the award-winning artist duo known as Entropy8Zuper!/Tale of Tales/Song of Songs, known for their pioneering works in internet art, video games, and mixed reality. Her work can be found in the permanent collections of institutions such as the Whitney Museum of American Art, Buffalo AKG Art Museum, Walker Art Center, KADIST Collection, RF.C Collection, and Rhizome\u2019s Net Art Anthology. Her video games and VR works have been featured internationally within exhibitions at the Tinguely Museum, Basel; the Victoria & Albert Museum, London; the New Museum, New York; Brooklyn Academy of Music, New York; and ZKM, Karlsruhe.
\n", "avatarURI": "avatars/awbjKsED2faQuwtykwLQHyD1NSmGQJv6YXaJAefXzxvZh6EZjp/1620423820", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/7bb5dab6-3f2b-40ab-5094-7dd9879fd200", "location": "Rome, Italy", "website": "http://auriea.art", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "auriea.harvey.studio", "twitterID": "auriea"}, "associatedAddresses": ["tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy", "tz1a1L6vroYFXEwLn6A23woo8ae2EgA5QfSy"], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0xbED5055112d7950Bd462d5fA3b17307bD42550F0", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "b8565544-7f8a-4cbb-be26-2565d2f7c8f7", "alias": "Martina Menegon", "slug": "martina-menegon-ye1", "fullName": "Martina Menegon", "addresses": {"ethereum": "0xbED5055112d7950Bd462d5fA3b17307bD42550F0"}, "isArtist": true, "isCurator": false, "bio": "Martina Menegon is an artist working with interactive and extended reality art. In her works, Martina creates intimate and complex assemblages of physical and virtual elements that explore the contemporary self and its synthetic corporeality. She experiments with the uncanny and the grotesque-including the self, the body, and the dialogue between the physical and virtual realities-to create disorienting virtual experiences. Martina is a University Assistant and Lecturer at the department of Transmedia Art at the University of Applied Arts in Vienna, where she teaches \u201cDigital Design and Virtuality.\u201d She also teaches multimedia tools for interactive arts at the IUAV University in Venice (MA Digital Exhibit, BA Multimedia Arts) together with Klaus Obermaier and Stefano D'Alessio. She is currently Head of Extended Reality and Curator at \u201cArea for Virtual Art,\u201d a platform for immersive experiences and get-togethers. She is also part of the curatorial team of the new media art festival of Vienna, CIVA Festival. Martina Menegon currently lives and works in Vienna, Austria.", "avatarURI": "avatars/ajDw4fe4UtjY26tyh8kFBJfFVBGzEgHdwsetFYWNzi7HBkGdxc/1685369953", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/cd775952-0c56-4f3a-08cc-f9641a8fb200", "location": "Vienna", "website": "http://www.martinamenegon.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "martina.menegon", "twitterID": "martina_menegon"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x9A0019f80e73fD5f60e734FfAEb8f127295649CC", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "e0f7313d-4ed9-4c7d-b869-93e447119de8", "alias": "Sophie Kahn", "slug": "sophie-kahn-dzk", "fullName": "Sophie Katrin Barrett-Kahn", "addresses": {"ethereum": "0x9A0019f80e73fD5f60e734FfAEb8f127295649CC", "tezos": "tz1UpyzESxZgQokiotWakySn99FpAonUkPft"}, "isArtist": true, "isCurator": false, "bio": "Sophie Kahn is a Brooklyn-based sculptor and digital artist whose work addresses technology\u2019s failure to capture the unstable human body. She was born in London and grew up in Melbourne. She earned a BA (Hons) in Fine Art/History of Art at Goldsmiths College, London; a Graduate Certificate in Spatial Information Architecture from RMIT, Melbourne; and an MFA in Art and Technology at the School of the Art Institute of Chicago. Her recent exhibitions include Dematerialized, Mozilla Hubs/VR; In the Bardo, Feral File; Synthetic Corpo-Reality, MEET Digital Art Center, Milan; Transfigured, C24 Gallery, New York; and Out of Body - Sculpture Post-Photography, bitforms, New York. Her work has also been included in numerous festivals including the Japan Media Arts Festival and Transmediale. She has taught at Pratt Institute in New York and at Columbia College in Chicago and completed residencies at NARS, the Museum of Arts and Design, Pioneer Works, and the Elizabeth Foundation for the Arts Studio Program. Kahn is a New York Foundation for the Arts Digital and Electronic Arts Fellow.", "avatarURI": "avatars/a4beqLYWYhPcKLLCeiMr2mfmU6D27R8uRaHFWHK9LKZjt5J6zp/1620943353", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/877dc9d2-35f0-4881-6dab-0e8048868000", "location": "New York, U.S.", "website": "https://www.sophiekahn.net", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x913107F823135a4189c16b55e5354854Cbdc0dcf", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "401a127d-bc66-445f-968e-bbeba915da94", "alias": "Nancy Baker Cahill", "slug": "nancy-baker-cahill-lnw", "fullName": "Nancy Baker Cahill", "addresses": {"ethereum": "0x913107F823135a4189c16b55e5354854Cbdc0dcf", "tezos": "tz1TSwGwsFMvHYgDPcd6BR3t1vp35ckC8RY9"}, "isArtist": true, "isCurator": false, "bio": "Nancy Baker Cahill is an interdisciplinary artist and expanded filmmaker whose hybrid practice focuses on systemic power, consciousness, and the human body. She creates research-based immersive experiences, video installations, and conceptual blockchain projects rooted in the history of drawing. Her monumental augmented reality (AR) artworks extend and subvert the lineage of land art, often highlighting ecological imagination, civics, and a desire for more equitable futures. She is the Founder and Artistic Director of 4th Wall, a free, AR public art platform exploring site interventions, resistance, and inclusive creative expression.
\nBaker Cahill\u2019s globally-exhibited geolocated AR installations have earned her profiles in The New York Times, Frieze, and The Art Newspaper, among other publications. In 2023, the Georgia Museum of Art exhibited her first solo mid-career survey, which will travel through 2025. The Whitney Museum of American Art commissioned and acquired CENTO, the museum\u2019s first participatory AR project co-built by a global audience, on view through 2024. She will premiere her immersive, expanded film SEEK in 2024, marking the inaugural art experience at COSM in Los Angeles.
\nBaker Cahill is an artist scholar alumnus of the Berggruen Institute and a TEDx speaker. In 2021, she was awarded the Williams College Bicentennial Medal of Honor and a C.O.L.A. Master Artist Fellowship. She is a 2022 LACMA Art and Tech Grant recipient, and 2024-5 Harvard metaLAB Affiliate. Her work is held in the collections of the Los Angeles Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; The Museum of Art and History, Lancaster, CA; RFC Art Collection, Miami, FL; and 0x Collection, Prague, CZ.
\n", "avatarURI": "avatars/aaaRDvupM2vmNky74WxzHjr1qy9q5EBS7SrtKNq7dmmwKDq8xA/1620920670", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/39d64309-7848-467c-e37d-0d7f655f4200", "location": "Los Angeles", "website": "https://www.nancybakercahill.com", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {"instagramID": "nancybakercahill", "twitterID": "nbakercahill"}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}}, {"ID": "0x70170e82d9EA6Ea4857a72D9F69e2ee1DcDf3f0B", "isArtist": true, "isCurator": false, "alumniAccount": {"ID": "1c7f9370-1514-46b7-a772-6f3ec2b764fa", "alias": "Matthew D. Gantt", "slug": "matthew-d-gantt-her", "fullName": "Matthew David Gantt", "addresses": {"ethereum": "0x70170e82d9EA6Ea4857a72D9F69e2ee1DcDf3f0B"}, "isArtist": true, "isCurator": false, "bio": "Matthew D. Gantt is an artist, composer, and educator based between NYC and Troy, NY. 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She produces works that consider the uncanny complications between grounded and virtual reality, nature and artifice, and science and science fiction in contemporary culture. Fascinated by digital semiotics, Gannis takes a horror vacui approach to her artistic practice, culling inspiration from networked communication, art and literary history, emerging technologies, and speculative design.\n\nGannis\u2019 work has appeared in exhibitions, screenings, and internet projects across the globe. Recent projects include \u201cPortraits in Landscape,\u201d Midnight Moment, Times Square Arts, NY and \u201cSunrise/Sunset,\u201d Whitney Museum of American Art, Artport. A regular lecturer on digital art and extended reality, in March 2019 Gannis was a speaker at the SXSW Interactive Festival on the panel \u201cHuman Presence and Humor Make Us Better Storytellers.\u201d\n\nGannis holds an MFA in Painting from Boston University. Currently, she is Industry Professor at New York University (NYU) in the Integrated Digital Media Program, Department of Technology, Culture and Society, Tandon School of Engineering. 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\nHarvey is half of the award-winning artist duo known as Entropy8Zuper!/Tale of Tales/Song of Songs, known for their pioneering works in internet art, video games, and mixed reality. Her work can be found in the permanent collections of institutions such as the Whitney Museum of American Art, Buffalo AKG Art Museum, Walker Art Center, KADIST Collection, RF.C Collection, and Rhizome\u2019s Net Art Anthology. Her video games and VR works have been featured internationally within exhibitions at the Tinguely Museum, Basel; the Victoria & Albert Museum, London; the New Museum, New York; Brooklyn Academy of Music, New York; and ZKM, Karlsruhe.
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She was born in London and grew up in Melbourne. She earned a BA (Hons) in Fine Art/History of Art at Goldsmiths College, London; a Graduate Certificate in Spatial Information Architecture from RMIT, Melbourne; and an MFA in Art and Technology at the School of the Art Institute of Chicago. Her recent exhibitions include Dematerialized, Mozilla Hubs/VR; In the Bardo, Feral File; Synthetic Corpo-Reality, MEET Digital Art Center, Milan; Transfigured, C24 Gallery, New York; and Out of Body - Sculpture Post-Photography, bitforms, New York. Her work has also been included in numerous festivals including the Japan Media Arts Festival and Transmediale. She has taught at Pratt Institute in New York and at Columbia College in Chicago and completed residencies at NARS, the Museum of Arts and Design, Pioneer Works, and the Elizabeth Foundation for the Arts Studio Program. Kahn is a New York Foundation for the Arts Digital and Electronic Arts Fellow.", "avatarURI": "avatars/a4beqLYWYhPcKLLCeiMr2mfmU6D27R8uRaHFWHK9LKZjt5J6zp/1620943353", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/877dc9d2-35f0-4881-6dab-0e8048868000", "location": "New York, U.S.", "website": "https://www.sophiekahn.net", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "401a127d-bc66-445f-968e-bbeba915da94", "alias": "Nancy Baker Cahill", "slug": "nancy-baker-cahill-lnw", "fullName": "Nancy Baker Cahill", "addresses": {"ethereum": "0x913107F823135a4189c16b55e5354854Cbdc0dcf", "tezos": "tz1TSwGwsFMvHYgDPcd6BR3t1vp35ckC8RY9"}, "isArtist": true, "isCurator": false, "bio": "Nancy Baker Cahill is an interdisciplinary artist and expanded filmmaker whose hybrid practice focuses on systemic power, consciousness, and the human body. She creates research-based immersive experiences, video installations, and conceptual blockchain projects rooted in the history of drawing. Her monumental augmented reality (AR) artworks extend and subvert the lineage of land art, often highlighting ecological imagination, civics, and a desire for more equitable futures. She is the Founder and Artistic Director of 4th Wall, a free, AR public art platform exploring site interventions, resistance, and inclusive creative expression.
\nBaker Cahill\u2019s globally-exhibited geolocated AR installations have earned her profiles in The New York Times, Frieze, and The Art Newspaper, among other publications. In 2023, the Georgia Museum of Art exhibited her first solo mid-career survey, which will travel through 2025. The Whitney Museum of American Art commissioned and acquired CENTO, the museum\u2019s first participatory AR project co-built by a global audience, on view through 2024. She will premiere her immersive, expanded film SEEK in 2024, marking the inaugural art experience at COSM in Los Angeles.
\nBaker Cahill is an artist scholar alumnus of the Berggruen Institute and a TEDx speaker. In 2021, she was awarded the Williams College Bicentennial Medal of Honor and a C.O.L.A. Master Artist Fellowship. She is a 2022 LACMA Art and Tech Grant recipient, and 2024-5 Harvard metaLAB Affiliate. Her work is held in the collections of the Los Angeles Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; The Museum of Art and History, Lancaster, CA; RFC Art Collection, Miami, FL; and 0x Collection, Prague, CZ.
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The internet has always been essential for us, because the web isn’t just a space for documentation—it’s the main place where our work is shared and discussed. For many of us, the internet is also the primary place to exhibit work, and be in community. 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\n", "avatarURI": "avatars/anu4pQXQEneovWrLzVfXUma5ntm8GMaB8Y8QaW93aDwS8VD3V6/1615948514", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/8e9d1148-f6bf-4145-9423-70e17cbd6800", "location": "New York", "website": "https://mayaontheinter.net/", "company": "", "royaltyAddresses": {}, "featuredPublication": null, "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "3add3211-dfa3-4d07-ab76-e113723c24bd", "alias": "Frederik Vanhoutte", "slug": "frederik-vanhoutte-gx9", "fullName": "Frederik Vanhoutte", "addresses": {"ethereum": "0x69e2aDf92dd9E69400D6a7ad6247A3d60BBEc3AF"}, "isArtist": true, "isCurator": false, "bio": "Frederik Vanhoutte is an artist and medical radiation physicist based in Bruges, Belgium. He started sharing work online in 2004 under the pseudonym Wintermute, which was shortened to W:Mute and ultimately transformed into his current moniker, W:Blut. He writes, \u201cCode gives me a way to play, to explore the odd behavior of our world, to find the systems beneath it all.\u201d Frederik discovered coding generating visuals while he was a physics PhD candidate, and for over twenty years, he has continued to evolve his practice, making significant contributions to the networked community of generative artists and the free, open-source software that supports it.", "avatarURI": "avatars/aNncbvVaLDNTvYq6XW9U9spb2HnbPz3e5vhfeh7a5uqV6ns53v/1615539953", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/621af106-dd82-40d0-d8ee-d6abba09d700", "location": "Bruges", "website": "https://wblut.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "57802ca0-c4c0-46b3-905d-1cfb026e54ee", "alias": "Saskia Freeke", "slug": "saskia-freeke-qa8", "fullName": "Saskia Freeke", "addresses": {"ethereum": "0x49eB8ddf0A2D7F3f2130BF35563734141D8Cba2F"}, "isArtist": true, "isCurator": false, "bio": "Saskia Freeke is an artist and designer based in The Netherlands. She is a pioneer of daily creative coding (aka \u201cdailies\u201d), and she has posted new explorations online every day since January 2015. She currently posts her dailies on Tumblr, Ello, Twitter, and Instagram, and she has shared her work with audiences in Berlin, London, Paris, Los Angeles ,and many locations in The Netherlands. Saskia is also an educator who has taught physical computing at Goldsmiths, University of London and visual design at the University of the Arts Utrecht School for Games and Interaction. She earned a Master of Arts in Computational Arts degree from Goldsmiths, University of London in 2017.", "avatarURI": "avatars/bNSghTxNsChCRSfsacrrzEmN8s1HT8HhhpD5yckohMuwzKBPth/1615460554", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/f7cddfc3-da0f-4bb4-b2df-0aead87dce00", "location": "Amsterdam", "website": "https://sasj.nl/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}, {"ID": "77837e24-3718-4c4a-ab62-249c4a90b144", "alias": "Dave Whyte", "slug": "dave-whyte-w8p", "fullName": "David Whyte", "addresses": {"ethereum": "0x767b2D575B8797B9D41331F861d442E1116ead16"}, "isArtist": true, "isCurator": false, "bio": "Dave Whyte is a motion designer based in Dublin, Ireland. He is a prolific creator of captivating animated loops\u2014his influential Tumblr account Bees & Bombs popularized animated GIFs created from code, while simultaneously changing Dave\u2019s focus from physics student to full-time motion designer. After receiving his PhD from the Trinity College Dublin School of Physics in 2017, Dave has been working in his studio full time under the same moniker, Bees & Bombs. Since 2011, he has made 1,000s of 5\u201310 second looping animations, each year going deeper into the details of coded form and perception.", "avatarURI": "avatars/aXgQDb9fBqvYyWBxgutagEHAF1nVEXezUqdcKbEXhD5h4sgRHP/1616010146", "avatarDisplay": "https://imagedelivery.net/iCRs13uicXIPOWrnuHbaKA/f4f451dc-f83c-4a02-8d4b-378122c9f700", "location": "Dublin", "website": "http://beesandbombs.com/", "company": "", "royaltyAddresses": {}, "featuredPublication": [], "socialNetworks": {}, "associatedAddresses": [], "isExhibitionParticipant": false, "series": null, "collaborationAlumniAccounts": []}]}]![Painting to Be Stepped On](\"http://www.eyeforfilm.co.uk/images/newsite/A%20WORK%20TO%20BE%20STEPPED%20ON%20-%20Yoko%20Ono.jpg\"){kind=link}
![To See the Sky](\"http://www.moma.org/momaorg/production/loan_art_objects/image/105/zoom_1433182192_610_swap.jpg\"){kind=link}